scholarly journals Agama dan Kebangsaan: Pluralitas, Budaya dan Ruang Virtual

2021 ◽  
Vol 2 (1) ◽  
pp. 16-26
Author(s):  
Izak Y. M. Lattu
Keyword(s):  

Artikel Pengabdian Kepada Masyarakat ini menggali relasi antara agama dan gereja dengan nasionalisme dalam konteks budaya, pluralitas dan realitas virtual. Kekristenan di Indonesia perlu menggunakan teks politik dan budaya dengan memerhatikan secara serius konteks pluralitas dan cyber untuk mengembangkan konsep teologi lokal yang didasarkan pada dokumen-dokumen politik Indonesia. Berbasis pada teori civil sphere dan virtual space artikel ini mengunakan observasi, penelitian lapangan dan dokumen untuk mengembangkan teologi yang mengarahkan kepada relasi mutual dengan agama-agama lain dan sesama warga bangsa. Memanfaatkan Zoom dan media online kegiatan PkM, menggunakan seminar online, yang dilakukan dalam kerjasama dengan Lakpesdam Nahdlaltul Ulama Sulawesi Tenggara, tanggal 30 Juni 2020. Artikel ini berkesimpulan bahwa dalam konteks Indonesia, teologi Indonesia mengandaikan perlunya teks politik dan budaya untuk membangun lokal teologi yang dapat membangun hubungan saling memahami dengan komunitas agama lain.

2005 ◽  
Author(s):  
Jesse Chandler ◽  
Sara Konrath ◽  
Norbert Schwarz
Keyword(s):  

Author(s):  
Susan EVANS

This case study explores the strategic business opportunities, for Lane Crawford, an iconic luxury department store, to transition in a circular economy towards sustainability. A new experimentation framework was developed and conducted among cross departmental employees, during a Design Lab, with intention to co-create novel Circular Economy business concepts towards a new vision: the later was a reframe of the old system based on the principles of sustainability; to move beyond a linear operational model towards a circular economy that can contribute to a regenerative society. This work draws on both academic and professional experience and was conducted through professional practice. It was found that innovative co-created concepts, output from the Design Lab, can create radical change in a circular economy that is holistically beneficial and financially viable; looking forward to extract greater value a)Internal organization requires remodeling to transform towards a circular economy; b)Requirement for more horizonal teams across departments vs solely vertical; c)New language and relationships are required to be able to transition towards a circular economy; d)Some form of physical and virtual space requirements, for cross-disciplinary teams to come together to co-create; e)Ability to iterate, learn and evolve requires agency across the business


Author(s):  
Jeffrey Ch. Alexander ◽  
Carlo Tognato

The purpose of the article is to demonstrate that the civil spheres of Latin America remain in force, even when under threat, and to expand the method of theorizing democracy, understanding it not only as a state form, but also as a way of life. Moreover, the task of the authors goes beyond the purely application of the theory of the civil sphere in order to emphasize the relevance not only in practice, but also in the theory of democratic culture and institutions of Latin America. This task requires decolonizing the arrogant attitude of North theorists towards democratic processes outside the United States and Europe. The peculiarities of civil spheres in Latin America are emphasized. It is argued that over the course of the nineteenth century the non-civil institutions and value spheres that surrounded civil spheres deeply compromised them. The problems of development that pockmarked Latin America — lagging economies, racial and ethnic and class stratification, religious strife — were invariably filtered through the cultural aspirations and institutional patterns of civil spheres. The appeal of the theory of the civil sphere to the experience of Latin America reveals the ambitious nature of civil society and democracy on new and stronger foundations. Civil spheres had extended significantly as citizens confronted uncomfortable facts, collectively searched for solutions, and envisioned new courses of collective action. However when populism and authoritarianism advance, civil understandings of legitimacy come under pressure from alternative, anti-democratic conceptions of motives, social relations, and political institutions. In these times, a fine-grained understanding of the competitive dynamics between civil, non-civil, and anti-civil becomes particularly critical. Such a vision is constructively applied not only to the realities of Latin America, but also in a wider global context. The authors argue that in order to understand the realities and the limits of populism and polarization, civil sphere scholars need to dive straight into the everyday life of civil communities, setting the civil sphere theory (CST) in a more ethnographic, “anthropological” mode.


2014 ◽  
Vol 134 (12) ◽  
pp. 1897-1907
Author(s):  
Boonprasert Surakratanasakul ◽  
Kazuhiko Hamamoto
Keyword(s):  

Author(s):  
Hristo Terziev

Internet of Things is a new world for connecting object space in the real world with virtual space in a computer environment. To build IoT as an effective service platform, end users need to trust the system. With the growing quantity of information and communication technologies, the need to ensure information security and improve data security is increasing. One of the potential solutions for this are steganographic methods. Steganography based on the least significant bit (LSB) is a popular and widely used method in the spatial domain.


2014 ◽  
Vol 1 (1) ◽  
pp. 32-42
Author(s):  
Sergey Surkov ◽  
◽  
Ellen Trofimova
Keyword(s):  

2020 ◽  
Vol 17 (5) ◽  
pp. 462-476
Author(s):  
Alexander A. Ushkarev ◽  
Galina G. Gedovius ◽  
Tatyana V. Petrushina

The technological revolution of recent decades has already brought art to the broadest masses, and the unexpected intervention of the pandemic has significantly accelerated the process of migration of theatrical art to the virtual space, causing the corresponding dynamics of the audience. What is the theater audience in the era of digitalization and the spread of alternative forms of cultural consumption? How does the theater build its relationship with the audience today? In search of answers, we conducted a series of sociological surveys of the Chekhov Moscow Art Theater’s audience — both at the theater’s performances and in the online community of its fans. The purpose of this phase of the study was to answer the fundamental questions: do spectators surveyed in the theater and those surveyed online represent the same audience; what are their main differences; and what are the drivers of their spectator behavior? The article presents the main results of a comparative analysis of two images of the Moscow Art Theatre’s audience based on a number of content parameters by two types of surveys, as well as the results of a regression analysis of the theater attendance. The study resulted in definition of the qualitative and behavioral differences between the theater visitors and the viewers surveyed online, and identification of the factors of theater attendance for both of the represented audience groups. The study made it possible to clarify the role of age and other socio-demographic parameters in cultural activity, as well as the influence of preferred forms of cultural consumption (live contacts or online views) on one’s attitude to art, motivation and spectator behavior. The conclusions of the study, despite the uniqueness of the object, reflect the general patterns of the modern art audience’s dynamics.


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