The Brazilian Torrent Frog Controls Its Paired Vocal Sacs Independently: Implications for Acoustic Parameters

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Michelle M. Struett ◽  
André E. Confetti ◽  
Peterson T. Leivas
Keyword(s):  
Acoustic Parameters

Rule Invention in the Acquisition of Morphology Revisited

1988 ◽  
Vol 31 (3) ◽  
pp. 425-431 ◽  
Author(s):  
Stephen M. Camarata ◽  
Lisa Erwin
Keyword(s):  
Language Acquisition ◽  
Active Role ◽  
Acoustic Parameters ◽  
Impaired Child ◽  
Language Impaired ◽  
Intensity Parameters ◽  
Suprasegmental Features ◽  
Acoustic Analyses ◽  
Suprasegmental Cues

This paper presents a case study of a language-impaired child who signaled the distinction between English singular and plural using suprasegmental cues rather than the usual segmental form used within the parent language. Acoustic analyses performed within the first study in the paper revealed that the suprasegmental features used to maintain this distinction included various duration, fundamental frequency, and intensity parameters. Acoustic analyses Were also performed on a set of matched two- and four-item plural forms within a second study. The results of these analyses indicated that the same acoustic parameters were used to distinguish two-item plural forms from four-item plural forms. This case of linguistic creativity is offered as further evidence in support of the model of language acquisition that emphasizes the active role children take in the acquisition process. Additionally, the phonological, morphological, and psycholinguistic factors that may contribute to such rule invention are discussed.

Excess Thermo Acoustic Parameters in 1,4-Dioxane With 1-Pentanol Binary System

2012 ◽  
Vol 3 (6) ◽  
pp. 415-418
Author(s):  
Anil Kumar K ◽  
◽  
Dr Srinivasu Ch Dr Srinivasu Ch
Keyword(s):  
Binary System ◽  
Acoustic Parameters

THE INFLUENCE OF ROOM ACOUSTIC PARAMETERS ON THE PERCEPTION OF ROOM CHARACTERISTICS

Akustika ◽  
2020 ◽  
pp. 28
Author(s):  
Alicja Jasińska ◽  
Maurycy Kin
Keyword(s):  
Standard Deviation ◽  
Subjective Evaluation ◽  
Strength Parameter ◽  
Acoustic Parameters ◽  
Sound Sources ◽  
Different Types

The article presents the possibility of identification of rooms on the basis of binaural perception. Results of subjective evaluation were compared with the values of sound strength, G. A previously unknown sound term was introduced: the strength of spatial impression as the inverse of standard deviation of the results obtained. It turned out that the results presenting the sound strength parameter can be correlated with the subjective evaluation of the spatial impression, which is the size of the room. It can be helpful in the process of room identification, probably due to the reverberation impression in the room. Authors plan to continue the study with more rooms and different types of sound sources.

scholarly journals Acoustic Reconstruction of Eszterháza Opera House Following New Archival Research

2020 ◽  
Vol 10 (24) ◽  
pp. 8817
Author(s):  
Lamberto Tronchin ◽  
Francesca Merli ◽  
Marco Dolci
Keyword(s):  
3D Model ◽  
18Th Century ◽  
Second World War ◽  
World War ◽  
National Library ◽  
Acoustic Parameters ◽  
Speech Transmission ◽  
The Will ◽  
Opera House ◽  
Second World

The Eszterháza Opera House was a theatre built by the will of the Hungarian Prince Nikolaus Esterházy in the second half of the 18th century that had to compete in greatness and grandeur against Austrian Empire. The composer that inextricably linked his name to this theatre was Haydn that served the prince and composed pieces for him for many years. The Opera House disappeared from the palace complex maps around 1865 and was destroyed permanently during the Second World War. This study aims to reconstruct the original shape and materials of the theatre, thanks to the documents founded by researchers in the library of the Esterházy family at Forchtenstein, the Hungarian National Library, and analyze its acoustic behavior. With the 3D model of the theatre, acoustic simulations were performed using the architectural acoustic software Ramsete to understand its acoustical characteristics and if the architecture of the Eszterháza Opera House could favor the Prince’s listening. The obtained results show that the union between the large volume of the theatre and the reflective materials makes the Opera House a reverberant space. The acoustic parameters are considered acoustically favorable both for the music and for the speech transmission too. Moreover, the results confirm that the geometry and the shape of the Eszterháza Opera House favored the Prince’s view and listening, amplifying onstage voices and focusing the sound into his box.

The Hysteresis of Acoustic Parameters and the Bistability of Smectic-C Liquid Crystals in a Magnetic Field

1990 ◽  
Vol 12 (4) ◽  
pp. 353-356 ◽  
Author(s):  
E. V Gevorkian ◽  
A. S Kashitsin ◽  
S. V Pasechnik ◽  
V. A Balandin
Keyword(s):  
Magnetic Field ◽  
Liquid Crystals ◽  
Acoustic Parameters ◽  
Smectic C

scholarly journals The Analysis of Room Acoustic Parameters of Karaoke Rooms in Surabaya

2021 ◽  
Vol 1951 (1) ◽  
pp. 012036
Author(s):  
Susilo Indrawati ◽  
Vina Dwi Arinie ◽  
Anis Nuryaqin ◽  
Gontjang Prajitno ◽  
Suyatno ◽  
...  
Keyword(s):  
Acoustic Parameters

scholarly journals Southeast Asian clearwing moths buzz like their model bees

2021 ◽  
Vol 18 (1) ◽  
Author(s):  
Marta Skowron Volponi ◽  
Luca Pietro Casacci ◽  
Paolo Volponi ◽  
Francesca Barbero
Keyword(s):  
Slow Motion ◽  
Southeast Asian ◽  
Batesian Mimicry ◽  
Evolutionary Models ◽  
Acoustic Parameters ◽  
Warning Signals ◽  
Visual Model ◽  
Flying Insects

Abstract Background The endless struggle to survive has driven harmless species to evolve elaborate strategies of deceiving predators. Batesian mimicry involves imitations of noxious species’ warning signals by palatable mimics. Clearwing moths (Lepidoptera: Sesiidae), incapable of inflicting painful bites or stings, resemble bees or wasps in their morphology and sometimes imitate their behaviours. An entirely unexplored type of deception in sesiids is acoustic mimicry. We recorded the buzzing sounds of two species of Southeast Asian clearwing moths, Heterosphecia pahangensis and H. hyaloptera and compared them to their visual model bee, Tetragonilla collina, and two control species of bees occurring in the same habitat. Recordings were performed on untethered, flying insects in nature. Results Based on eight acoustic parameters and wingbeat frequencies calculated from slow-motion videos, we found that the buzzes produced by both clearwing moths highly resemble those of T. collina but differ from the two control species of bees. Conclusions Acoustic similarities to bees, alongside morphological and behavioural imitations, indicate that clearwing moths display multimodal mimicry of their evolutionary models.

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