scholarly journals Class Struggle and Displacement: Slavoj Žižek and Film Theory

2009 ◽  
Vol 5 (3) ◽  
pp. 299-324
Author(s):  
Matthew Flisfeder
2021 ◽  
pp. 43-64
Author(s):  
Jon Hoel

This is the largest chapter in the book and takes a closer look at the mysterious ineffable Zone that exists at the center of the film’s narrative. What is the Zone, and are we in it, is the central question posed by the chapter, and brings into conversation a larger framework of film theory, including analyses from thinkers like Gilles Deleuze, Søren Kierkegaard, and Slavoj Žižek among others. The film examines the speculative space of the Room, and what the prospect of its power: the ability to grant the greatest inner desire of its occupants. Is this power real? The film plays with this question, along with imagery of potential speculative radiation consequences of the nuclear age, with careful allusions to Soviet nuclear disasters of the time.


2021 ◽  
Vol 34 (71) ◽  
pp. 853-889
Author(s):  
Hildemar Luiz Rech ◽  
Fernando Facó de Assis Fonseca

Materialismo dialético, luta de classes e insights filosóficos sobre a educação a partir de Slavoj Žižek Resumo: O artigo aborda a concepção de luta de classes no atual cenário histórico, político e social. O dogma das democracias ocidentais sugere que vivemos numa era pós-ideológica. Isso implica que não há mais espaço para a ideia de luta de classes. Contudo, segundo Žižek, é esse discurso que deve ser enquadrado no campo ideológico. Žižek retoma o conceito de materialismo dialético a fim de demonstrar a contradição interna ao campo ideológico de nossa sociedade dita pós-ideológica. Nesse momento, o conceito de luta de classes retorna à cena. A luta de classes não consiste num antagonismo entre dois polos num espaço comum, mas na fissura inerente ao próprio espaço. Para desenvolver o tema, cabe, antes, abordar o conceito de materialismo teológico de Walter Benjamin, que fundamenta, substancialmente, o conceito de materialismo dialético de Žižek. Importante, igualmente, retomar uma reflexão sobre o conceito de pulsão de morte em Freud, já que tal conceito exprime exatamente a fissura interna à realidade que condiciona a luta de classes. Convém, ademais, compreender como a ideia de educação pode ser pensada a partir da contradição que mobiliza a luta de classes.Palavras-chaves: Materialismo dialético. Luta de classes. Ideologia. Educação. Dialetic materialism, class struggle and philosophical insights on education from Slavoj Žižek Abstract: The article discusses the concept of class struggle in the current historical, political and social scenario. The dogma of Western democracies suggests that we live in a post-ideological era. This implies that there is no longer any room for the idea of ​​class struggle. However, according to Žižek, it is this discourse that must be framed in the ideological domain. Žižek takes up the concept of dialectical materialism in order to demonstrate the internal contradiction to the ideological field of our so-called post-ideological society. At this point, the concept of class struggle returns to the scene. The class struggle does not consist of an antagonism between two poles in a common space, but in the fissure inherent in the space itself. To develop the theme, it is first necessary to approach Walter Benjamin's concept of theological materialism, which substantially supports Žižek's concept of dialectical materialism. It is also important to resume a reflection on the concept of the death instinct in Freud, because this concept expresses exactly the internal fissure in reality which conditions the class struggle. In addition, it is important to understand how the idea of ​​education can be thought of from the contradiction that mobilizes the class struggle.Keywords: Dialectical materialism. Class struggle. Ideology. Education. Matérialisme dialetique, lutte de classe et insights philosophiques sur l'éducation de Slavoj Zižek  Résumé: L'article aborde le concept de lutte des classes dans le scénario historique, politique et social actuel. Le dogme des démocraties Occidentales sugère que nous vivons à une époque post-idéologique. Cela implique qu'il n'y a plus de place pour l'idée de lutte de classe. Cependant, selon Žižek, c'est ce discours qui doit être cadré dans le domaine idéologique. Žižek reprend le concept de matérialisme dialectique afin de démontrer la contradiction interne au champ idéologique de notre soi-disant société post-idéologique. À ce moment, le concept de lutte des classes revient sur la scène. La lutte des classes ne consiste pas en un antagonisme entre deux pôles dans un espace commun, mais dans la fissure inhérente à l'espace lui-même. Pour développer le thème, il est d'abord nécessaire d'approcher le concept de matérialisme théologique de Walter Benjamin, qui étaye substantiellement le concept de matérialisme dialectique de Žižek. Il est également important de reprendre une réflexion sur le concept d'instinct de mort chez Freud, car ce concept exprime exactement la fissure interne à la réalité qui conditionne la lutte des classes. En outre, il est important de comprendre comment l'idée de l'éducation peut être pensée à partir de la contradiction qui mobilise la lutte des classes.Mots-clés: Matérialisme dialectique. Lutte des classes. Idéologie. Éducation. Data de registro: 09/02/2020Data de aceite: 28/08/2020


2021 ◽  
Author(s):  
Matthew Flisfeder

The following dissertation examines film theory' s contribution to the Marxian theory of ideology. I argue that while early film theorists sought to develop a theory of film, film theory better serves the study and critique of ideology. I claim that the study of film and spectatorship can add to knowledge of ideology and subjectivity. To this end, I examine the relevance of the Slovenian philosopher and psychoanalyst, Slavoj Žižek, for contemporary film studies. I locate Žižek's place within film studies through a debate between himself and the prominent American film scholar, David Bordwell. Bordwell is well known for his advocacy of cognitive and middle-level research in film studies, and for his criticism of film theory (or, 'Theory'). He is one of the leaders of a movement in film studies known as post-Theory. I take up the debate between Žižek and Bordwell, and argue that the post-Theory rejection of Theory is an ideological effect of the class struggle. After carving out a place for Žižek in film studies, I examine the relevance of his psychoanalytic interpretations of cinema for a critique of ideology. Žižek is known for using examples from films as tools of exegesis for an interpretation of Lacanian psychoanalysis. However, I argue that while this is true for some of his writing on film, Žižek also practices a psychoanalytic interpretation of cinema that reveals something about the function of ideology. Referring to Žižek, I also argue against early film theorists who thought it possible to interpellate political subjectivities through alternative or avant-garde cinema. In contrast, I argue that the work itself in not powerful enough to interpellate political subjectivity. It is, rather, the interpretation that politicizes the work. I claim that films do not create subject-positions, as early film theorists argued; rather, they reproduce the already existing subject-positions of the spectators by reproducing pleasure or desire. However, without rejecting the efforts of early film theory, I conclude, against Bordwell and other post-Theorists, that Theory is still important in film studies, particularly in the area of political critique, and that Žižek's work is exemplary of the kind of political criticism needed in film studies.


2021 ◽  
Author(s):  
Matthew Flisfeder

The following dissertation examines film theory' s contribution to the Marxian theory of ideology. I argue that while early film theorists sought to develop a theory of film, film theory better serves the study and critique of ideology. I claim that the study of film and spectatorship can add to knowledge of ideology and subjectivity. To this end, I examine the relevance of the Slovenian philosopher and psychoanalyst, Slavoj Žižek, for contemporary film studies. I locate Žižek's place within film studies through a debate between himself and the prominent American film scholar, David Bordwell. Bordwell is well known for his advocacy of cognitive and middle-level research in film studies, and for his criticism of film theory (or, 'Theory'). He is one of the leaders of a movement in film studies known as post-Theory. I take up the debate between Žižek and Bordwell, and argue that the post-Theory rejection of Theory is an ideological effect of the class struggle. After carving out a place for Žižek in film studies, I examine the relevance of his psychoanalytic interpretations of cinema for a critique of ideology. Žižek is known for using examples from films as tools of exegesis for an interpretation of Lacanian psychoanalysis. However, I argue that while this is true for some of his writing on film, Žižek also practices a psychoanalytic interpretation of cinema that reveals something about the function of ideology. Referring to Žižek, I also argue against early film theorists who thought it possible to interpellate political subjectivities through alternative or avant-garde cinema. In contrast, I argue that the work itself in not powerful enough to interpellate political subjectivity. It is, rather, the interpretation that politicizes the work. I claim that films do not create subject-positions, as early film theorists argued; rather, they reproduce the already existing subject-positions of the spectators by reproducing pleasure or desire. However, without rejecting the efforts of early film theory, I conclude, against Bordwell and other post-Theorists, that Theory is still important in film studies, particularly in the area of political critique, and that Žižek's work is exemplary of the kind of political criticism needed in film studies.


Author(s):  
Robert Pfaller

Starting from a passage from Slavoj Žižek`s brilliant book The Sublime Object of Ideology, the very passage on canned laughter that gave such precious support for the development of the theory of interpassivity, this chapter examines a question that has proved indispensable for the study of interpassivity: namely, what does it mean for a theory to proceed by examples? What is the specific role of the example in certain example-friendly theories, for example in Žižek’s philosophy?


2020 ◽  
Author(s):  
Hyun Kang Kim ◽  
Ansgar Lorenz ◽  
Ansgar Lorenz
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document