scholarly journals Labirinto Concei(Tex)tual em Cosmococas: Fluxus e Jack Smith

2017 ◽  
Vol 20 (3) ◽  
pp. 372
Author(s):  
Natasha Marzliak ◽  
Gilberto Alexandre Sobrinho
Keyword(s):  
Jack Smith

<p class="p1"><span class="s1"><em>Esse artigo busca aproximar os conceitos e as práticas presentes no quase-cinema "Cosmococas - programa in progress", de Hélio Oiticica e Neville D’Almeida, com algumas referências do contexto artístico e cinematográfico novaiorquino em que foi produzida. As experimentações audiovisuais e de instalação dos anos 1960/1970, como os eventos cinemáticos underground do grupo Fluxus e do cineasta Jack Smith, impulsionaram a produção de Hélio Oiticica, permitindo traçar afinidades entre eles. Uma vez que as "Cosmococas" possuem outras referências, formando uma constelação de conhecimentos plurais e atemporais, as relações aqui traçadas não tem interesse em elaborar um jogo de “causa e efeito”, mas em articular um aprofundamento da noção de quase-cinemas. Finalmente, para efetividade da discussão, haverá uma descrição das obras que compõem  "Cosmococas" em seus aspectos formais e estéticos, a partir dos textos de Oiticica escritos na década de 1970.</em></span></p>

General Motors (a): Jack Smith

2009 ◽  
Author(s):  
Mark E. Haskins ◽  
Jeffrey Elmer
Keyword(s):  
General Motors ◽  
Jack Smith

scholarly journals Blending In and Standing Out - Camouflage and Masking as Queer Tactics of Negotiating Visibility

2014 ◽  
Author(s):  
Magda Szcześniak
Keyword(s):  
Andy Warhol ◽  
Jack Smith ◽  
Social Invisibility

The article considers camouflage and masking as tactics of queering the dominant regime of visibility. Departing from queer critiques of visibility voiced by such theoreticians as Peggy Phelan, Lee Edelman, Rosemary Hennessy, and Hito Steyerl, the author poses the question of what would it mean to queer visibility in a way which wouldn't force queer subjects to return to previously occupied sites of social invisibility. The answer is offered through the analysis of works by Jack Smith, Andy Warhol, Pauline Boudry & Renate Lorenz, Zach Blas, and Karol Radziszewski.

A Conversation with Annette Michelson

October ◽  
2019 ◽  
Vol 169 ◽  
pp. 17-37
Author(s):  
Edward Dimendberg
Keyword(s):  
North American ◽  
Marguerite Duras ◽  
Marcel Duchamp ◽  
Avant Garde ◽  
Jack Smith ◽  
Richard Serra ◽  
Film Archives ◽  
Stan Brakhage ◽  
First Time ◽  
Research Institute

Film scholar Edward Dimendberg spoke to Annette Michelson in July 2014 for a series of interviews sponsored by the Getty Research Institute. In their conversation, which is published for the first time here, Michelson discusses her first encounters with North American avant-garde film, the early days of Anthology Film Archives, and such figures as Jonas Mekas, P. Adams Sitney, Peter Kubelka, Yvonne Rainer, Hollis Frampton, Michael Snow, Stan Brakhage, Hans Richter, Harry Smith, Jack Smith, Marcel Duchamp, Joyce Wieland, Agnès Varda, Richard Serra, and Marguerite Duras, among others.

The Lower and Middle Palaeolithic Industries of the English East Midlands

1963 ◽  
Vol 29 ◽  
pp. 357-394 ◽  
Author(s):  
Merrick Posnansky
Keyword(s):  
Middle Palaeolithic ◽  
Railway Ballast ◽  
The West ◽  
East Anglia ◽  
North West ◽  
East Midlands ◽  
Jack Smith ◽  
West Midlands ◽  
Imaginary Line ◽  
Line Passing

The first palaeoliths to be described from this country were found in the south of England, particularly from the Thames Valley and East Anglia. In 1880 Boyd Dawkins wrote that tools of Drift Man were ‘conspicuous by their absence from the gravels north-west of a line passing through the Midland counties from Bristol to the Wash’. In 1897 John Evans (Evans 1897, 580), in the light of the Saltley find from the Birmingham district, questioned the view then current that their absence was due to glacial conditions prevailing north of the Severn—Wash ‘imaginary’ line, and held out hope for future finds in that northern area.Though hand axes had earlier been described from Chester (Stone 1908, 25) and Bridlington (Evans 1897, 572) it was not until the 1920's that Sir John Evans's hopes began to be realized. Randall Davies brought attention to a hand axe found in railway ballast gravel from Skellingthorpe in Lincolnshire in 1920.In the West Midlands numerous isolated finds were described from 1920 onwards by Burkitt (1920), Jack, Smith, Shotton and Clifford, the last two authors having in recent years (Shotton 1934 and 1953, Clifford 1954) provided a fairly comprehensive account and bibliography of the Lower and Middle palaeolithic finds from the West Midlands. In the East Midlands the story of discovery has been slower and very little of the material found has been published. In 1922 R. A. Smith published two flake implements from Leicestershire, though these cannot now be accepted (Posnansky 1955, 31).

‘Moldy Art’: The exotic world of Jack Smith

2010 ◽  
Vol 4 (2) ◽  
pp. 173-186
Author(s):  
Constantine Verevis
Keyword(s):  
Jack Smith

In honor Jack Smith

1995 ◽  
Vol 16 (5) ◽  
pp. 378-378
Keyword(s):  
Jack Smith
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