scholarly journals The Health-trash Nexus in Challenging Environments: A Spatial Mixed Methods Analysis of Accra, Ghana

Author(s):  
Sandra Owusuaah Bempah ◽  
Andrew Curtis ◽  
Gordon Awandare ◽  
Jayakrishnan Ajayakumar ◽  
Nancy Nyakoe

Abstract Background: Increasing urbanization in Ghana has led to a waste management crisis with multiple public health consequences. The contextualized mapping of what is dumped, where and why might provide vital on-the-ground support to address the problem itself, as well as the spillover disease impacts. One of the biggest challenges, however, are the required spatial and temporal granular data. Methods: In this paper, we employ a spatial mixed methods approach to investigate the issue of waste management through the lens of health and disparity in Teshie, a suburb of Accra, Ghana. Environmental health risks digitized and mapped from these data sources included trash, plant overgrowth, drains and stagnant water. Results: There was an overlaying relationship between trash and open drains. Open drains encouraged the indiscriminate disposal of trash and also served as a cheaper alternative to paying for waste pick up. Poverty played an intricate role in influencing a trash disposal complex at the sub-neighborhood scale.Conclusion: The trash situation in Teshie is a complex one with varied levels of risks for infectious diseases.

Author(s):  
Rose Lindsey ◽  
John Mohan ◽  
Sarah Bulloch ◽  
Elizabeth Metcalfe

This chapter describes and briefly evaluates the strengths and weaknesses of the sources of evidence on voluntary action used in this book, and the challenges faced when using a mixed-methods approach. The chapter discusses the derivation of quantitative estimates of levels of volunteering and considers the challenges in analysing volunteering levels over time due to of variations in methodology and discontinuities in the availability of survey data. The chapter goes on to describe the source of qualitative data, writing undertaken by Mass Observation Project (MOP) volunteer writers and considers the advantages and limitations of this source. The chapter proceeds to a discussion of the challenges of mixed-methods work using these diverse sources. While MOP respondents can clearly be said to be active citizens, by the same token, this means that they are not typical of the general population, when compared to national social surveys drawing on respondents who are representative of the population. The chapter concludes with a discussion of how the various datasets are brought into dialogue with one another, and of the value of mixing data and methods of analysis.


2019 ◽  
Vol 28 (8) ◽  
pp. 2243-2258
Author(s):  
Tsui-Sui A. Kao ◽  
Kristina M. Reuille ◽  
Colleen Y. Taylor ◽  
Cleopatra Howard Caldwell

2012 ◽  
Author(s):  
Adena T. Rottenstein ◽  
Ryan J. Dougherty ◽  
Alexis Strouse ◽  
Lily Hashemi ◽  
Hilary Baruch

2020 ◽  
Vol 13 (1) ◽  
pp. 64-91
Author(s):  
Mellie Torres ◽  
Alejandro E. Carrión ◽  
Roberto Martínez

Recent studies have focused on challenging deficit narratives and discourses perpetuating the criminalization of Latino men and boys. But even with this emerging literature, mainstream counter-narratives of young Latino boys and their attitudes towards manhood and masculinity stand in stark contrast to the dangerous and animalistic portrayals of Latino boys and men in the media and society. Utilizing a mixed-methods approach, the authors draw on the notion of counter-storytelling to explore how Latino boys try to reframe masculinity, manhood, and what they label as ‘responsible manhood.’ Counter-storytelling and narratives provide a platform from which to challenge the discourse, narratives, and imaginaries guiding the conceptualization of machismo. In their counter-narratives, Latino boys critiqued how they are raced, gendered, and Othered in derogatory ways.


Screen Bodies ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 31-55
Author(s):  
Samantha Eddy

The realm of horror provides a creative space in which the breakdown of social order can either expose power relations or further cement them by having them persist after the collapse. Carol Clover proposed that the 1970s slasher film genre—known for its sex and gore fanfare—provided feminist identification through its “final girl” indie invention. Over three decades later, with the genre now commercialized, this research exposes the reality of sexual and horrific imagery within the Hollywood mainstay. Using a mixed-methods approach, I develop four categories of depiction across cisgender representation in these films: violent, sexual, sexually violent, and postmortem. I explore the ways in which a white, heterosexist imagination has appropriated this once productive genre through the violent treatment of bodies. This exposes the means by which hegemonic, oppressive structures assimilate and sanitize counter-media. This article provides an important discussion on how counterculture is transformed in capital systems and then used to uphold the very structures it seeks to confront. The result of such assimilation is the violent treatment and stereotyping of marginalized identities in which creative efforts now pursue new means of brutalization and dehumanization.


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