scholarly journals Rock Art of the Khufu Region, Egyptian Western Desert: The Female Anthropomorphic Representations

2022 ◽  
Vol 12 (2022) ◽  
pp. 289-300
Author(s):  
Mostafa Atallah ◽  
Nourhan Moustafa
Keyword(s):  
Rock Art ◽  
Geologos ◽  
2021 ◽  
Vol 27 (2) ◽  
pp. 105-113
Author(s):  
Kholoud M. Abdel Maksoud ◽  
Mahmoud I. Baghdadi ◽  
Dmitry A. Ruban

Abstract Caves are rare in northeast Africa and, thus, deserve attention as potential geoheritage objects (geosites). Assessment of Djara Cave and its vicinity (Western Desert, Egypt) has permitted to document unique features, such as the cave itself as a peculiar subsurface landform, speleothems providing data for palaeoenvironmental reconstructions, rock art demonstrating elements of past landscapes, siliceous nodules weathered from Eocene limestones and a network of dry drainage channels indicative of wetter palaeoenvironments. These features are assigned to geomorphological, sedimentological and palaeogeographical types of geoheritage. Djara Cave and its vicinity are proposed as a geosite of national rank; it is vulnerable to anthropogenic stress and needs geoconservation measures and instalment of interpretative signs. This geosite is already popular among tourists, and can be used for further tourism development. More generally, the presence of caves in Egyptian desert areas makes possible the recognition of national speleological heritage that requires special country-level strategies of management.


Diogenes ◽  
2011 ◽  
Vol 58 (3) ◽  
pp. 7-21 ◽  
Author(s):  
Jo McDonald ◽  
Peter Veth
Keyword(s):  
Rock Art ◽  

Afghanistan ◽  
2018 ◽  
Vol 1 (2) ◽  
pp. 282-301
Author(s):  
John Mock

In 1972, a brief article titled “Khandud, Village de la Vallée du Wakhan” appeared in Afghanistan 25. The subsequent decades of conflict precluded any follow-up research in Wakhan. The current article, based on field work from 2004 to 2016, examines the present condition of the sites described in 1972, offers a revised analysis of their significance, and introduces newly discovered rock art that connects Wakhan with the Saka culture of Central Asia and illustrates indigenous traditions of the Pamir-Hindukush ethnolinguistic region.


2020 ◽  
Vol 42 (Supplement) ◽  
pp. 7-22
Author(s):  
George Applebey

In this paper, I will reflect on my personal memories of Ludovic Mann, friend and mentor to my late father George Applebey, whose archaeological career is also a focus of the paper. They both worked together on Mann's most famous excavations at Knappers Farm, and the nearby painting of the Cochno Stone rock-art panel. However, these are only two examples of their long-term collaboration and friendship, and this paper will explore the broader context within which they worked. This will include consideration of other collaborators, such as J Harrison Maxwell, part of the ‘Ludovic Group’ in the first half of the twentieth century. The important role that all three men played in the development of Scottish archaeology is noted. The paper concludes with developments following Mann's death in 1955 including George Applebey's emergence as a noted amateur archaeologist in his own right, and the fate of the Mann and Applebey collections.


2008 ◽  
Vol 104 (11/12) ◽  
Author(s):  
J.D. Lewis-Williams ◽  
D.G. Pearce
Keyword(s):  

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