scholarly journals Church Music as Reflected in the Journal Biserica Ortodoxă Română [Romanian Orthodox Church] in the Second Half of the Twentieth Century

2020 ◽  
Vol 22 (1) ◽  
pp. 336-355
Author(s):  
Elena Chircev

AbstractThe journal Biserica Ortodoxă Română [The Romanian Orthodox Church] was founded on November 17, 1873, at the initiative of Romania’s Primate Metropolitan Nifon Rusailă (1789-1875). The aim of the publication – whose first issue was launched on October 1, 1874 – was to inform the clergy and believers about the activity of the Holy Synod of the Romanian Orthodox Church. In the 146 years since the publication of its first issue, the journal’s contributors have included outstanding personalities of the Romanian Orthodoxy, such as Priest-Professors Dumitru Stăniloae, Ioan G. Coman, Ene Branişte, Liviu Stan, Mircea Păcurariu, Ion Bria a.o. Church music was present in the journal’s pages both through articles, studies and reviews, and through scores of choral or psaltic works written by Church servants among whom Bishop Melchisedec Ștefănescu of Roman at the end of the 19th century, or Deacon Grigore Panțiru, Professor Nicolae Lungu, Priest-Professor Gheorghe Șoima, Archd. Sebastian Barbu-Bucur, Ph.D., Priest-Professors Constantin Drăgușin, Nicu Moldoveanu, Alexie Buzera a.o. in the 20th century. This paper summarizes these contributions and shows how the change of political regime in mid-20th-century Romania influenced the topics of the articles and the religious musical works published in the journal of the Romanian Patriarchate.

New Sound ◽  
2014 ◽  
pp. 37-51
Author(s):  
Euđen Činč

Even though over the last century a number of researchers in the field of musicology have addressed the similarities between Serbian and Romanian (Banat) church music, i.e. chant, the topic has never been thoroughly investigated. On the one hand, this is probably due to the unavailability of sources and, on the other hand, perhaps also due to the language barrier. This paper is a modest contribution to more detailed research in the field, supported by concrete examples of similarities and shared elements in Serbian and Romanian church music in the former Metropolitanate of Karlovci, which are far less pronounced in other regions (in the practice of the Romanian Orthodox Church).


2007 ◽  
Vol 5 (1) ◽  
pp. 65-71
Author(s):  
Iuliana Conovici

The Romanian Orthodox Church engaged, after the fall of communism, in the reconstruction of its public identity and its position in society. The public discourse of its official representatives – the Holy Synod and individual hierarchs, especially the Patriarch Teoctist – expresses and „translates” this process to the faithful and the general public. Its perception by this public, particularly when mediated by means of mass communication, is usually partial and frequently altered.</p> <p>By focusing on the official discourse of the Romanian Orthodox Church representatives, as expressed in the ecclesiastical press and (re)transmitted in the common mass media, this paper will explore the justification/explanation by ecclesiastical officials of this process, following the lines of two main - intertwined - lines: the legitimization of the resurgence in the public sphere of the Church as an institution of spiritual and social assistance and its presence as the privileged keeper and guardian of national values.</p> <p>It will be further argued that, while explicitly refuting and condemning any signs of secularization in the Romanian society, the Romanian Orthodox Church, through its official discourse, is actually contributing to the deepening of this very process within both society and the Church itself.</p> <p>Our main sources for the public discourse of the Romanian Orthodox Church will be the ecclesiastical press and collections of speeches, sermons, articles of Orthodox hierarchs and documents of the Holy Synod. For the theoretical framing of the paper, the main references will be works of Thomas Luckmann, Danièle Hérvieu-Léger, Grace Davie, René Rémond, etc.


2019 ◽  
Vol 17 ◽  
pp. 150-161
Author(s):  
Ovidiu Soare

The study highlights the main internal and external directions for the promotion and execution of the Christian and Social Apostolate, which Patriarch Iustin was concerned about, notably the ones presented in 1977, his first year of being patriarch. It was a very eventful year, with many events carrying a strong spiritual and social burden. We mention here the passing away of Patriarch Justinian and then earthquake of March 4 – two events that happened within a few weeks of each other. There are two additional events: the enthronement of the Iustin, archbishop of Moldova and Suceava as the patriarch of the Romanian Orthodox Church, and the Centenary of Independence 1877-1977. All these events were coordinated with wisdom and balance by Patriarch Iustin. He always showed through his actions that good understanding, faith, sacrifice, the love of nation and country, pace and brotherly love are the main guidelines of realising a true Christian and Social Apostolate in the Romanian Orthodox Church.


Societies ◽  
2019 ◽  
Vol 9 (3) ◽  
pp. 63
Author(s):  
Lavinia Țânculescu

In this study, I aim to explore the role of old women in the life of the Christian Orthodox Church in the Romanian space. The analysis is based on empirical evidence (qualitative fieldwork and case studies) gathered between 2017 and 2019, and it mainly employs the framework of theory of tradition, and theories of attachment and of parent–infant relationship. I will show that old women going to church have a double role: To educate the community in keeping the religious tradition, and to initiate other members, especially the very young ones (blood-related or not), in the Romanian Orthodox faith. The paper discusses the advantages and disadvantages offered by both aforementioned roles, putting forth possible explanations for the tensions arising between generations. I conclude by underlining the crucial role that old women have in today’s struggle for survival of the Romanian Orthodox Church and in its spiritual identity.


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