Comparing Denuclearization Policies of the United States for its Allies during the Cold War: Cases of South Korea and Pakistan

Peace Studies ◽  
2019 ◽  
Vol 27 (1) ◽  
pp. 249-282
Author(s):  
Deokjoong Kim ◽  
Whasun Jho ◽  
Taehee Whang
2021 ◽  
pp. 1-21
Author(s):  
HYUN KYONG HANNAH CHANG

Abstract Protestant music in South Korea has received little attention in ethnomusicology despite the fact that Protestant Christianity was one of the most popular religions in twentieth-century Korea. This has meant a missed opportunity to consider the musical impact of a religious institution that mediated translocal experiences between South Korea and the United States during the Cold War period (1950s–1980s). This article explores the politics of music style in South Korean diasporic churches through an ethnography of a church choir in California. I document these singers’ preference for European-style choral music over neotraditional pieces that incorporate the aesthetics of suffering from certain Korean traditional genres. I argue that their musical judgement must be understood in the context of their lived and remembered experience of power inequalities between the United States and South Korea. Based on my interviews with the singers, I show that they understand hymns and related Euro-American genres as healing practices that helped them overcome a difficult past and hear traditional vocal music as sonic icons of Korea's sad past. The article outlines a pervasive South Korean/Korean diasporic historical consciousness that challenges easy conceptions of identity and agency in music studies.


2015 ◽  
Vol 12 (2) ◽  
pp. 217-237 ◽  
Author(s):  
Junghyun Park

This research deals with South Korea–Taiwan relations from 1949, when the concept of a “Pacific Pact” was first introduced, to 1954, when the Asian People's Anti-Communist League (APACL) was formed. Thus far, studies on the regional order of East Asia during the early Cold War period have focused on U.S. policies toward East Asia and U.S. relations with individual East Asian states. In contrast, this present work examines the multilateral nature of the international relations in the region at the time. The extended cooperation, conflict, and competition between South Korea (ROK) and Taiwan (ROC) over the Pacific Pact from 1949 to 1954 vividly show how actively the two nations attempted to engage in the international arena to ensure their own security. Certainly, the primary purpose of this pact was not to form an autonomous regional alliance independent of the United States. In post-World War II Asia, the United States sought to reorganize a new regional order in Asia, with Japan at the center of this proposed order. Under these circumstances, Taiwan and South Korea, standing at the front line of the Cold War, were desperate to attract the U.S.'s attention. Once the two new nations had secured U.S. military and economic aid, however, they no longer pursued their former aggressive and expansive diplomatic strategies. After the Sino-American Mutual Defense Treaty, signed on December 2, 1954, Taiwan discarded the Pacific Pact as an offensive and defensive treaty and concentrated on the APACL. South Korea, for its part, did not further pursue the Pacific Pact after the ROK–U.S. Mutual Defense Agreement was concluded on October 1, 1953.South Korea and Taiwan maintained an exceptionally close relationship even after signing individual treaties with the United States. At times, the two nations competed to play a leading role in the international relations of Asia. Yet, their differences of opinion did not cross the line of cooperation between the two countries until the collapse of the Soviet Union brought an end to the Cold War system: South Korea then normalized relations with the People's Republic of China (PRC) in 1992.


2005 ◽  
Vol 8 (2) ◽  
pp. 3-20
Author(s):  
William W. Boyer

This article first reviews the official policies of South Korea and the United States toward reunification, second examines the division of Korea during the Cold War, third the division since the Cold War, fourth analyzes the North's nuclear issue, and finally discusses the continuing impasse to reunification and what constructive role the United States should play. The paper shows that there are some striking dissimilarities between the postures of the U.S. and South Korea toward North Korea. The article concludes that South Korea's dramatic change from confrontation to reconciliation toward North Korea, that promises eventual reunification, presents an opportunity for the United States to do the same.


This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.


Author(s):  
Anne Searcy

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.


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