scholarly journals KOMITMEN INDONESIA DALAM PELINDUNGAN WARISAN BUDAYA BAWAH AIR DI PERAIRAN INDONESIA

2021 ◽  
Vol 7 (2) ◽  
pp. 271-296
Author(s):  
A. D. Agung Sulistyo ◽  
Arie Afriansyah

This article discusses the extent to which Indonesia provides legal protection to prehistoric and historical object, especially shipwrecks, found within its national waters. It is known that Indonesia has not decide to ratify the UNESCO 2001 Convention on the Protection of Underwater Cultural Heritage (UNESCO 2001 Convention). Legal audit performed to existing national rules and regulations reveals that, legally wise, Indonesia has shown its commitment to ensure that underwater cultural heritage within its maritime zones enjoy protection. In addition, it may be argued that therefore Indonesia is not in a position having to ratify the UNESCO 2001 Convention soon.

Heritage ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 1588-1613 ◽  
Author(s):  
Vasilike Argyropoulos ◽  
Anastasia Stratigea

Fatal events taking place in World War (WW) I and II have left behind important historical evidence as an underwater cultural heritage (UCH) (e.g., shipwrecks, submerged aircraft, war artifacts), lying in peace at the bottom of, among others, the Mediterranean Sea. The article aims at exploring the challenges for UCH protection/preservation and sustainable exploitation with emphasis on this sea. UCH is so far dealt with in a “silo” approach by marine archaeologists or heritage professionals, who often ignore its potential for serving local sustainable development goals. The paper elaborates on the value, but also the complexity, multi- and inter-disciplinary as well as multi-actors’ nature of UCH management and sustainable exploitation, perceiving these as a “wicked” planning problem. It attempts to illuminate various important dimensions of this problem, such as its glocal (global/local) context; the conflicting and, in certain cases, inconsistent UCH legal protection framework, touching upon a variety of spatial scales; the contemporary policy frameworks favoring UCH management; etc. Exploration of these dimensions reveals open issues or gaps that need to be filled, and sets the ground for a more holistic and integrated UCH research and management approach for building up the yet largely untold, Mediterranean WW I and II UCH narrative; and shifting this area from a sea graveyard to a place of memory and cultural enrichment.


2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced


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