scholarly journals Dedication of the Warriors from Epirus to Heracles

2021 ◽  
Vol 66 (1) ◽  
pp. 148-162
Author(s):  
Oleg Yu. Klimov ◽  
◽  
Maxim M. Kholod ◽  
◽  

The article analyzes a poetic dedication to Heracles, found during the archaeological dig in northwestern Greece, in Epirus. The dedication was made by three warriors from a small city of Buchetion, who having joined the Roman army participated in the suppression of Aristonicus’ revolt in the kingdom of Pergamon (133–129 BC). The inscription supplements our knowledge of Aristonicus’ revolt. In particular, the new fact is that warriors from Balkan Greece took part in the war against Aristonicus, which is not mentioned by the extant narrative tradition. It is possible that the three warriors were conscripted into the Roman army headed by the consul of 130 BC Marcus Perperna by means of a treaty that the Romans had concluded with the cities of Cassopa and Buchetion, similarly to a number of other Greek states. In the dedication, Aristonicus is referred to by name alone, although it is known that he took the royal title. In all likelihood, the warriors who left the dedication to Heracles served in a wagon train, fulfilling the duties of transporting military goods and, at the same time, guarding them. They apparently belonged to a wealthy segment of society in their small city because they went to war with wagons and horses. It can be assumed that during the devastation the Romans brought to Epirus in 167 BC, the coastal Greek cities, such as Cassopa and Buchetion, did not suffer. The devastation may have affected only the inner areas of the region. The dedication to Heracles was made because Heracles as a savior was popular among Greeks. In addition, he was considered an ancestor of Oxylus, one of the Heraclids who after their return to Peloponnesus became ruler of Elis. Afterwards, colonists from this region founded Buchetion, the home city of the warriors who left the dedication.

1975 ◽  
Vol 28 (3) ◽  
pp. 63-64
Author(s):  
Ernest Callenbach
Keyword(s):  

Leczenie Ran ◽  
2014 ◽  
Vol 11 (2) ◽  
pp. 85-90
Author(s):  
Marek Kucharzewski ◽  
Robert Kokot ◽  
Katarzyna Wilemska-Kucharzewska ◽  
Andrzej Kuropatnicki
Keyword(s):  

2020 ◽  
pp. 409-432
Author(s):  
Oskar Kubrak ◽  
Paulina Kubrak ◽  
Mkrtich H. Zardaryan

During the last years of Emperor Trajan’s reign, the Legio IV Scythica was stationed in the capital of Armenia at that time, Artaxata. It had made its way there within the scope of the Roman campaign against the Parthians. Its presence was immortalised on stamped rooftiles, bricks and a monumental inscription discovered by the southern border of the present-day village of Pokr Vedi. The inscription carved into limestone confirms the building activities of the Roman army. Similar inscriptions were frequently placed on the gates and most important buildings in legionary camps. Polish and Armenian archaeologists undertook a joint search for the supposed camp of the Fourth Scythian Legion in the vicinity of the present-day village of Pokr Vedi, where the above-mentioned construction inscription had been found. The field surveys conducted within the framework of the Pokr Vedi Project were mainly of a non-invasive character. The following were applied: surface prospection, aerial photography, interviews with the inhabitants, scanning of part of the terrain and geophysical measurements done using two methods: electrical resistivity and magnetic measurements. The accumulated data enabled the selection of sites in which survey trenches were located


Projections ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 58-74
Author(s):  
Héctor J. Pérez

AbstractThis article explores the use of the plot twist in screen fictions. This is a largely unexplored area, as interest in this phenomenon has largely focused on the so-called “plot twist movie,” which is an older narrative tradition. In order to explain this aesthetic phenomenon, it draws on the model of surprise originally proposed by the cognitive psychologists Wulf Meyer, Rainer Reisenzein, and Achim Schützwohl. Plot twists are characterized by three distinct but intimately intertwined temporal segments and their corresponding functions, which are explained by this model. The objective of this article is to explore how cognitive-emotional interactions shape the aesthetic viewing experience and to identify how that experience relates to shows’ artistic qualities. Game of Thrones (S01 and S03), Homeland (S01), and Westworld (S01) will be used as test cases. In each of the three plot segments, there are specific processes that distinguish the experience of surprise as an aesthetic phenomenon.


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