"Ein hypermoderner Dirigent": Mahler and Anti-Semitism in "Fin-de-siècle" Vienna

1995 ◽  
Vol 18 (3) ◽  
pp. 257-276 ◽  
Author(s):  
K. M. Knittel
2019 ◽  
pp. 234-249
Author(s):  
David Sorkin

This chapter addresses how Europe became a mass society in the fin de siècle (1870–1914). Explosive population growth gave rise to major metropolises whose residents were divided by rank and religion, gender and class. The new conditions of the fin de siècle, mass migration from eastern Europe, and the rise of the new organized political anti-Semitism propelled Jews across Europe and in the United States to establish social welfare and civil defense organizations. The former practiced solidarity on a grand scale; the latter intervened to protect equality. The organizations' promotion of emancipation was predicated on Jews being a confession or religious group: by functioning under the guise of “welfare” and “civil defense,” they deliberately eschewed political claims. From the 1890s, new forms of mass Jewish politics emerged that contested that basic assumption.


2020 ◽  
Vol 58 (4) ◽  
pp. 458-484
Author(s):  
Tatjana Buklijas

This essay uses the case of the fin-de-siècle Vienna embryologist Samuel Leopold Schenk to analyze the factors at play in allegations of misconduct. In 1898, Schenk published a book titled Theorie Schenk. Einfluss auf das Geschlechtsverhältnis (Schenk’s theory. Influence on the sex ratio). The book argued that, by changing their diet, women trying to conceive could influence egg maturation and consequently select the sex of their offspring. This cross between a scientific monograph and a popular advice book received enormous publicity but also spurred first the Vienna Medical Association and then the Senate of the University of Vienna to accuse Schenk of poor science, self-advertisement, quack medical practice, and wrong publisher choice. Formal proceedings against Schenk ended in 1900 with the unusually harsh punishment of early retirement. Schenk died two years later. I examine the elements of the case, from the science of sex determination and selection, to the growth of print media and advertising within the changing demographic and political landscape of Vienna. I argue that the influence of the public, via the growing media, upon science was the main driver of the case against Schenk, but also that the case would have had a more limited impact were it not for the volatile political moment rife with anti-Semitism, nationalism, and xenophobia. I draw the attention to the importance of setting cases of misconduct in the broader political history and against the key social concerns of the moment.


Author(s):  
Piotr H. Kosicki

This chapter reconstructs the demise of the Catholic utopia of “revolution” that dated back to Europe’s fin-de-siècle. This is a story of how Stalinism teased out and laid bare the exclusionary, integralist elements that had been part and parcel of Catholic “revolution” from the start. For the Catholic socialists of Dziś i Jutro (renamed PAX in 1952), the Stalinist years were, paradoxically, a moment of unparalleled possibility. While their countrymen languished in prisons or hid in forests, Poland’s Catholic socialists had the opportunity—with the support of Western European allies like Esprit’s Jean-Marie Domenach—to propose new avenues for engagement in public life. In the end, however, the 1954 publication of Bolesław Piasecki’s magnum opus Essential Questions met with condemnation from the Holy Office; his movement’s allies abroad, too, were on the defensive against Rome. At the same time, PAX’s postwar generation, led by Tadeusz Mazowiecki, broke dramatically with Stalinism. Integralism’s avatars—anti-Semitism and anti-Germanism—had guided transnational Catholic “revolution” away from Aquinas and toward Marx. In the end, PAX’s run as the definitive laboratory of Catholic “revolution” had ended, leaving integralism and heresy.


2002 ◽  
Vol 127 (1) ◽  
pp. 72-94 ◽  
Author(s):  
Edward F. Kravitt

An abyss separates the research of Mahler from that of social historians on anti-Semitism in fin-de-siècle Austria and Germany. Mahler specialists tend to study the assaults he endured in terms of the centuries-old intolerance. Social historians, however, have pursued a different tack. They trace the liberal thought of the mid-nineteenth century, the legal emancipation of the Jews and its aftermath to the rise of ‘new’ anti-Semitism in the 1870s, centred in Vienna. The reasons why Mahler resigned as director of the Vienna Court Opera involve many more factors and subtleties, even concerning the expression of anti-Semitism. It is on these elements that this article attempts to shed light.


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