scholarly journals Inheritance and Innovation of Chinese Traditional Culture in Modern Design

Author(s):  
Guo Chen
2013 ◽  
Vol 790 ◽  
pp. 211-214
Author(s):  
Ya Dong ◽  
Ya Zhou

Chinese traditional culture has a great impact on the construction of the Chinese traditional garden. Chinese classical gardens of Dealing with Water is inextricably linked with the Chinese culture. This article from the point of view of Chinese culture Confucian ,the Taoist viewpoint and Buddhist perspectives on Chinese garden of Dealing with Water elaborately, modern design philosophy has certain referential significance.


2020 ◽  
Vol 179 ◽  
pp. 02090
Author(s):  
Lulu Chai ◽  
Xiang Wang ◽  
Zixuan Chen

In recent years, the problems of environmental pollution and resource shortage have increased year by year, and the topic of sustainable development has aroused widespread concern. The simple sustainable ideas in Chinese traditional culture have made important contributions to the harmonious coexistence between people and nature in ancient China. By analyzing China’s simple sustainable ideas, the author discovered the holistic view in the idea of ‘Nature and Humanity’, the frugal view of the ‘Using wisely’ idea, the concept of benevolence in the thought of ‘love of all people and all things’, the ecological view in the thought of ‘things are not endless’ and the view of life in the thought of ‘Taoism follows nature’, these five perspectives provide systematic sustainable ideas for modern furniture. This article will analyze these five ideas, combined with the development of contemporary society and the development of modern sustainable ideas, looking back on the current status of modern furniture design, so as to explore the specific application of modern furniture design under the simple sustainable ideas and provide new ideas for the sustainable design of modern furniture.


2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.


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