scholarly journals Ejercicios de traición: intertextualidad, culturalismo y traducción en la poesía contemporánea española

2017 ◽  
Vol 24 ◽  
pp. 23-35
Author(s):  
Eva Álvarez Ramos

Exercises in treason: Intertextuality, culturalismand translation in Spanish contemporary poetryThough the classical influence and the culturalist poetry cannot be reduced solely to the use of transtextual procedures, this practice represents a device that fits perfectly within the poetic uses; it helps to build theaestheticinherent to the postmodernthought; and it is raised as the prin­cipal representative of this poetic style. In this succinct approach, two metapoetic reflections on the inclusion of intertexts are shown as a paradigm, to make clear that the positions of the poets against intertextuality are mixed, but are equally successful in the postmodern ideology in which much of theproduction of contemporary Spanish poetry is included.

Author(s):  
Zhaohui Bao

This essay surveys Christian poetry in the Tang dynasty to the Republic of China era. It discusses two basic criteria for defining the constitution and requirements of Christian poetry. It also looks at poetic elements of Christian motifs and biblical genres as they were used in Christian poetry composed by foreign missionaries, non-Christians, and Chinese Christians. This essay also describes how Chinese Christian poets used the styles of Chinese poetry to express the themes of Christianity in different historical periods. According to this period, Xu Guangqi, Wang Zheng, Wu Li, Zhao Zichen, and Bing Xin are the important Christian poets. Wu Jingxiong, Zhu Weizhi, John Chalmers, and Frederick William Baller are excellent translators who translated Hebrew poems into Chinese poetic style. The essay discusses the contributions of Chinese Christian poetry to Chinese writing and the limitations of their writing based on context.


Author(s):  
Liman Du ◽  
Wenguo Yang ◽  
Suixiang Gao

The number of social individuals who interact with their friends through social networks is increasing, leading to an undeniable fact that word-of-mouth marketing has become one of the useful ways to promote sale of products. The Constrained Profit Maximization in Attribute network (CPMA) problem, as an extension of the classical influence maximization problem, is the main focus of this paper. We propose the profit maximization in attribute network problem under a cardinality constraint which is closer to the actual situation. The profit spread metric of CPMA calculates the total benefit and cost generated by all the active nodes. Different from the classical Influence Maximization problem, the influence strength should be recalculated according to the emotional tendency and classification label of nodes in attribute networks. The profit spread metric is no longer monotone and submodular in general. Given that the profit spread metric can be expressed as the difference between two submodular functions and admits a DS decomposition, a three-phase algorithm named as Marginal increment and Community-based Prune and Search(MCPS) Algorithm frame is proposed which is based on Louvain algorithm and logistic function. Due to the method of marginal increment, MPCS algorithm can compute profit spread more directly and accurately. Experiments demonstrate the effectiveness of MCPS algorithm.


2010 ◽  
Vol 3 (2) ◽  
pp. 165-184 ◽  
Author(s):  
Barbara Dancygier

This paper considers the use of alternativity and stance in dramatic and poetic discourse. After a brief look at negation as a phenomenon based on alternative mental spaces, I show how negation can be viewed as ‘intersubjective’. The paper then looks at the intersubjective aspects of negation in a scene from Shakespeare’s Julius Caesar (I come to bury Caesar, not to praise him). In the next sections, the poetic style of Wislawa Szymborska comes under investigation. In particular, the discussion highlights mechanisms such as frame-evocation, counterfactuality, causation, blending, and the alternativity of or. I argue throughout that the primary role of negation and alternativity in dramatic and poetic discourse is making available uncommunicated mental spaces and construals which are then used in the resulting interpretation.


1938 ◽  
Vol 6 (1) ◽  
pp. 88
Author(s):  
Sterling A. Stoudemire ◽  
Graves Baxter Roberts

1942 ◽  
Vol 19 (73-74) ◽  
pp. 101-104
Author(s):  
Audrey Lumsden
Keyword(s):  

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