scholarly journals Ego Hugo : « Hauteville House », de la maison-musée au miroir de l’écrivain

2020 ◽  
Author(s):  
Bertrand Bourgeois
Keyword(s):  
Victor Hugo ◽  
Creation Litteraire ◽  
Les Miserables

Victor Hugo achète « Hauteville House » en 1856 grâce aux gains des Contemplations et c’est dans cette même demeure qu’il finit Les Misérables en 1862 : « Hauteville House » est donc intrinsèquement liée à sa création littéraire. C’est en outre la première maison dont il est propriétaire et dans laquelle il vivra pendant quinze ans. De 1857 à 1862, il façonne la décoration intérieure de la maison, pour laquelle il fabrique même certains meubles. Cet article démontre qu’Hugo transforme ce lieu de vie en « maison-musée » qui constitue une autre de ses œuvres d’art, la maison-livre de l’écrivain-architecte. Finalement, Hugo met en scène une véritable architecture du moi dans cette maison-miroir narcissique, car ses initiales et sa signature sont partout inscrites à « Hauteville House ».

Les civilisés de la barbarie (sur Les Misérables, de Victor Hugo)

Romantisme ◽  
2006 ◽  
Vol 36 (134) ◽  
pp. 95-105
Author(s):  
Mario Vargas Llosa
Keyword(s):  
Victor Hugo ◽  
Les Miserables

Échos kantiens et hégéliens dans Les Misérables de Victor Hugo

2021 ◽  
Vol n° 55 (1) ◽  
pp. 69-99
Author(s):  
Stéphane Haber
Keyword(s):  
Victor Hugo ◽  
Les Miserables

Victor Hugo et « les Misérables »

1972 ◽  
Vol 27 (2) ◽  
pp. 443-444
Author(s):  
Pierre Guiral
Keyword(s):  
Victor Hugo ◽  
Les Miserables

Les Misérables

2017 ◽  
Author(s):  
Kathryn M. Grossman ◽  
Bradley Stephens
Keyword(s):  
Nineteenth Century ◽  
Victor Hugo ◽  
Social Injustice ◽  
Collaborative Development ◽  
Critical Response ◽  
Les Miserables ◽  
The Relationship ◽  
Scholarly Attention

One of Britain’s most profitable musical exports, Les Misérables has captivated audiences worldwide with its mix of stirring spectacle and high emotion. Critical response has, however, been deeply divided. Alain Boublil and Claude-Michel Schönberg’s ‘megamusical’ has often been accused of trivializing the mammoth nineteenth-century novel by Victor Hugo on which it is based, reducing Hugo’s epic of social injustice to populist sentimentalism. To challenge the cliché of the inferiority of adaptations and the bias towards ‘high art’ that such criticism generates, this essay specifies the relationship between Hugo’s global bestseller and the world’s longest-running musical. This connection has received much less scholarly attention than the fame of each work would suggest. By exploring their affiliation within the contexts of both Hugo’s Romanticism and the libretto’s collaborative development from Paris to London, a revealing likeness is identified that clearly underpins the success of the ‘show of shows’.

scholarly journals A Study On Frustration in Fantine on Les Miserables Novel By Victor Hugo: Psychological Approach and Its Implementation

2018 ◽  
Vol 6 (2) ◽  
pp. 210
Author(s):  
Amrita Titaranti ◽  
Siswantoro Siswantoro ◽  
Dewi Rochsantiningsih
Keyword(s):  
High School Students ◽  
Defense Mechanisms ◽  
Lesson Plan ◽  
Victor Hugo ◽  
Internal Conflict ◽  
The Novel ◽  
School Students ◽  
Woman Character ◽  
Reading Material ◽  
Les Miserables

<p>Novel has its own richness which is worth exploring. It has many kinds of subject discussions. The subject of frustration is chosen based on Fantine, the most influential woman character in this novel. From her life, frustration as a psychological effect appears. The discussion is not only in literary discussion, but it is also used as teaching material as the tool to complete the need of literary teaching among senior high school students. The data consist of every sentence or conversation which reveal Fantine’s thought, feeling, or behavior. They are collected by reading the novel empirically and analyzed by using flow model by Miles and Huberman (1994). The findings of the study show that (a) Fantine’s evidences of frustration are anxiety, anger and aggression, apathy and depression, cognitive trouble, health disruption, and physical appearance. (b) Fantine’s causes of frustration are unpredictable incident, uncontrolled incident, incident which challenges human limitation, and internal conflict. (c) Fantine’s defense mechanisms are suppression, formed reaction, displacement, and denial. (d) And then summarize of Fantine’s story is used as teaching reading material by putting it in lesson plan which uses curriculum 2013.</p>

scholarly journals Dos Classics Illustrated à Edição Maravilhosa: Victor Hugo entre textos e paratextos (1949-1959)

Tradterm ◽  
2016 ◽  
Vol 27 ◽  
pp. 247
Author(s):  
Dennys Silva-Reis ◽  
Bárbara Guimarães Lucatelli
Keyword(s):  
Victor Hugo ◽  
Les Miserables

O presente artigo analisa quatro HQs inspiradas nos romances de Victor Hugo e suas respectivas traduções para o português: O Corcunda de Notre Dame (1949) – The Hunchback of Notre Dame (1946), Os miseráveis (1951) – Les Miserables (1943), Os Trabalhadores do Mar (1952) – The Toilers of the Sea (1949), e O Homem que Ri (1952) – The Man Who Laughs (1950). Para tal empreendimento nos detemos na observação do texto traduzido e na comparação entre paratextos que acompanham a tradução e o texto fonte. Desta forma, mostramos que enquanto as HQs em inglês eram produzidas como motivação para leitura dos clássicos, os brasileiros tentavam alcançar o status de Literatura.

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