Oxcart Catholicism on Fifth Avenue: The Impact of the Puerto Rican Migration upon the Archdiocese of New York

1995 ◽  
Vol 56 (2) ◽  
pp. 221
Author(s):  
Kevin J. Christiano ◽  
Ana Maria Diaz-Stevens

1995 ◽  
Vol 36 (3) ◽  
pp. 320
Author(s):  
Roberto J. Blancarte ◽  
Ana María Diaz-Stevens ◽  
Ana Maria Diaz-Stevens


1992 ◽  
Vol 66 (1-2) ◽  
pp. 89-94
Author(s):  
María Isabel Quiñones-Arocho

[First paragraph]The women of Azua: work and family in the rural Dominican Republic, by BARBARA FINLAY. New York: Praeger, 1989. xi + 190 pp. (Cloth US$ 35.00)The psychosocial development of Puerto Rican women, edited by CYNTHIA T. GARCIA COLL & MARIA DE LOURDES MATTEI. New York: Praeger, 1989. xiii + 272 pp. (Cloth US$ 45.00)Women and the sexual division oflabour in the Caribbean, edited by KEITH HART. Mona, Jamaica: Consortium Graduate School of Social Sciences, UWI, 1989. 141 pp. (Paper n.p.)The three books under review work have a common theme: the impact of changing gender expectations on Caribbean women. The authors are mainly concerned with recent political and economie changes that might have contributed to either the improvement or deterioration of women's status in these societies. The questions raised by the contributors are strikingly similar: What has been the impact of dependent economie development on women's lives and has this resulted in increased labor participation (a problem explored for rural Dominican women as well as for Jamaican and Barbadian women) or in the migration to metropolitan centers, with its psychosocial consequences (an issue raised for Puerto Rican women living in the United States)? If patriarchal values (often referred to as traditional values) prevail in these societies, then what impact might wage work, migration, or improved education have on those values? Could it be the disintegration of the nuclear family with an increased proportion of female-headed households (Hart), higher rates of mental illness as a result of dysfunctional aceulturation (Garcia Coll and Mattei), or even an improvement of women's status within their families and communities (Finlay)?



2020 ◽  
pp. 197-230
Author(s):  
Benjamin Lapidus

This chapter explores how Puerto Rican and Nuyorican (New York-born Puerto Rican) musicians in New York City used jazz harmony, arranging, improvisation, and musical aesthetics to broaden the sound of Latin popular music from the postwar period into the 1990s and beyond. It argues that the Puerto Rican connection to jazz was extensive and encompassed a variety of styles and eras. The chapter challenges the debate over salsa's patrimony and development, by demonstrating how particular Puerto Rican musicians in New York City were fluent in jazz and incorporated it into Latin music. Much discourse has unfortunately centered on pitting Puerto Rican against Cuban musicians or looking only at commercial or sociocultural considerations when considering Latin music in New York. Proficiency in both jazz and Latin music allowed Puerto Rican musicians to innovate in ways that did not happen in Puerto Rico or elsewhere. The chapter also explores other themes discussed in the introduction, such as the importance of clave, the impact and extent of music education among Puerto Rican musicians, family lineages, the importance of folklore, and inter-ethnic collaboration.







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