A Study on the Construction Way of Cultural Memory and Heterotopia Space of Everyday Life: Focused on After Life (Hirokazu Goreeda, 1998)

Cine forum ◽  
2021 ◽  
Vol 40 ◽  
pp. 35-65
Author(s):  
Seung-Mook Kang
Keyword(s):  
Everyday Life ◽  
Cultural Memory

Palaeolithic Art as Cultural Memory: a Case Study of the Aurignacian Art of Southwest Germany

2010 ◽  
Vol 20 (1) ◽  
pp. 87-108 ◽  
Author(s):  
Martin Porr
Keyword(s):  
Everyday Life ◽  
Cultural Memory ◽  
Social Life ◽  
Social Memory ◽  
Individual Variations ◽  
Active Individual ◽  
Different Characteristics ◽  
Southwest Germany ◽  
Palaeolithic Art

This article examines aspects of social memory in the Aurignacian mobiliary art of southwest Germany. An analytical distinction is introduced between cultural and communicative memory with different characteristics and functions in Palaeolithic social life. It is argued that the statuettes are reflections of cultural memory, but also stood in a complex and unstable relationship with the flexible conditions of everyday life. The figurative objects are not passive reproductions of collective ideas. Rather, they have to be seen as products of an active individual and intense concern with the field of meanings and associations of cultural memory, and consequently represent individual variations of a socially shared meaningful ideology

Yugonostalgia and Yugoslav Cultural Memory: Lexicon of Yu Mythology

Slavic Review ◽  
2013 ◽  
Vol 72 (1) ◽  
pp. 54-78 ◽  
Author(s):  
Aleksandar Bošković
Keyword(s):  
Everyday Life ◽  
Cultural Memory ◽  
Virtual Museum ◽  
Social Imagination ◽  
Politics Of Memory ◽  
The Past ◽  
The Social ◽  
Critical Intervention

Aleksandar Bošković argues that the Yugonostalgia in the Lexicon of Yu Mythology should be taken, not as a regressive idealization of the Yugoslav socialist past, but as a critical intervention in both the contemporary postsocialist politics of memory and the politics of emancipation. Bošković identifies the Lexicon as an exhibition catalogue of the virtual museum of all “things Yugoslav,” a self-reflective postmodern hybrid emerging from the semantic overlapping of different genres and threaded with various memories, per-Slavic Review 72, no. 1 (Spring 2013) sonal and collective, nostalgic and ironic, of everyday life in Yugoslav socialism. Bošković contends that by evoking visual and textual reflections on the meaning of the past for the present, the Lexicon appears to have a materiality akin to that of a ruin: it exhibits a blend of affectionate and ironic nostalgia for the Yugoslav past, while simultaneously performing and reaffirming the socialist modernity's prospective perspective as its emancipating impact on the social imagination.

scholarly journals National History and Generational Memory

2020 ◽  
Vol 28 (2) ◽  
pp. 389-420
Author(s):  
Adina Zemanek
Keyword(s):  
Popular Culture ◽  
Everyday Life ◽  
Cultural Memory ◽  
Comic Books ◽  
Recent History ◽  
Postwar Period ◽  
National History ◽  
National Project ◽  
Historical Continuity ◽  
Generational Consciousness

This article explores a recent stage of the national project in Taiwan as reflected in comic books. It compares historical comics and graphic memoirs as lieux de mémoire (according to Pierre Nora) and as stories that define Taiwan, situated between the historical apparatus and cultural memory (in Marita Sturken’s terms). It argues that the memoirs’ higher potential appeal is based on their relevance to contemporary concerns, on building links between the wu nianji 五年級 (fifth-grader) generation and present-day youth, and on depicting history as recoverable through elements of everyday life. The article also highlights borrowings from existing discourses of national history in the analyzed memoirs and their new contributions thereto: a focus on the postwar period; a strong generational consciousness; an idea of historical continuity as embodied in present everyday life; a nonantagonistic approach to national history that transcends ethnic and political divides and positions Taiwan in the midst of global flows; and a nonelite view of Taiwan’s most recent history grounded in popular culture.

Staging the Lived Experience and Socialist Everyday Life in Post-Yugoslav Theater

2019 ◽  
Vol 34 (1) ◽  
pp. 3-24
Author(s):  
Iva Kosmos
Keyword(s):  
Everyday Life ◽  
Lived Experience ◽  
Cultural Memory ◽  
Memory Models ◽  
Memory Model ◽  
Directed Attention ◽  
The Past ◽  
Personal Experiences ◽  
Dominant Narratives ◽  
Dominant Representation

Authoritative models of remembering Yugoslavia tend to exclude experiences of living people while often reproducing the memory trope of “totalitarian legacy.” Several theater performances that appeared in 2010 and 2011 challenged these memory models, as they centered on performers’ personal experiences and recollections as legitimate sources of understanding, imagining, and discussing the past. This article investigates how lived experience is (re)constructed in the theater and whether these performances differ from dominant narratives. Reception analysis of selected performances has shown that public and media appear to find affective memories of socialism more acceptable if told from the position of victims and “authentic” witnesses. Performances widened and diversified the cultural memory of socialism and directed attention to positively evaluated experiences of socialist culture and everyday life, such as multicultural and supranational interactions in Yugoslavia. Nevertheless, the dominant representation of Yugoslav state as totalitarian was not challenged, but rather sidestepped. The focus on popular and everyday culture thus remains the predominant memory model for remembering Yugoslavia in theater, which can be seen as a part of wider processes of gradual reevaluation of socialist life in post-socialist Europe.

scholarly journals Latency in Lebanon, or bringing things (back) to life: A Perfect Day (Joana Hadjithomas and Khalil Joreige, 2005)

2021 ◽  
pp. 175069802110333
Author(s):  
Max Silverman
Keyword(s):  
Civil War ◽  
Everyday Life ◽  
Cultural Memory ◽  
Methodological Approach ◽  
Private Life ◽  
The City

Many Lebanese films and documentaries of the last few decades have focused on the hidden legacies of the civil war (1975–1991) that remain unprocessed in public, and often private, life. Unsurprisingly, these works have often been discussed by critics through the lens of traumatic cultural memory. In the first part of this article I argue that this model is productive yet insufficient. I suggest, instead, a methodological approach which acknowledges the intersections between trauma and other processes underpinning everyday life in the city. In the second part of the article I apply this approach to the film A Perfect Day (Hadjithomas and Joreige, 2005). Using the directors’ own concept of latency, I analyse the affective modes of touch, breath and the hidden life of objects to show how the performative existential drama that unfolds in the film opens out onto processes that go beyond the haunting legacies of violence from the civil war and includes a vision of singularity and infinite possibility that relates back to the birth of cinema itself.

Thriving in Academia: Understanding and Managing the Complexities of Faculty Work

2012 ◽  
Vol 15 (2) ◽  
pp. 77-84 ◽  
Author(s):  
Ketevan Mamiseishvili
Keyword(s):  
Higher Education ◽  
Education Research ◽  
Community Engagement ◽  
Everyday Life ◽  
Work Setting ◽  
Higher Education Research ◽  
Faculty Work ◽  
College And University ◽  
Teaching Research ◽  
University Settings

In this paper, I will illustrate the changing nature and complexity of faculty employment in college and university settings. I will use existing higher education research to describe changes in faculty demographics, the escalating demands placed on faculty in the work setting, and challenges that confront professors seeking tenure or administrative advancement. Boyer’s (1990) framework for bringing traditionally marginalized and neglected functions of teaching, service, and community engagement into scholarship is examined as a model for balancing not only teaching, research, and service, but also work with everyday life.

Moving Forward

2011 ◽  
Vol 42 (3) ◽  
pp. 225-230 ◽  
Author(s):  
Janet B. Ruscher
Keyword(s):  
Everyday Life ◽  
Interpersonal Communication ◽  
Spatial Metaphors ◽  
The People ◽  
Stationary Objects ◽  
Study Participants ◽  
Affective Forecasts

Two distinct spatial metaphors for the passage of time can produce disparate judgments about grieving. Under the object-moving metaphor, time seems to move past stationary people, like objects floating past people along a riverbank. Under the people-moving metaphor, time is stationary; people move through time as though they journey on a one-way street, past stationary objects. The people-moving metaphor should encourage the forecast of shorter grieving periods relative to the object-moving metaphor. In the present study, participants either received an object-moving or people-moving prime, then read a brief vignette about a mother whose young son died. Participants made affective forecasts about the mother’s grief intensity and duration, and provided open-ended inferences regarding a return to relative normalcy. Findings support predictions, and are discussed with respect to interpersonal communication and everyday life.

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