Cultural Borrowing and Cultural Resistance in Two Nineteenth-Century American Jewish Sunday School Texts

2021 ◽  
pp. 219-233
Author(s):  
Stephen Eric Bronner

The end of the nineteenth century witnessed the birth of an international avant-garde that focused upon alienation, standardization, and the liberation of the individual from constrictive social norms. Impressionists, Cubists, Expressionists, Futurists, Dadaists, Surrealists, and representatives from many other styles provided a blizzard of philosophical–aesthetic manifestos that blended political with cultural resistance to mass society. The Frankfurt School’s inner circle was sympathetic from the start; modernism provided a response to the ontology of false conditions and, indeed, an avant-garde opposition to mass culture provided inspiration and cohesion. ‘Critical theory and modernism’ explains how the unflinching support of modernism and experimental art by the Frankfurt School confirmed both its cultural radicalism and contempt for totalitarianism.


2007 ◽  
Vol 6 (2) ◽  
pp. 155-184 ◽  
Author(s):  
Margaret Mehl

AbstractObara Kuniyoshi (1887–1977), the founder of Tamagawa Gakuen, and Matsumae Shigeyoshi (1901–1991), the founder of Tôkai Educational System (TES), were both inspired by Denmark and Danish education, although in different ways. Obara, a representative of the New Education Movement in Japan, became interested in Denmark when he heard about Danish gymnastics, which seemed to be ideally suited to his vision of rigorous but non-competitive physical education. In 1931, two years after founding his own school, he succeeded in inviting the Danish gymnast Niels Bukh and a group of his students to Japan. The interest in gymnastics sparked off a wider interest in Denmark. Matsumae Shigeyoshi's attention was drawn to Denmark and to the Danish folk high schools as a result of his encounter with Uchimura Kanzô. Although not an educator by training, he decided to devote his life to education. This article explores the role of cultural borrowing in the thought and educational praxis of Obara and Matsumae. Although they uncritically accepted a Danish cultural memory (Denmark's recovery from military defeat in the nineteenth century through spiritual strength and education) and cultivated a stereotypical image, the adaptation of this image to suit their own needs represents a highly creative process which resulted in two successful private schools.


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