scholarly journals Film és gyerekjáték

Apertura ◽  
2021 ◽  
Vol 16 (2) ◽  
pp. 1-19
Author(s):  
Jennifer M. Barker
Keyword(s):  

A tanulmány Jean-Pierre Meunier gyerekjátékokra tett rövid utalásaiból indul ki, majd arra kérdez rá, hogy mit taníthatnak a gyerekjátékok Meunier filmes azonosulással foglalkozó modelljéről. Meunier magyarázata szerint a filmes azonosulás a „szinkretikus szociabilitásból”, valamint abból kikülönülve alakul ki. A szinkretikus társas hajlam az „anonim kollektivitás” állapota, amely a csecsemőkorra és a kora gyermekkorra jellemző, és felnőttkorban sem tűnik el teljesen. Azt vizsgálva, amit Daniel Stern „vitalitásformáknak” nevezett, pontosabb képet alkothatunk arról, hogyan történik meg a váltás a Meunier-féle „elsődleges interszubjektivitás” és a „privát interszubjektivitás” között. A vitalitásformák továbbá kiegészítik Meunier árnyalt leírását a nézők, a karakterek és a film közötti affektív kapcsolatról, mivel általuk fókuszba kerülnek az esztétikai mozzanatok, amelyek révén ez a kapcsolat létrejön.

2014 ◽  
pp. 27-40
Author(s):  
Vittorio Gallese ◽  
Margherita Spagnuolo Lobb
Keyword(s):  

2014 ◽  
pp. 11-18
Author(s):  
Massimo Ammaniti ◽  
Margherita Spagnuolo Lobb
Keyword(s):  

Author(s):  
Daniel Leech-Wilkinson

The concept of shape is widely used by musicians in talking and thinking about performance, yet the mechanisms that afford links between music and shape are little understood. Work on the psychodynamics of everyday life by Daniel Stern and on embodiment by Mark Johnson suggests relationships between the multiple dynamics of musical sound and the dynamics of feeling and motion. Recent work on multisensory and precognitive sensory perception and on the role of bimodal neurons in the sensorimotor system helps to explain how shape, as a percept representing changing quantity in any sensory mode, may be invoked by dynamic processes at many stages of perception and cognition. These processes enable ‘shape’ to do flexible and useful work for musicians needing to describe the quality of musical phenomena that are fundamental to everyday musical practice and yet too complex to calculate during performance.


2009 ◽  
pp. 61-74
Author(s):  
Bernd Bocian

- The author, a German psychotherapist, takes into account similarities between gestalt therapy, object relational theories and infant research. He explores in particular similarities between object relational theories and the therapeutical work of Fritz Perls. In this context the autor discusses concepts like "internal theatre", the therapist as an "additional" other and the contribution of gestalt therapy to the work with the phenomenon of splitting. Bocian then explores the possibles overlaps between the evolutionary models of gestaltpsychology and gestalt therapy with that one of theorists of the infant resarch - in particolar of Daniel Stern - that are realised in the acknowledgment of the social nature of the child and his interaction with the mother.Key words: contemporary psychoanalysis, object relational theories, "additional" other, "internal theatre", splitting, development, infant research.Parole chiave: psicoanalisi contemporanea, teorie delle relazioni oggettuali, altro supplementare, "teatro interno", scissione, sviluppo, /infant research/.


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