scholarly journals The Productive Inadequacy of Image for Contemporary Painting Image Based Operations in the Work of Beth Harland, Jacqueline Humphries and R.H. Quaytman

2021 ◽  
Author(s):  
Moyra Derby
Keyword(s):  
Image Information ◽  
Economic Interactions ◽  
Contemporary Painting

This article considers the productive inadequacy of image for contemporary painting. The mutability of image is tested against the material, spatial and durational conditions of painting, and the attentional attachments it might mobilize through an examination of the working methods of Beth Harland, Jacqueline Humphries and R.H.Quaytman. Painting is not positioned as image, but as a processor of image information, able to prompt an image response, A resistance to image is framed by the art historical and philosophical legacy of image expectations and preclusions that each artist feels compelled to work against, and the expanding opticality of our contemporary social, cultural and economic interactions.

Application of Intelligent Facial Dynamic Information Image in Warm Acupuncture and Moxibustion on Peripheral Facial Paralysis (Preprint)

2020 ◽  
Author(s):  
Yanping Chen ◽  
Dongjie Yu ◽  
Jane Cansoni
Keyword(s):  
Facial Paralysis ◽  
Computer Technology ◽  
Treatment Time ◽  
Facial Features ◽  
Nerve Function ◽  
Facial Nerve Function ◽  
Peripheral Facial Paralysis ◽  
Image Information ◽  
Dynamic Image ◽  
Acupuncture And Moxibustion

BACKGROUND Background: Nowadays, the application of computer technology in the medical field is more and more extensive, and many diseases can achieve better diagnosis and treatment effects through computer technology. OBJECTIVE Objective: The paper applies intelligent facial dynamic image information to the clinical treatment of peripheral acupuncture and moxibustion for the treatment of peripheral facial paralysis. An automatic acupoint positioning algorithm based on facial information dynamic image is proposed, which provides an objective and standard basis for the treatment of facial acupuncture and moxibustion. METHODS Methods: The paper selects the head threshold, that is, the facial dynamic image information as the research background, and divides the facial features according to the "three courts and five eyes" rule, and uses the Minimum Eigenvalue operator to detect the corner points of the facial features, locate the facial features, and use the face. The feature position is used as a reference coordinate for facial acupoint positioning. RESULTS Results: After verification, it was found that the positioning was accurate, and the peripheral facial paralysis of the patient was improved after warm acupuncture point positioning treatment, which improved the facial nerve function of the patient, improved the treatment efficiency and shortened the treatment time. Therefore, this technology is worthy of clinical promotion. CONCLUSIONS Conclusion: Through experimental analysis, the algorithm is proved to be effective and accurate. Based on facial dynamic image information to locate acupoints, warm acupuncture has a significant effect on peripheral facial paralysis, which can significantly improve facial nerve function and shorten treatment time, which is worthy of clinical promotion.

Kazimir Malevich: Economy as the Fifth Dimension

2019 ◽  
Vol 29 (6) ◽  
pp. 215-228
Keyword(s):  
Karl Marx ◽  
Dialectical Materialism ◽  
Economic Base ◽  
Surplus Value ◽  
Bourgeois Society ◽  
Fifth Dimension ◽  
Fourth Volume ◽  
Contemporary Painting ◽  
New Criterion ◽  
The Impact

This paper deals with the impact that Karl Marx"s Das Kapital (and especially its fourth volume, the theory of Surplus Value) had on the category of economy in Kazimir Malevich"s output. In a series of texts, Malevich proclaims economy the new criterion of art and the Black Square its embodiment in contemporary painting. While the author was analyzing Marx"s views on labor and human nature, echoes of them turned up in Malevich"s manifestos and philosophical essays where the artist pondered the idea of the liberation of creative exaltation. The article others an interpretation of the creative process itself from the standpoint of economy, which for Malevich provided an opportunity to lay down the foundation for a new kind of art that was consistent with the prevailing ideology. The author points out that while Malevich was in Vitebsk he studied Marx"s works with idea of incorporating economic studies into art: his speculations on the relationships between the ideological superstructure and the practical, economic base were written in the manner of Marxist philosophy and provided the basis for his main essays, The World as Non-Objectivity (1923) and Suprematism: Thee World as Non-Objectivity or Eternal Rest (1923-1924). They defined the new art as an independent ideological superstructure positioned “outside of other contents and ideologies.” Parallel to that, the author examines the correspondence between Malevich"s theory of the surplus element and Marxist doctrines on surplus value. It is also shown that Malevich hoped to prove that, as in dialectical materialism, his new surplus element opens the way to a new artistic structure that is emerging from the womb of the old system in the same way that communism comes about as a kind of heterogeneous body from within the underpinnings of bourgeois society.

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