scholarly journals SEEM: A Scalable Visualization for Comparing Multiple Large Sets of Attributes for Malware Analysis

2021 ◽  
Author(s):  
Robert Gove

Recently, the number of observed malware samples has rapidly increased, expanding the workload for malware analysts. Most of these samples are not truly unique, but are related through shared attributes. Identifying these attributes can enable analysts to reuse analysis and reduce their workload. Visualizing malware attributes as sets could enable analysts to better understand the similarities and differences between malware. However, existing set visualizations have difficulty displaying hundreds of sets with thousands of elements, and are not designed to compare different types of elements between sets, such as the imported DLLs and callback domains across malware samples. Such analysis might help analysts, for example, to understand if a group of malware samples are behaviorally different or merely changing where they send data.To support comparisons between malware samples’ attributes we developed the Similarity Evidence Explorer for Malware (SEEM), a scalable visualization tool for simultaneously comparing a large corpus of malware across multiple sets of attributes (such as the sets of printable strings and function calls). SEEM’s novel design breaks down malware attributes into sets of meaningful categories to compare across malware samples, and further incorporates set comparison overviews and dynamic filtering to allow SEEM to scale to hundreds of malware samples while still allowing analysts to compare thousands of attributes between samples. We demonstrate how to use SEEM by analyzing a malware sample from the Mandiant APT1 New York Times intrusion dataset. Furthermore, we describe a user study with five cyber security researchers who used SEEM to rapidly and successfully gain insight into malware after only 15 minutes of training.

2015 ◽  
Vol 3 (2) ◽  
pp. 1
Author(s):  
F. David Mulcahy ◽  
Melissa Sherman

<p>The cigarette holder became a fashion accessory for women in the early 1920s and remained popular until the 1960s. <em>The New York Times</em> was used as a data base to evaluate its symbolism and function during this period. It is argued that the artifact became a symbol of assertiveness for many women both in real life and fiction including the ballet mistress Bronislava Nijinska, the mythical and fictionally portrayed Dragon Lady—who was a glamorous but larcenous female war-lord, the fictional Satin Doll, an astute potential lover who would not let herself be manipulated by men, young flappers in restaurants, great, gruff ladies who were ballet <em>aficionadas</em>, Sappho, an overbearing Russian governess, and Nathalie de Ville, a fictional female social predator.  The article points out in detail how the cigarette holder was isomorphic, with and reflected in, the new 1920s women’s fashion silhouette which quickly replaced the somewhat “squat” Gilded Era women’s costume. It had no pinched waist, an almost nonexistent bodice and hips, and gave an overall tall, slim and graceful impression.</p>


2003 ◽  
Vol 15 (3) ◽  
pp. 98-105 ◽  
Author(s):  
Mark Galliker ◽  
Jan Herman
Keyword(s):  
New York ◽  

Zusammenfassung. Am Beispiel der Repräsentation von Mann und Frau in der Times und in der New York Times wird ein inhaltsanalytisches Verfahren vorgestellt, das sich besonders für die Untersuchung elektronisch gespeicherter Printmedien eignet. Unter Co-Occurrence-Analyse wird die systematische Untersuchung verbaler Kombinationen pro Zähleinheit verstanden. Diskutiert wird das Problem der Auswahl der bei der Auswertung und Darstellung der Ergebnisse berücksichtigten semantischen Einheiten.


Cultura ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 53-73
Author(s):  
Saman REZAEI ◽  
Kamyar KOBARI ◽  
Ali SALAMI

With the realization of the promised global village, media, particularly online newspapers, play a significant role in delivering news to the world. However, such means of news circulation can propagate different ideologies in line with the dominant power. This, coupled with the emergence of so-called Islamic terrorist groups, has turned the focus largely on Islam and Muslims. This study attempts to shed light on the image of Islam being portrayed in Western societies through a Critical Discourse Analysis approach. To this end, a number of headlines about Islam or Muslims have been randomly culled from three leading newspapers in Western print media namely The Guardian, The Independent and The New York Times (2015). This study utilizes “ideological square” notion of Van Dijk characterized by “positive presentation” of selves and “negative presentation” of others alongside his socio-cognitive approach. Moreover, this study will take the linguistic discourses introduced by Van Leeuwen regarding “representing social actors and social practices” into consideration. The findings can be employed to unravel the mystery behind the concept of “Islamophobia” in Western societies. Besides, it can reveal how specific lexical items, as well as grammatical structures are being employed by Western media to distort the notion of impartiality.


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