In Tune with Innovation: The "West by Southwest" Music Panel at the 2009 Western History Association Conference

2010 ◽  
Vol 87 (3) ◽  
pp. 4-66
Author(s):  
Douglas Flamming ◽  
Daniel Cady ◽  
Virginia Scharff
Keyword(s):  
The West ◽  
Evil ◽  
2019 ◽  
pp. 88-96
Author(s):  
Matthew C. Halteman

In a world where meat is often a token of comfort, health, hospitality, and abundance, one can be forgiven for raising an eyebrow at the conjunction “meat and evil.” From another perspective, the problem is obvious: meat—the flesh of slaughtered animals taken for food—is the remnant of a feeling creature who was recently alive and whose death was premature, violent, and often gratuitous. The truth is that meat has a checkered history in the west. From its origin-story in Abrahamic religion to its industrial production today, meat is well-marbled with evil and its minions: sin, violence, injustice, destruction, suffering, and death. My aim is to consider meat’s fitness for a place in the Western history of evil by reflecting on its outsized roles at the bookends of this narrative: meat’s primeval history in Genesis, and its contribution today to ethical and environmental problems of arguably apocalyptic proportions.


Author(s):  
Nathalie Massip

Abstract This article reviews the reception of the New Western History, whose emergence coincided with the history and culture wars of the late twentieth century. I analyze debates and arguments created by revisionists’ writings, both within the walls of academia and beyond. The discussions which the movement triggered within the historical profession led to exceptional press coverage that attested to the central place the West occupies in the American imagination. Similarly, the uproar generated by the 1991 Smithsonian’s West as America exhibition further demonstrated Americans’ singular attachment to the story of the West as the creation myth of the nation. Just as the culture wars of the period hinged on a definition of an American identity, the reappraisal of the western past was perceived, by some, as questioning what it meant to be a westerner and, ultimately, an American.


2007 ◽  
Vol 76 (3) ◽  
pp. 405-438
Author(s):  
ROBERT VITALIS

In 1956 Wallace Stegner wrote a history of the Arabian American Oil Company (Aramco), but it was only published fifteen years later——in Beirut. The book complicates the view of Stegner as a destroyer of American western myths and a forerunner of the social and environmental turn in western history. Stegner shared with those who bought his services some problematic ideas about American identity and history in the context of the Cold War. His forgotten history of oil exploration in Saudi Arabia reveals the blind spots in his ““continental vision,”” an inability or unwillingness to see the moment as part of the long, unbroken past of the U.S. West. Stegner's journey, from chronicler of the despoiling of the West by eastern oil and copper barons to defender of cultural diversity and the collective commons, stopped, as it has for many other Americanists, at the water's edge.


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