scholarly journals Crisis as a Driving Force for the Development of Philosophy

Labyrinth ◽  
2018 ◽  
Vol 20 (2) ◽  
pp. 215
Author(s):  
Susanne Moser

A review of Yvanka Raynova's monograph Sein, Sinn und Werte: Phänomenologische und hermeneutische Perspektiven des europäischen Denkens. Frankfurt am Main, Bern, Bruxelles, New York, Oxford, Warszawa, Wien: 2017, 331 S.

Author(s):  
Andrea Harris

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.


2020 ◽  
Vol 12 (3) ◽  
pp. 321-324
Author(s):  
Maria Alberto

Review of: Avatar, Assembled: The Social and Technical Anatomy of Digital Bodies, Jaime Banks (ed.) (2018) New York, Bern, Berlin, Brussels, Frankfurt am Main, Oxford and Wien: Peter Lang, 328 pp., ISBN 978-1-43313-560-6, h/bk, $52.95


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