scholarly journals Black Theology Papers Project

2020 ◽  
pp. 272-273
Author(s):  
Andrea C. White ◽  
Adam Clark

The Black Theology Papers Project is an open access journal that preserves and promotes the intellectual heritage of Black theology. The journal strives to advance the field by publishing a yearly issue of the proceedings of the Black Theology Unit of the American Academy of Religion’s annual meeting. The Black Theology Papers Project is supported by Columbia University Libraries.

2020 ◽  
Vol 39 (6) ◽  
pp. 376-376
Author(s):  
John Koehr

I am closing out my first year with SEG as executive director, and I wanted to share some of the highlights of my journey thus far. In previous issues of TLE, I have shared observations from my first 90 days (see October 2019 President's Page) and a report on the year 2019 (see April 2020 Executive Perspectives). Noteworthy accomplishments over my first year included realigning staff resources with SEG's new portfolio structure; refreshing the SEG strategy; completing the sale of SEG's Tulsa, Oklahoma, real estate; expanding SEG's international presence; convening a successful SEG 2019 Annual Meeting; enhancing operational rigor; and launching new products such as a new partner event, new early-career and membership programs, an open-access journal, and a new platform for the SEG Library.


2021 ◽  
Vol 82 (5) ◽  
pp. 206
Author(s):  
David Free

MSU Library awards faculty OER grantsLYRASIS, Columbia University Libraries announce e-books partnershipSpringer Nature, UC-Berkeley Library sign new open access book partnershipASERL, DOAJ forge new partnershipLexisNexis introduces Nexis Data LabSpringshare announces new LibCal mapping featuresEx Libris, DataCite launch new integration features


2011 ◽  
Vol 40 (3) ◽  
pp. 1-3
Author(s):  
Christopher Driscoll

At the 2010 annual meeting of the American Academy of Religion held in Atlanta, GA, a group of young scholars organized a wildcard session titled “What’s This ‘Religious’ in Hip Hop Culture?” The central questions under investigation by the panel were 1) what about hip hop culture is religious? and 2) how are issues of theory and method within African American religious studies challenged and/or rethought because of the recent turn to hip hop as both subject of study and cultural hermeneutic. Though some panelists challenged this “religious” in hip hop, all agreed that hip hop is of theoretical and methodological import for African American religious studies and religious studies in general. This collection of essays brings together in print many findings from that session and points out the implications of hip hop's influence on religious scholars' theoretical and methodological concerns.


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