Robin Hood and the Limits of Sanctuary

2021 ◽  
pp. 172-195
Keyword(s):  
2011 ◽  
Vol 4 (1) ◽  
pp. 15-28
Author(s):  
Ulrike Kristina Köhler

Joanne K. Rowling's teenage wizard has enchanted readers all over the globe and Harry Potter can truly be called an international hero. However, as I will argue, he is also very much an English national hero, complying with the national auto-image of the English gentleman as well as with the idea of Christian masculinity, another English auto-image holding that outdoor activity is more character-building than book learning. I will also show that the series can be read as a national heroic epic in two respects. First, Harry Potter, alias Robin Hood, has to fight the Norman yoke, an English myth haunting the nation since the Norman invasion in 1066. The series displays as a national model an apparently paternalistic Anglo-Saxon feudal society marked by tolerance and liberty as opposed to foreign rule. Second, by establishing parallels to events which took place in Nazi Germany, the series takes up the idea of fighting it, which is a popular topos in British (children's) literature which serves to reinforce a positive self-image.


Author(s):  
Nida Kirmani

This chapter by Nida Kirmani offers a rare academic study on Lyari. It historicizes Lyari’s development as a contradictory ‘no-go’ site of resistance, protest and gang warfare. This perspective is organized around two of Lyari’s most notorious protagonists, Rehman Dakait and Uzair Baloch. Drawing on narratives of fear that comprise and interweave into everyday life in Lyari, she analyzes the persistent question of the extent to which gang war constitutes politics, rather than being separate to or an obstacle to politics. Through a portrait of Rehman as a community ‘Robin Hood’ figure, Kirmani’s analysis describes a geographic mapping of the paradox of ‘military-humanitarianism’ at the level of local gang warfare. This both mirrors, and also provokes, some original insights into ways these projects are inextricably linked in national and international politics.


Author(s):  
Gregory Currie

There is a kind of perceptual-imaginative experience we have when we watch screen-based fictions. In such situations it is natural to think of ourselves as “watching Robin Hood” rather than as watching Errol Flynn dressed as Robin Hood. Screen-based fictions are not the only fictions that allow this kind of experience but they encourage it in ways that theatrical dramas cannot quite match, while still photographs do a poor job in this regard. This chapter offers an explanation of this kind of experience, partly by reference to features of the screen medium and partly by reference to aspects of human perceptual-cognitive architecture. The architectural story will tell us something about imagination that reflection on the phenomenology of imaginative experience fails to disclose. The resulting picture may also help us to understand certain kinds of delusions.


1903 ◽  
Vol s9-XI (274) ◽  
pp. 258-258
Author(s):  
T. P. Armstrong
Keyword(s):  

2009 ◽  
Vol 31 (3) ◽  
pp. 209-224
Author(s):  
Simon J. White
Keyword(s):  

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