The Color Line

Author(s):  
Lawrence A. Scaff

This chapter examines how Max Weber's travel through the American South helped him gain a better understanding of the problems of race and race relations in the former Confederacy, forty years after the end of the Civil War. Weber's reasons for making the journey from St. Louis, Missouri, through Memphis, Tennessee, to New Orleans, then north through Tuskegee, Alabama, to Atlanta and beyond are not entirely clear. He was interested in questions about race and the consequences of slavery, and his interest in agrarian economies also would have attracted him to the post-Civil War South. The chapter first considers Weber's exchanges with W.E.B Du Bois, which illuminate the former's focused interest in the problem of race in America, before discussing the lessons learned by Weber from his stay at Tuskegee. It also explores how Weber's experience in the South influenced his ideas about race, ethnicity, class, and caste.

Author(s):  
Agnieszka Stasiewicz-Bieńkowska

The landscapes and cityscapes of the sub-tropical Southern United States, with their opulent nature, exuberant cities, boisterous cultural diversity and troubled history of conflict and violence have long offered an alluring locale for Gothic narratives. This article explores the ways in which <em>The Southern Vampire Mysteries</em> (2001–2013) – the best-selling literary series by Charlaine Harris and the basis for the HBO TV series <em>True Blood</em> – construct the Gothicised imageries of the American South as the terrain of confusing ambivalences; of glamour and exoticism, death and the uncanny. Informed by the discourses of tropicality, Tropical and Urban Gothic and exotic tourism – and the ways they interweave with the concept of Otherness – the paper seeks to illuminate the process of interrelating and consequently exoticising the figure of the Other and Southern sub-tropical land- and cityscapes. It also examines the tropes of urban interspecies relations articulated in the series as a metaphor for the Southern racial/ethnic heritage with its anxieties of miscegenation, transgression and “excessive” heterogeneity. A particular emphasis is placed on the accounts of New Orleans as the liminal space of cultural blending and touristic exploration of the figure of the Other.


Author(s):  
Diane Miller Sommerville

Lays out blueprint for the book by outlining methodological approaches, evidence base, and historiographical interventions (including ‘dark turn’ in Civil War scholarship) of a study on suicide and suffering during and after the Civil War in the American South. Identifies evidentiary challenges including poor record keeping, attempts to hide suicides, elusiveness of cause or motivation, and gender bias in lethal suicides. Case studies emphasize experiences of individuals, transcending well-trodden theological and cultural discourse about suicide. Examines impact of war traumas like PTSD on soldiers and veterans, and on their wives and families. Racialized ideas about suicide and depression shaped southerners’ understanding of suffering, held by whites to be a marker of civilized peoples.


Author(s):  
Perla M. Guerrero

Latinas/os were present in the American South long before the founding of the United States of America, yet knowledge about their southern communities in different places and time periods is deeply uneven. In fact, regional themes important throughout the South clarify the dynamics that shaped Latinas/os’ lives, especially race, ethnicity, and the colorline; work and labor; and migration and immigration. Ideas about racial difference, in particular, reflected specifics of place, and intersections of local, regional, and international endeavors and movements of people and resources. Accordingly, Latinas/os’ position and treatment varied across the South. They first worked in agricultural fields picking cotton, oranges, and harvesting tobacco, then in a variety of industries, especially poultry and swine processing and packing. The late 20th century saw the rapid growth of Latinas/os in southern states due to changing migration and immigration patterns that moved from traditional states of reception to new destinations in rural, suburban, and urban locales with limited histories with Latinas/os or with substantial numbers of immigrants in general.


Author(s):  
Jennifer Ho

This chapter discusses the emergence of Asian American literature and film about the South as they disrupt multiple narratives about race relations and racial subjectivity. It particularly studies Susan Choi's novel The Foreign Student (1998), Mira Nair's feature-length film Mississippi Masala (1992), and Paisley Rekdal's creative nonfiction collection of autobiographical essays, The Night My Mother Met Bruce Lee: Observations on Not Fitting In (2000). Asian American stories set in the South erupt the myth of imaginary lines between the past and present, arguing that the inclusion of Asian American voices signals not simply a pluralistic affirmation of racial harmony but the complications of understanding race beyond a black–white paradigm. Indeed, a true understanding of southern race relations crosses the geographic borders of the American South into not only Europe and Africa but the Caribbean, Latin America, and Asia as well, because the South is a space that is implicated in larger transnational and global flows.


1968 ◽  
Vol 42 (3) ◽  
pp. 288-310 ◽  
Author(s):  
Maury Klein

As the American South recovered from the Civil War, railroads and the businessmen who managed them were important ingredients in the process of economic change. But who were the railroad leaders of the first generation of the “New South” and what were their personal and corporate goals? What were the effects of their actions on the course of southern restoration? Sharply at odds with the usual “carpetbagger” demonology, Professor Klein suggests an alternative explanation and analysis.


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