scholarly journals WILLIAM BLAKE- AN ENLIGHTENED VISIONARY

Author(s):  
Manisha Mathur

William Blake an English painter poet and printmaker is considered as a seminal figure in the history of poetry and visual arts of the Romantic age. In the realm of imaginative painting Blake stands quite alone, and to find any real parallel to this extraordinary man of genius one must go back to the illuminators and sculptors of the twelfth century. Born out of time, with no tradition of imaginative painting to guide him, the intense flame if his genius burns fitfully blazing with an unbearable brilliance. Blake, for his idiosyncratic views is held in high regard by critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterized as part of the Romantic movement are Pre-Romantic for its large appearance in the 18th C. Reverent of the bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French and American Revolutions.

2004 ◽  
Vol 38 ◽  
pp. 268-278 ◽  
Author(s):  
Scott Mandelbrote

The letter of Scripture suffering various Interpretations, it is plain that Error may pretend to Scripture; the antient Fathers being likewise dead, and not able to vindicate themselves, their writings may be wrested, and Error may make use of them to back itself; Reason too being bypassed by Interest, Education, Passion, Society, &c…. Tradition only rests secure.The 1680s were a difficult decade for the English Bible, just as they were for so many of the other institutions of the English Protestant establishment. Roman Catholic critics of the Church of England, emboldened by the patronage of James II and his court, engaged in controversy over the rule of faith and the identity of the true Church, much as they had done in the early years of the Reformation or in the 1630s. Nonconformists and freethinkers deployed arguments drawn from Catholic scholarship, in particular from the work of the French Oratorian Richard Simon, and joined in ridicule of the Bible as a sure and sufficient foundation for Christian belief.


2008 ◽  
Vol 44 ◽  
pp. 297-306
Author(s):  
Peter Webster

One fruitful organizing theme around which to write the history of the worship of the Church of England in the early part of the twentieth century might be that of the revival of ancient practice. In church music, for instance, the early years of the century saw the gradual readoption of plainsong, the rediscovery of the repertoire of the Tudor and Stuart Church, and the adoption of English folk-song, most visibly in the English Hymnal of 1907. In the placing of contemporary visual art in churches, however, the contrast is marked. Recent analysis of this period has tended to posit a Church largely indifferent to the visual arts, except for the activities of isolated individuals, and of two men in particular: George Bell, Bishop of Chichester, and Walter Hussey, Dean of Chichester and formerly Vicar of St Matthew’s, Northampton. This sense was shared by Sir Kenneth Clark, former Director of the National Gallery, in a retirement tribute to Hussey, with whose patronage Clark had collaborated since the early 1940s. ‘What’ he asked ‘has the Church done in the way of enlightened patronage of contemporary art in the present century?’ Only one man, Hussey, ‘has had the courage and insight to maintain – I wish I could say revive – the great tradition of patronage by individual churchmen’.


Author(s):  
Charles Hefling

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.


Author(s):  
Isabel Rivers

This chapter covers the publishing history of some of the main authors discussed in the book, the Congregationalists Isaac Watts, Philip Doddridge, and Elizabeth Rowe, the Methodists John Wesley and George Whitefield, and the Church of England evangelicals James Hervey, John Newton, and William Cowper; the publications of the major London dissenting booksellers, Edward and Charles Dilly, and Joseph Johnson; the printers and sellers for the smaller denominations, the Quakers and the Moravians; and some important provincial printers and sellers of religious books, Joshua Eddowes, Samuel Hazard, Thomas and Mary Luckman, Robert Spence, William Phorson, and John Fawcett.


Author(s):  
W. B. Patterson

In 1634 Fuller became the minister of the parish at Broadwindsor, in Dorset. This provided him the opportunity to know John White, the minister in nearby Dorchester. White, the spiritual and moral leader of the town became a pastoral model for Fuller. In this setting, Fuller wrote The Historie of the Holy Warre, the first English history of the Crusades. His use of medieval sources was extensive, and his analysis of the motives and tactics of western leaders is shrewd and persuasive. Elected to the clerical Convocation that met in 1640, during sessions of the first Parliament to be called in eleven years, Fuller dissented from the leadership of Archbishop William Laud, who sought to impose more stringent rules or canons on the Church of England. This Convocation, continuing to meet after Parliament was dissolved, passed canons whose legality was contested. War with the Scots ensued over religious issues, forcing the king to call what came to be known as the Long Parliament.


Author(s):  
B. W. Young

The dismissive characterization of Anglican divinity between 1688 and 1800 as defensive and rationalistic, made by Mark Pattison and Leslie Stephen, has proved more enduring than most other aspects of a Victorian critique of the eighteenth-century Church of England. By directly addressing the analytical narratives offered by Pattison and Stephen, this chapter offers a comprehensive re-evaluation of this neglected period in the history of English theology. The chapter explores the many contributions to patristic study, ecclesiastical history, and doctrinal controversy made by theologians with a once deservedly international reputation: William Cave, Richard Bentley, William Law, William Warburton, Joseph Butler, George Berkeley, and William Paley were vitalizing influences on Anglican theology, all of whom were systematically depreciated by their agnostic Victorian successors. This chapter offers a revisionist account of the many achievements in eighteenth-century Anglican divinity.


1694 ◽  
Vol 18 (209) ◽  
pp. 113-116

An Account of books. I. Tracatus mathematicus de figurarum curvilinearum quadraturis & locis geometricis. Autore Johanne Craig. Londini apud Sam. Smith & Benj. Walford, Soc. Regiæ: Typographos. - II. The history of the church of Malabar, from the time of its being discovered by the Portuguezes in the Year 1501. Giving an account of the persecutions and violent methods of the Roman prelates to reduce them to the subjection of the church of Rome, together with the synod of diamper, celebrated anno 1599. With some remarks upon the faith and doctrine of the Christians of St. Thomas in the Indies, agreeing with the church of England, in opposition to that of Rome: Done out of Portuguez into English by Michael Geddes, Chancellor of the Cathedral church of Sarum. Lond. Printed for S. Smith and B. Walford. In Octavo. 1694. This treatise consists of two Heads.


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