scholarly journals History of Agriculture in the Southern United States to 1860

1933 ◽  
Vol 15 (3) ◽  
pp. 602
Author(s):  
Herbert Heaton ◽  
Lewis Cecil Gray
1934 ◽  
Vol 39 (2) ◽  
pp. 345
Author(s):  
N. S. B. Gras. ◽  
Lewis Cecil Grary

1933 ◽  
Vol 20 (3) ◽  
pp. 417
Author(s):  
Louis Bernard Schmidt ◽  
Lewis Cecil Gray ◽  
Esther Katherine Thompson

Author(s):  
Monica M. White

Most accounts of African Americans’ relationship to the soil focus on oppression and exploitation. This book offers the untold history of Black farmers’ fight to stay on the land in the southern United States, using agricultural cooperatives as a basis for resistance and community self-determination. This chapter introduces slave gardens as resistance, the Colored Farmers Alliance, the Universal Negro Improvement Association, and food and agriculture in the civil rights and Black Power movements as precursors to the examples of black agricultural cooperatives in Freedom Farmers. These cooperatives demonstrate what White calls collective agency and community resilience, using the primary strategies of prefigurative politics, economic autonomy, and commons as praxis. The archival, ethnographic, and interview-based methods of the book are grounded in the African principle of sankofa: investigating the past to understand the present as a basis of forging a future of our own making.


2021 ◽  
pp. 217-220
Author(s):  
Candace Bailey

This history of women’s music in the southern United States—one taking into account regional practices—offers new perspectives into class, social aspirations, and gender; it differs substantially from composer-centric narratives. It is the first study to interrogate the impact of the Civil War on women’s music—how it affected repertory, performance circumstances, and careers. The dissimilar women examined here prove that a single, fixed signifier, such as cultural class, social status, parlor music, or domesticity cannot sufficiently account for southern women’s music practices. Gentility provides a more satisfactory explanation by allowing a nuanced examination of southern women—both white and of color—and their musicking.


Sign in / Sign up

Export Citation Format

Share Document