Using A Genre-Sensitive Homiletic To Increase Listeners' Affective, Imaginative, Aesthetic Response To Sermons On The Psalms

1997 ◽  
Author(s):  
Kenneth J. LANGLEY
Keyword(s):  
1935 ◽  
Vol 32 (8) ◽  
pp. 221
Author(s):  
I. E. ◽  
Milton C. Nahm

Poetics Today ◽  
1980 ◽  
Vol 1 (3) ◽  
pp. 192
Author(s):  
Inge Crosman ◽  
Wolfgang Iser
Keyword(s):  

2011 ◽  
Vol 29 (1) ◽  
pp. 151-163
Author(s):  
Insoo Jeon ◽  
임영미 ◽  
이지태
Keyword(s):  

Catharsis ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 38-49
Author(s):  
Efriyeni Chaniago ◽  
Tjetjep Rohendi Rohidi ◽  
Triyanto Triyanto

BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.


1994 ◽  
Vol 57 (1) ◽  
pp. 93-112 ◽  
Author(s):  
Sabry Hafez

The rapid pace of the change sweeping through the Arab world over the last few decades has profoundly affected both its various cultural products and its writers' perception of their national identity, social role and the nature of literature. The aim of this paper1 is to discuss the major changes in the sociopolitical reality of the Arab world, the cultural frame of reference and the responses of one of the major literary genres in modern Arabic literature: the novel. It is assumed here that there is a vital interaction between the novel and its socio-cultural context, in that novels encode within their very structure various elements of the social reality in which they appear and within whose constraints they aspire to play a role. Their generation of meaning is enmeshed in a variety of cultural, psychological and social processes, and their reception therefore brings into operation an array of experiences necessary for the interpretive act.


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