scholarly journals To see or be seen? The grounds of a place-based university

Author(s):  
Sean Sturm ◽  
Stephen Turner

In “The Tyranny of Transparency,” Marilyn Strathern argues that, in the neoliberal university, “visibility as a conduit for knowledge is elided with visibility as an instrument for control.” It is, but we would go further. After Deleuze, we would describe the apparatus of the university as an “optical machine”: it is “made of lines of light … distributing the visible and the invisible.” The drive to transparency, or panoptics, dominates the university today – from audit to architecture – and serves what Levien de Cauter calls “transcendental capitalism.” But it obscures a shadow discourse, or scotoptics, which hides invisible “lines of flight” and “fracture” that are transversal to transparency and transcendental capitalism. What this shadow discourse discloses about our university is that it is a transcendental-colonial-Maori place, a place that is palimpsestic and contested, a whenua tautohetohe (contested territory). We need to know that our university is more than it seems to be able to conceive of it as a “pluriversity,” a place of possibilities, upbuilding and practical wisdom: a wānanga (place of learning).

2021 ◽  
pp. 135918352110668
Author(s):  
Joshua M Bluteau

The Westminster Menswear Archive, housed at the University of Westminster held an exhibition in 2019 entitled ‘Invisible Men’. The purpose of this show was to “shine a light” on men, or more accurately menswear which had been hitherto neglected by scholarship and exhibitions featuring dress (Groves and Sprecher, 2019). This article draws on research conducted at this exhibition to ask anthropological questions as to the nature of menswear both in the gallery space and beyond. Fundamentally this will question the invisible nature of menswear and whether such invisibility really exists. In order to accomplish this, this article will suggest a new theory of the gaze that exists in the gallery or exhibition space – the gallery gaze – and use it to provoke analysis of the ethnographic material presented. This article acknowledges a distinction between intellectual, semiotic and symbolic invisibility but suggests a different approach, arguing for an (in)visibility of progressive degrees.


2007 ◽  
Vol 12 (4) ◽  
pp. 377-404 ◽  
Author(s):  
Hiro Hirai

AbstractIn his embryological treatise De plastica seminis facultate (Strasburg, 1580), Jacob Schegk (1511-1587), professor of philosophy and medicine at the University of Tübingen, developed, through a unique interpretation of the Aristotelian embryology, a theory of the "plastic faculty" (facultas plastica), whose origin lay in the Galenic idea of the formative power. The present study analyses the precise nature of Schegk's theory, by setting it in its historical and intellectual context. It will also discuss the hitherto unappreciated Neoplatonic dimension of Schegk's notion of the soul's vehicle.


2017 ◽  
Vol 55 (3) ◽  
pp. 1143-1145

Mauricio Drelichman of The University of British Columbia and CIFAR reviews “The Invisible Hand? How Market Economies Have Emerged and Declined since AD 500,” by Bas van Bavel. The Econlit abstract of this book begins: “If one were to summarize van Bavel's The Invisible Hand? in one sentence, one could do worse than write that market economies carry the seeds of their own demise.”


2021 ◽  
Vol 7 (2) ◽  
Author(s):  
Jennifer Willet

INCUBATOR Art Lab is an art and science research laboratory at the University of Windsor, Ontario, Canada. This image/text document explores the invisible integrated laboratory practices developed within INCUBATOR Art Lab that reimagining how scientific research is conducted within institutional settings towards more joyful and inclusive biotech futures. The piece describes new modes of engaging with institutional bureaucracy, designing infrastructure, and community-building efforts that are central to how INCUBATOR Art Lab functions as a feminist bioart laboratory. 


2015 ◽  
Vol 47 ◽  
pp. 388-389
Author(s):  
Bhibha M. Das ◽  
Melanie L. Sartore-Baldwin ◽  
Matthew T. Mahar

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