A study on the restoration of a court dance in early Joseon performed to 〈Dongdong(動動)〉 in junggi(中機)

2018 ◽  
Vol 28 ◽  
pp. 39-67
Author(s):  
Seon-suk Son
Keyword(s):  
Court Dance

scholarly journals Critiques on the Ideologies of Contemporary Bedhayan Dances

2017 ◽  
Vol 9 (1) ◽  
pp. 104-114
Author(s):  
Sawitri Sawitri ◽  
Bani Sudardi ◽  
Wakit Abdullah ◽  
Nyoman Chaya
Keyword(s):  
Descriptive Analysis ◽  
Iron Curtain ◽  
Global Culture ◽  
Cultural Products ◽  
Classical Dance ◽  
Life Orientation ◽  
Court Dance ◽  
Classical Culture ◽  
The Relationship

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ideology. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely concerns the fulfillment of material needs.

Bugaku: Japanese Court Dance, with the Notation of Basic Movement and of Nasori

1975 ◽  
Vol 7 (2) ◽  
pp. 32
Author(s):  
Leonard C. Pronko ◽  
Carl Wolz
Keyword(s):  
Court Dance ◽  
Basic Movement

Pedagogical Competency of Dance Instructors in The Training of Malay Court Dance Skills Among Upper Secondary Students at Johor National Art School

2022 ◽  
Vol 21 (2) ◽  
pp. 221-232
Author(s):  
Muhammad Fazli Taib Bin Saearani ◽  
Abdul Hamid Chan ◽  
Nur Nabila Micheal Lung Abdullah
Keyword(s):  
Secondary Students ◽  
Technological Development ◽  
Three Dimensions ◽  
Learning Needs ◽  
Dance Pedagogy ◽  
Curriculum Assessment ◽  
Court Dance ◽  
Upper Secondary ◽  
Art Schools ◽  
Competency Level

Dance pedagogy is a complex and dynamic field of competency that involves various skills and self-appearance. Therefore, dance instructors must widen the scope of their competency to strengthen and improve their level. This research aimed to identify the competency of dance instructors teaching the practical subject of Malay Court Dance based on factors including the components of pedagogy, curriculum, assessment, and professionalism. The data was collected from interviews with the instructors and was analyzed through thematic analysis. The findings indicated that the instructors’ competency level development could be mapped into three dimensions, namely orientation, agent, and competency content. It was concluded that art schools in Malaysia need to develop dance instructors’ competency in terms of (1) 21st-century learning needs, (2) vertical and horizontal knowledge sharing, (3) workshop, study tour, and competition, and (4) standardization of technological development relevant for curriculum, across knowledge, practical, and feeling domains.

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