Navigating the Wide Sargasso Sea: Colonial History, English Fiction, and British Empire

1997 ◽  
Vol 43 (3) ◽  
pp. 339 ◽  
Author(s):  
Laura E. Ciolkowski
Author(s):  
John J. Su

This essay contributes to developing 21st-century readings of Rhys by exploring her work in relation to more recent theories of affect, particularly those associated with Brian Massumi. Massumi's work, including his influential concept of “the autonomy of affect,” is particularly intriguing in this regard because of its potential implications for postcolonial studies. Just as postcolonial studies has in the past decade sought to move beyond the center-periphery model that has dominated the discipline since its inception, readings of Rhys invite scholars to move beyond the focus on the purported (or failed) critique of Empire that has defined postcolonial Rhys scholarship. This chapter reads the two narrators of Wide Sargasso Sea, both of whom focus heavily on how their position within the British Empire is experienced on the level of emotions and affect. Rhys challenges the rigid distinctions between emotion and affect that underlie Massumi's theories, suggesting a more complex interplay between non-cognitive experiences and ideology.


2020 ◽  
Vol 27 (4) ◽  
pp. 665-688
Author(s):  
Juliette Taylor-Batty

2019 ◽  
Author(s):  
Fann Oudah Aljohani

This study explores the identity formation and mobility of the role of Antoinette in the novel "Wide Sargasso Sea" from the perspective of the cultural and human geography. In general, it is a space and place study. The thesis suggests that, Antoinette has some conditions and circumstances that she developed in an autonomic manner with different experiences in order to navigate and recognize the dangerous and safe spaces around her. Wide Sargasso Sea, by Jean Rhys, elaborates a self-sacrifice experience that the protagonist went through in her search for identity, which she lost due to the circumstances around her. In this research, a psychological analysis of Antoinette's personality will be taken, moreover; an attempt is made to find out the reasons for her schizophrenic behavior. The research focuses on Antoinette's shattered identity and the specters she faced in her life, which ultimately played a huge role in her madness. Also, the visible opposite aspects of black/white, rationality/unconsciousness, male/female, and sanity/madness are conceived by her conscious mind, and it causes the frantic thoughts of insanity, womanhood, and blackness. Also, it sheds light on Antoinette's journey in life to figure out where she belongs and her struggle in this search. Antoinette's personality and identity crisis as a Creole girl will be discussed in depth. There are different areas that are explored in this paper; such as the interpretation of how the surrounding spaces affect Antoinette and the reasons behind the absence of a loving mother in Wide Sargasso Sea. Furthermore, Rochester's character is also examined to find out how the masculine space differs from feminine space, and to what extent Mr. Rochester's cruelty harms Antoinette. Another important thing that is discussed in the paper is the effect of family relationships on a person's identity, and how it becomes a reason of mental disorder.


Author(s):  
Aida Chacón-Castellanos

Concuerdo con Maricruz Castro (2009), quien señala que género es un concepto mediante el cual quedan manifiestas las construcciones culturales alrededor de la mujer y de lo femenino, así como también del hombre y lo masculino. Considero que la autora Jean Rhys puede brindar una visión de primera mano sobre el tema no solamente de lo femenino sino también del prejuicio racial y el discurso imperialista a partir del cual se construye la identidad del otro. Fundo mi acercamiento en <em>Wide Sargasso Sea</em>,  <em>Ancho mar de los Sargazos</em>, de Rhys. La construcción de la figura femenina, ligada a la locura y el prejuicio racial, desde el punto de vista imperialista, son elementos que la autora trata de desvincular desde su muy particular narrativa.


Author(s):  
Mary Lou Emery

This chapter focuses on the veranda in Rhys’s writing as an architectural space that opens onto multiple stories, its material history embedded within five centuries of imperial conquest and conflict, the slave trade, the Middle Passage, the plantation, and the plantation’s legacies in city spaces of early 20th-century Europe. As a creolized architectural form, the veranda speaks also to global circuits stretching from its origins in West Africa and India through Europe and the Americas, with the Caribbean as a central point of transit. I analyse the veranda in Rhys’s writing – including several of the short stories and the novels Wide Sargasso Sea, Voyage in the Dark, and Good Morning, Midnight – as framing key characters, conflicts, and events within the transcontinental reach of this deep history. The layering of time and space, as built into the veranda, situates also the experimental prose of Rhys’s Caribbean modernism.


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