"Baraka": World Cinema and the Global Culture Industry

1998 ◽  
Vol 37 (3) ◽  
pp. 62 ◽  
Author(s):  
Martin Roberts
2017 ◽  
Vol 20 (3) ◽  
pp. 305-323 ◽  
Author(s):  
Rahma Sugihartati

The subculture of urban global popular-culture youth fans is believed to be a resistance-subculture against the hegemony of dominant power. This study, however, found that the subculture given rise to by the urban, global popular-culture youth fans of ‘the Mortal Instruments’ in Indonesia is in opposition to the Neo-Gramscian thought which has become the foundation of popular-culture studies. In constructing their identity, some of the digital fandoms of global popular culture have been critical of the content of cultural texts as a form of resistance against texts produced by cultural industries. However, they have only been developing artificial forms of resistance within the system, that is, in fan sites. This study found that the urban youths joining digital fandoms are not free from the hegemony of capitalism because they have become playlabourers, engaging in free digital labour for the powers of the global culture industry. This critical attitude of urban youths, in building their digital fandom-subculture identity, is incapable of standing against the system. They even position themselves within the network of cultural-industry capitalism – identified by the Frankfurt School as the domination and superiorization of the industry power of global entertainment that is continually self-restoring.


Area ◽  
2008 ◽  
Vol 40 (2) ◽  
pp. 294-295
Author(s):  
David Bell

2009 ◽  
Vol 61 (3) ◽  
pp. 417-418
Author(s):  
Fernando J. Bosco

2019 ◽  
pp. 107-124
Author(s):  
Ernest Ženko

In the article author follows a view that although rational thinking can be found in all literate societies around the globe, differences between cultures develop to a certain degree also from basic distinctions between philosophical ways of thinking. In this sense, the Yijing, or The Book of Changes, classical text not only characterizes the basic mode of Chinese philosophical thinking, but also influences past and present Chinese culture. The Yijing, however, did not only influence Chinese contexts, but from the 18th century on, its impact was felt also in the West. To Jesuit translators, Leibniz and C. G. Jung, and even to 20th century physicists, artists or musicians, this ancient text had always something relevant to say. The more so in times of crisis, when it became evident that it is better to escape one’s own culture and to look for answers elsewhere; in a wholly different tradition. It seems, however, that the reception of the Yijing in the West went full circle; from being an exotic and mystical text from an unknown and foreign practice, to an important corrective of a Western tradition that found itself in crisis during the twentieth century, to the global culture industry.


2019 ◽  
Author(s):  
Nurhairunnisa .

Todays popular culture is a part of global culture. Kabbalah, a form of popular spirituality derived from orthodox Jewish mysticism has gained popularity because of its association with the activists and celebrities in the pop culture industries. This paper examines the influence of this organization, which is still mysterious, through the public image of the spirituality of pop culture actors who became followers of Kabbalah and express their identity in the implied meanings contained in music and lyrics of the song and as the media to express those feeling, thought, or social and religious experince, also how popular culture as a criticism of religious institutions. In strengthening and deepening this research, will applies social and phenomenological approach as my theoretical framework to make a deep analysis in this topic. This study is important to give alternative perspectives to pop culture and the media as inseparable linked to identity, culture, politic, religion and gender which is related to common society nowadays.


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