The Aesthetic Response. An Antinomy and its Resolution.

1935 ◽  
Vol 32 (8) ◽  
pp. 221
Author(s):  
I. E. ◽  
Milton C. Nahm
Keyword(s):  
Aesthetic Response ◽  
The Aesthetic

scholarly journals The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity

Catharsis ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 38-49
Author(s):  
Efriyeni Chaniago ◽  
Tjetjep Rohendi Rohidi ◽  
Triyanto Triyanto
Keyword(s):  
Regional Identity ◽  
Interdisciplinary Approach ◽  
Secondary Data ◽  
City Government ◽  
Data Sources ◽  
Original Form ◽  
Aesthetic Response ◽  
Brunei Darussalam ◽  
Aesthetic Formalism ◽  
The Aesthetic

BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.

scholarly journals The aesthetic preference for nature sounds depends on sound object recognition

2018 ◽  
Author(s):  
Stephen Charles Van Hedger ◽  
Howard Nusbaum ◽  
Shannon Heald ◽  
Alex Huang ◽  
Hiroki Kotabe ◽  
...  
Keyword(s):  
Object Recognition ◽  
Higher Order ◽  
Aesthetic Response ◽  
Acoustic Features ◽  
Aesthetic Preference ◽  
Perceptual Features ◽  
The World ◽  
The Aesthetic ◽  
The Relationship

People across the world seek out beautiful sounds in nature, such as a babbling brook or a nightingale song, for positive human experiences. However, it is unclear whether this positive aesthetic response is driven by a preference for the perceptual features typical of nature sounds versus a higher-order association of nature with beauty. To test these hypotheses, participants provided aesthetic judgments for nature and urban soundscapes that varied on ease of recognition. Results demonstrated that the aesthetic preference for nature soundscapes was eliminated for the sounds hardest to recognize, and moreover the relationship between aesthetic ratings and several measured acoustic features significantly changed as a function of recognition. In a follow-up experiment, requiring participants to classify these difficult-to-identify sounds into nature or urban categories resulted in a robust preference for nature sounds and a relationship between aesthetic ratings and our measured acoustic features that was more typical of easy-to-identify sounds. This pattern of results was replicated with computer-generated artificial noises, which acoustically shared properties with the nature and urban soundscapes but by definition did not come from these environments. Taken together, these results support the conclusion that the recognition of a sound as either natural or urban dynamically organizes the relationship between aesthetic preference and perceptual features.

scholarly journals Reading literary works in a second language: Transaction and interaction

2015 ◽  
Vol 19 (2) ◽  
pp. 63
Author(s):  
Marta Sánchez
Keyword(s):  
Second Language ◽  
Foreign Language ◽  
Schema Theory ◽  
Literary Text ◽  
Cultural Barriers ◽  
Aesthetic Response ◽  
Language And Culture ◽  
Theoretical Frame ◽  
The Aesthetic ◽  
Second Language Readers

Esta discusión explora cómo lingüística y /o barreras culturales pueden afectar la respuesta estética a un texto literario en lectores competentes a un segundo idioma. A medida que el marco teórico que apoya esta discusión tanto en la teoría del esquema y la teoría transaccional de Rosenblatt se han utilizado. Se sugiere aquí que los lectores de segunda lengua ya poseen esquemas suficiente de la lengua extranjera y la cultura como en la operación con un texto estético. En esta transacción la comprensión de lectura se puede evidenciar.This discussion explores how linguistic and /or cultural barriers can affect the aesthetic response to a literary text in proficient second language readers. As the theoretical frame supporting this discussion both schema theory and Rosenblatt's transactional theory have been used. It is suggested here that second language readers already possess sufficient schemata of the foreign language and culture as to transact with a text aesthetically. In this transaction reading comprehension can be evidenced.

The Aesthetic Response

2019 ◽  
pp. 183-205
Author(s):  
Norman Kreitman
Keyword(s):  
Aesthetic Response ◽  
The Aesthetic

Aesthetic Development in Music: An Experiment in the Use of Personal Construct Theory

1990 ◽  
Vol 7 (3) ◽  
pp. 173-190 ◽  
Author(s):  
Liz Gilbert
Keyword(s):  
Peer Groups ◽  
Assessment Process ◽  
Personal Construct ◽  
Personal Construct Theory ◽  
Aesthetic Response ◽  
Aesthetic Development ◽  
Teacher Researcher ◽  
Construct Theory ◽  
The Aesthetic

This paper examines Kelly's Personal Construct Theory (PCT) as a means of researching the development of the aesthetic response to the perception of music. It takes the techniques of association and construct elicitation derived from PCT as a means of investigating pupil responses, and attempts to shed some light both on the way pupils perceive their peer groups' compositions and on the role of the teacher/researcher in the assessment process.

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