On the Seal Impressions on Some Old Babylonian Tablets

1957 ◽  
Vol 11 (2) ◽  
pp. 45-52 ◽  
Author(s):  
Briggs Buchanan
Iraq ◽  
2010 ◽  
Vol 72 ◽  
pp. 201-204
Author(s):  
Diederik Meijer

On the basis of cylinder seal impressions from the Middle Bronze Age strata of Tell Hammam al-Turkman (Syria) a case is made for cultural and possibly commercial connections between that site and the region of Old Babylonian Sippar in Iraq.


2001 ◽  
Vol 5 (1) ◽  
pp. 37-40
Author(s):  
Horst Klengel ◽  
Evelyn Klengel

AbstractThe article which had been originally dedicated to the late Armenian Academician Gagik Sarkisian describes a Babylonian clay tablet document from the collection of the Vorderasiatisches Museum Berlin (inventory number VAT 952). The text of the document is a contract dealing with the terms of delivery of 960 bundles of reed. It is dated with the third full year of reign of king Samsuiluna, the successor of 'Ammurapi. On the cover of the tablet some not very well preserved seal impressions can be found . The authors attempt to (partly) reconstruct these seal impressions, which are connected with people involved in the contract. One of the better preserved impressions shows two formally interconnected battle scenes, one between a man and a lion, the other between a men and a lion-dragon. Although these kind of scenes are rarely to be met with on Old Babylonian seals, the given impression can be compared to a well preserved representation of a similar scene on a clay tablet from Sippar.


Author(s):  
Erika Weiberg

The point of departure for this paper is the publication of two Early Helladic sealing fragments from the coastal settlement of Asine on the north-east Peloponnese in Greece. After an initial description and discussion they are set in the context of sealing custom established on the Greek mainland around 2500 BCE. In the first part of the paper focus is on the apparent qualitative differences between the available seals and the contemporary seal impressions, as well as between different sealing assemblages on northeastern Peloponnese. This geographical emphasis is carried into the second part of the paper which is a review and contextualisation of the representational art of the Aegean Early Bronze Age in general, and northeastern Peloponnese in particular. Seal motifs and figurines are the main media for Early Helladic representational art preserved until today, yet in many ways very dissimilar. These opposites are explored in order to begin to build a better understanding of Peloponnesian representational art, the choices of motifs, and their roles in the lives of the Early Helladic people.


Syria ◽  
1994 ◽  
Vol 71 (3) ◽  
pp. 347-348
Author(s):  
D. Collon
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document