scholarly journals Contact Improvisation and Dance Narratives – Body Memory and Embodied Knowledge

2019 ◽  
Vol 5 (2) ◽  
Author(s):  
Hilde Rustad
2021 ◽  
Vol 66 (2) ◽  
pp. 173-185
Author(s):  
Raluca Lupan

"The present enquiry is particularly interested in the performer’s body archiving memory while generating poetic movement on stage. The main site of investigation is a theatre-dance performance and the work engaged by the performers of tXc-TOXIC (after the Falk Richter’s play Rausch, an Insula Creative Hub production, directed by Cristian Grosu, choreographed and co-directed by me). The focal point of my argument is that, with proper and sustained body training, performers can easily incite and produce aesthetic movement after engaging the CI (contact improvisation) means of accessing movement and body memory. Keywords: (Non-toxic) body archives, aesthetic experience, embodiment, dance, performance "


APRIA Journal ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 49-55
Author(s):  
Paris Selinas ◽  
Mark Selby

This contribution describes the motivation for 'Paper Cooking,' a design workshop that took place during the Food Friction conference. We reflect on its outcomes, with a view to future directions for work by creating 'Action Recipes,' a video repository that presents people's favourite cooking actions. The repository aims to draw attention to unrecognised aspects of embodied knowledge.


Journal ◽  
1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Judith Okely

Drawing on a multiplicity of learning, teaching and educational experiences, I argue that understanding positionality, or the specificity of each individual, triggers necessary unlearning. Confronting hitherto hidden, subjective knowledge may be the means to recognize grounded learning as ethnocentric and time and space specific. The individual may learn positionality through unexpected contrast, especially through anthropology. The anthropologist is the participant observer, analyst and writer - no managerial delegator, but directly engaged. Learning through engaged action, anthropologists unlearn what they have consciously and unconsciously absorbed from infancy. New embodied knowledge is often gained through making mistakes in other unknown contexts, thus fostering unlearning. This article explores the above themes through an autobiographical account of experiences of both teaching and learning.


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