The birth of an heir to King James and Mary of Modena led to a crisis, with allegations that the child was not legitimate. Whig politicians were alarmed by the promotion of openly practicing Catholics in the army and at the court. Upon the invasion by William, the court fled into exile in France, establishing a rival court at St. Germain. While in exile, Jacobite poets including Jane Barker created manuscript volumes of verse and fiction to be published later. In England, supporters of King James including Heneage and Anne Finch retreated from London into a quiet exile in the countryside, and John Dryden was removed from his post as Poet Laureate.
La prestigiosa editorial Comares ha publicado, en la colección Interlingua, una monografía sobre el poeta canadiense Bruce Meyer, autor de libros como Radio Silence (1992), The Presence (1999), Anywhere (2000), The Spirit Bride (2002), Oceans (2004), As Yet, Untitled (2006), Mesopotamia (2009), Dog Days (2010), The Obsession Book of Timbuktu (2013), Testing the Elements (2014) y The Seasons (2014), entre otros.
The article provides an analysis of the presence of the American poet-laureate Natasha Trethewey in modern literary discourse. The publication emphasizes the need to combine the methods of linguistics and culturology, anthropology and everyday history in the study of the construction of everyday USA in the works of the poet. The author explains the relevance of certain topics in the work of N. Trethewey to understand the psychology of the African American population in the USA. The state of studying the work of the poet-laureate in domestic science is determined. Remarks were made on the specifics of the creative search for the master of the word. The article illustrates the problem of reflection and national (ethnic) consciousness through the prism of the poetic word. She became the poetic voice of black America in the early 21st century. The ambiguous African-American side of the history of the United States awoke in the pages of her collections. With the deepening equality movement that swept North America during Donald Trump’s reactionary presidency, the lines of her poetry condemning racism, showing the country's participation in the American nation's foundation, and the often painful diffusion of white and black worldviews sound rather poignant. America. These reflections gained special strength with the development of the Black Lives Matter public initiative. The author’s work is gaining weight with the emphasis of the world community on gender issues. During the existence of the award in its various forms, women struggled to fight for the right to be the face of American literature. Of the 30 poetry advisers in the Library of Congress (the award was named from 1936 to 1986), only 6 were women. Since the renaming of the award in 1986, an unprecedented wave of feminization has begun. In 2012, Natasha Trethewey became the sixth woman to work among the nineteen winners in this office at the Library of Congress since the late 1980s. The work was carried out within the framework of the research theme of the Department of Culturology of the Poltava National Pedagogical University named after V.G.Korolenko “Polylogue of the global and regional in the formation of the socio-cultural identity of the individual” (state registration number 0120U103840).
The Liberal is one of the most important journals of the Romantic period, the
brainchild of Shelley, Leigh Hunt, and Byron. It was inevitable that Byron's poem,
an attack on Robert Southey, the poet laureate, would be in the first issue. 7,000
copies were printed and 4,000 sold, enough to make the new journal a huge
success.
This chapter turns once more to Robert Bridges, whose death in 1930 marks the end of the book. He did not believe that English meter could be adequately represented by only one system, nor did he believe that the four systems he mastered exhausted its possibilities. He struggled with the pedagogic necessities of his time, founding the Society for Pure English, participating as poet laureate in the national metrical project during the First World War by writing for the war office, and editing the popular anthology of verse, The Spirit of Man. His late career poem “Poor Poll” engages with the modernist polyglossia and the rise of free verse by presenting an English prosody accessible to both high and popular audiences. It was Pound's eventual dismissal of Bridges that guaranteed his obsolescence. Pound's changing reactions to Bridges over the course of Pound's career betray an anxiety about meter's role in poetic mastery, as well as an attempt to control the narrative of English meter.
Is Robert Pollard the Rock Poet Laureate of Entomology?