Ludwig van Beethoven: His Life and His Work in Pictures

Notes ◽  
1962 ◽  
Vol 20 (1) ◽  
pp. 64
Author(s):  
Donald W. MacArdle ◽  
Robert Bory ◽  
Winifred Glass ◽  
Hans Rosenwald
Keyword(s):  
Ludwig Van Beethoven

Kesslersches Skizzenbuch . Ludwig van Beethoven , Sieghard Brandenburg .

1980 ◽  
Vol 33 (3) ◽  
pp. 596-601 ◽  
Author(s):  
Richard Kramer
Keyword(s):  
Ludwig Van Beethoven

Ludwig van Beethoven (1770–1827)

2015 ◽  
pp. 42-48
Keyword(s):  
Ludwig Van Beethoven

scholarly journals Las Sonatas para piano de Beethoven a través de los trabajos de edición de Agnes Zimmermann

2020 ◽  
pp. 45-45
Author(s):  
Virginia Sánchez Rodríguez ◽  
Keyword(s):  
Ludwig Van Beethoven ◽  
Las Mujeres

Las Sonatas para piano son, en su conjunto, una de las obras de Ludwig van Beethoven más interpretadas a lo largo de la historia, tanto en público como en el ámbito escolar, pero también una de las que han disfrutado de un elevado número de ediciones a cargo de pianistas y estudiosos de diferentes países. De acuerdo con esta circunstancia, en este trabajo presentamos la edición realizada por la pianista y compositora británica Agnes Zimmermann (1847-1925), una de las mujeres músicas más célebres de su época que, además, mantuvo un estrecho contacto con el legado beethoveniano a lo largo de su carrera. En concreto, a través de fuentes primarias y secundarias, proponemos un acercamiento a la figura de esta destacada fémina y un estudio sobre las particularidades de su edición de las Sonatas para piano de Beethoven, publicada por la editorial Novello, Ewer & Co. en 1873 y cuya reimpresión, revisada, vio la luz en el año 1880.

scholarly journals THE NAME OF LUDWIG VAN BEETHOVEN AS THE PRECEDENT LEXICAL ITEM IN ANTHONY BURGESS’S NOVEL “A CLOCKWORK ORANGE”

2017 ◽  
pp. 169-177
Author(s):  
L. V. Korobko
Keyword(s):  
Ludwig Van Beethoven ◽  
Positive Characteristic ◽  
Physical Characteristics ◽  
Lexical Item ◽  
Literary Discourse ◽  
The Novel ◽  
Work Of Art ◽  
Personal Attitude ◽  
Proper Name

The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess). On the basis of a stage-by-stage research three models of the proper name Ludwig van Beethoven within the anthroponomical field of the literary discourse of A. Burgess were allocated: MODEL I [Personal name]; MODEL II [Surname]; MODEL III [Surname + Work of Art]. The use of the model [Personal name] – Ludwig van is prepotent and reflects the main character’s personal attitude towards the composer. Functional meanings of the proper name are defined, 4 lexical portraits of Beethoven are allocated: physiological, psychological, emotional and intellectual. Positive and negative signs of Beethoven are expressed by means of evaluative lexicon and antinomies in the analyzed novel. The positive characteristic of the composer prevails, which is connected with the greatness of his figure and is motivated by the main character’s affection to Beethoven. Beethoven’s educational, noble features belong to positive signs. Negative signs of the composer’s personality are reflected in his emotional and intellectual portraits as he is represented as a gloomy, angry, mad person. In Anthony Burgess’s novel “A Clockwork Orange” both universal and specific features of Ludwig van Beethoven are represented. The universal features include physical characteristics of the musician (deafness, long flying hair, etc.), and also recognition of genius of the composer and his creations. Beethoven’s character belongs to the sphere of universal and specific features. The fact of the detached, lonely lifestyle of the musician, his severe, gloomy character, which was caused by his disease, is wellknown. Annoyance, rage, hidden threat, penetrating look are the specific features which are allocated to Beethoven by the author of the novel A. Burgess.

Zur Klavierfassung des Violinkonzerts op. 61 von Ludwig van Beethoven

2021 ◽  
Vol 36 (1) ◽  
pp. 1-15
Author(s):  
Robert Forster
Keyword(s):  
Ludwig Van Beethoven

"einzelne Ausdruck mit seiner Gewalt"

2021 ◽  
Vol 55 (4) ◽  
pp. 373-385
Author(s):  
Peter Sühring
Keyword(s):  
Ludwig Van Beethoven

Albert Schweitzers autobiographische Mitteilung, sein Strasbourger Lehrer Gustav Jacobsthal habe nur die Musik vor Ludwig van Beethoven als Kunst gelten lassen, wird anhand von Vorlesungsskizzen im Berliner Nachlass Jacobsthals einer Prüfung unterzogen. Dabei ergibt sich, dass Jacobsthal speziell den Spätstil Beethovens einer sehr viel differenzierteren Kritik unterzogen hatte. Sie mündete darin, dass Beethoven zu Gunsten der Verabsolutierung des partikularen musikalischen Ausdrucks die kompositorische Einheitlichkeit eines musikalischen Kunstwerks verletze. Jede zukünftige Musik müsse zwar an den expressiven Errungenschaften Beethovens anknüpfen, aber den Weg der Desintegration der Formkräfte wieder verlassen.

Ludwig van Beethoven

2019 ◽  
pp. 27-53
Keyword(s):  
Ludwig Van Beethoven
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