Chaussures à talons hauts et compensation phallique chez la femme

Les chaussures à talons hauts étaient réservées aux bouchers, qui les arboraient pour se protéger du sang des animaux. Par la suite, elles deviennent l’apanage des bourgeois aristocrates qui les chaussent pour exprimer leur grandeur. Elles sont à chaque fois liées à l’expression d’une problématique spécifique. Malgré les différents inconforts et pathologies dont elles sont à l’origine, les chaussures à talons hauts sont devenues un élément incontournable de la mode féminine et un symbole de la féminité. L’objectif de cette étude est de déterminer la motion pulsionnelle profonde (inconsciente) qui pousse les femmes à arborer des chaussures qui, au-delà de la beauté visuelle dont elles font preuves, sont source d’un malaise physique bien réel. La psychanalyse appliquée a permis de mettre en évidence l’existence d’un sentiment inconscient d’infériorité chez la femme. La recherche d’une compensation phallique de cette infériorité ressentie est ce qui conduit au port des chaussures à talons hauts, en dépit des conséquences néfastes sur le corps. Une femme en talons hauts donne raison à Freud qui estime que toute la vie de la femme est une recherche du phallus. High-heeled shoes were reserved for butchers, who wore them to protect themselves from the blood of animals. They subsequently became the prerogative of the bourgeois aristocrats who put on their shoes to express their greatness. They are each time linked to the expression of a specific problem. Despite the various discomforts and pathologies they cause, high-heeled shoes have become a staple of women's fashion and a symbol of femininity. The objective of this study is to determine the deep drive (unconscious) motion that prompts women to wear shoes which, beyond the visual beauty they demonstrate, are a source of very real physical discomfort. Applied psychoanalysis has brought to light the existence of an unconscious feeling of inferiority in women. The search for phallic compensation for this perceived inferiority is what leads to wearing high heels, despite the negative consequences on the body. A woman in high heels agrees with Freud who considers that the whole of a woman's life is a search for the phallus.

Representation of Muslim Woman’s Identity in “Assalamualaikum Calon Imam” Movie.

Muslim women who were initially seen as women who focused on religion, in this film showed that Muslim women are also capable of being an academic and have other activities that tend to be done by men. This study aims to determine how the identity of modern Muslim women is shown through film media. This research uses Roland Barthes semiotic analysis method. This semiotic analysis focuses on reading texts through the stages of reading denotative meanings, connotative meanings, and then connecting with myths in analyzing the signs that are shown through scenes in the film. The results of this study indicate that Muslim women played by Fisya presented that women have the freedom to choose fashion and activity. Muslim women's fashion shown through the character Fisya is adjusted through the activities she does, thus showing that Muslim women's fashion can adjust to the situation. In addition, the activity also shows that Muslim women also have the freedom to determine what they want, starting in terms of academics and hobbies.

Content and demographic discrepancies that exist between women's fashion magazines and their corresponding websites

Introduction: The digitization of women’s fashion magazines is an on-going development in recent years. The rise of fashion bloggers and online-only fashion publications on the internet have forced major print publications to develop and expand their companion websites. Over the last decade, sales of print fashion magazines have steadily declined, while costs of printing have steadily risen. As a result, major publications have looked towards the cheaper alternative of developing websites in order to deliver digital content to their readers and further establish a strong presence online. By utilizing such digital platforms, women’s fashion publications have found a way to reach large audiences with generally free and easily accessible content that is produced with a high frequency. With a secondary medium of digital fashion magazines complimenting their original print publications, discrepancies in content between print and digital platforms emerge. Several factors play a part in the discrepancy between print and digital content. One of the primary factors, suggested by researcher Ytre-Anne is the way in which older audiences prefer physical print editions of magazines over newer digital alternatives (Ytre-Anne 2011). This factor may cause print fashion magazines to specifically cater towards an older demographic in order to maintain or increase sales. Furthermore, as the development of the internet and the rise of fashion blogs in the late 1990s into the new millennium worked to target younger audiences who were familiar with technological advancements, it may be argued that a younger readership may be the target of online publications (Magee 2012, Turner 2009). Similarly, other studies have shown that younger audiences prefer fashion products to be featured on, or endorsed by celebrities, pointing towards the idea that a younger audience prefers content with celebrity news or features. Other factors that might indicate discrepancies in content are product price ranges, with lower priced ready-to-wear fashion featured more frequently online. Alongside such differences in content, several technical features can also cause differences in content. As the internet allows for instant updates on the latest news and fashion, magazine websites are now outputting content on a daily basis as opposed to their print counterparts who typically produce editions on a monthly basis. This phenomenon can ultimately lead to differences in content between the print and online versions of a fashion magazine. My Major Research Project will seek to identify key developments and patterns that might derive from discrepancies in content between women’s fashion magazines’ print editions and their corresponding websites. Using a primarily qualitative approach, my research study will include a content analysis of four North American women’s fashion magazines and a series of interviews with corresponding fashion editors. The content analysis will look for several characteristics present in each fashion magazine’s print edition and its corresponding website, including product pricing, demographic target, as well as celebrity references. The content analysis will further work to compare data between each fashion magazine’s print edition and its corresponding website. In order to further my evidence I will conduct interviews with fashion magazine editors to gain a professional perspective on the subject. The interview portion of this research study will work to provide professional opinion on the subject of content and demographic discrepancies between print fashion magazines and their corresponding websites. Overall, I am interested in the topic of content discrepancies between published print fashion magazines versus their corresponding websites. My aim is not to argue for or against one medium, but instead to look at the implications that might result from content discrepancies between the two mediums. Finally, I hypothesize two primary results: (1) that there are discrepancy patterns in content between a fashion magazine’s print edition and its website, and (2) these discrepancies suggest a difference in demographics, in which online formats target a younger audience and print versions aim to appeal to an older demographic. These findings will work to illuminate key patterns in the fashion publishing industry in terms of content and demographic discrepancies found between online and print versions. As little research has been conducted in this area, it will act as a starting point for future research to explore these patterns more in depth. As digital fashion journalism is still a topic under development, this study will contribute towards a larger goal of conceptualizing digital journalism more broadly. Similarly, the results of this study aim to provide insight and analysis into the current trends in fashion journalism, further assisting fashion editors and journalists in the industry. The overall goal of my research project will seek to establish that within the field of fashion publication in the year 2015, age is an important factor in patterns of print versus online fashion journalism.

Content and demographic discrepancies that exist between women's fashion magazines and their corresponding websites

Introduction: The digitization of women’s fashion magazines is an on-going development in recent years. The rise of fashion bloggers and online-only fashion publications on the internet have forced major print publications to develop and expand their companion websites. Over the last decade, sales of print fashion magazines have steadily declined, while costs of printing have steadily risen. As a result, major publications have looked towards the cheaper alternative of developing websites in order to deliver digital content to their readers and further establish a strong presence online. By utilizing such digital platforms, women’s fashion publications have found a way to reach large audiences with generally free and easily accessible content that is produced with a high frequency. With a secondary medium of digital fashion magazines complimenting their original print publications, discrepancies in content between print and digital platforms emerge. Several factors play a part in the discrepancy between print and digital content. One of the primary factors, suggested by researcher Ytre-Anne is the way in which older audiences prefer physical print editions of magazines over newer digital alternatives (Ytre-Anne 2011). This factor may cause print fashion magazines to specifically cater towards an older demographic in order to maintain or increase sales. Furthermore, as the development of the internet and the rise of fashion blogs in the late 1990s into the new millennium worked to target younger audiences who were familiar with technological advancements, it may be argued that a younger readership may be the target of online publications (Magee 2012, Turner 2009). Similarly, other studies have shown that younger audiences prefer fashion products to be featured on, or endorsed by celebrities, pointing towards the idea that a younger audience prefers content with celebrity news or features. Other factors that might indicate discrepancies in content are product price ranges, with lower priced ready-to-wear fashion featured more frequently online. Alongside such differences in content, several technical features can also cause differences in content. As the internet allows for instant updates on the latest news and fashion, magazine websites are now outputting content on a daily basis as opposed to their print counterparts who typically produce editions on a monthly basis. This phenomenon can ultimately lead to differences in content between the print and online versions of a fashion magazine. My Major Research Project will seek to identify key developments and patterns that might derive from discrepancies in content between women’s fashion magazines’ print editions and their corresponding websites. Using a primarily qualitative approach, my research study will include a content analysis of four North American women’s fashion magazines and a series of interviews with corresponding fashion editors. The content analysis will look for several characteristics present in each fashion magazine’s print edition and its corresponding website, including product pricing, demographic target, as well as celebrity references. The content analysis will further work to compare data between each fashion magazine’s print edition and its corresponding website. In order to further my evidence I will conduct interviews with fashion magazine editors to gain a professional perspective on the subject. The interview portion of this research study will work to provide professional opinion on the subject of content and demographic discrepancies between print fashion magazines and their corresponding websites. Overall, I am interested in the topic of content discrepancies between published print fashion magazines versus their corresponding websites. My aim is not to argue for or against one medium, but instead to look at the implications that might result from content discrepancies between the two mediums. Finally, I hypothesize two primary results: (1) that there are discrepancy patterns in content between a fashion magazine’s print edition and its website, and (2) these discrepancies suggest a difference in demographics, in which online formats target a younger audience and print versions aim to appeal to an older demographic. These findings will work to illuminate key patterns in the fashion publishing industry in terms of content and demographic discrepancies found between online and print versions. As little research has been conducted in this area, it will act as a starting point for future research to explore these patterns more in depth. As digital fashion journalism is still a topic under development, this study will contribute towards a larger goal of conceptualizing digital journalism more broadly. Similarly, the results of this study aim to provide insight and analysis into the current trends in fashion journalism, further assisting fashion editors and journalists in the industry. The overall goal of my research project will seek to establish that within the field of fashion publication in the year 2015, age is an important factor in patterns of print versus online fashion journalism.

Pengaruh Influencer terhadap Minat Beli Produk Fashion Wanita pada Instagram

This research has a purpose to determine the relation and how much influence between Elika Natania influencers on buying interest in women's fashion products on Instagram. The sample in this study was 100 Elika Natania’s followers on her Instagram account. Respondents were using a purposive sampling technique. This research provides results that there is a strong relationship between the two variables and there is a big influence between the two variables reaching 67.8%. So, the conclution is that the influencer variable significantly influences the buying interest variable.Penelitian ini memiliki tujuan untuk mengetahui hubungan dan seberapa besar pengaruh antara influencer Elika Natania terhadap minat beli produk fashion wanita pada media sosial Instagram. Sampel pada penelitian ini adalah followersinfluencer Elika Natania pada akun media sosial Instagram sebanyak 100 Responden menggunakan teknik purposive sampling. Penelitian ini memberikan hasil bahwa ada hubungan yang kuat antara kedua variabel dan terdapat pengaruh yang besar antara kedua variable mencapai 67,8%. Keismpulannya adalah variabel influencer secara signifikan berpengaruh terhadap variabel minat beli.

Análise da moda feminina nas décadas de 70 e 80, do século XX, baseada nos cartazes de cinema

Fashion and clothing are ways of communication. It is universal, found in almost everything that surrounds us. In cinema, fashion stands out particularly through costume design. Costume design unites fashion design with cinema, there has always been a mutual influence.In this paper, we intend to explore and analyse the links between female fashion, in the 1970s and in the 1980s, and the power conquered by women during this period, through the analysis of movie posters. This proposal falls into the art group and fits into the theme of Fashion History and Women’s Empowerment.Following the advancement of feminist mentalities in the twentieth century, changes in this nucleus began to focus on women’s liberation, especially in the 1960s, 1970s, and 1980s. Women’s struggle was not only centred on domestic liberation but also on the freedom of wearing what pleased them best, allying comfort and modernity.This study intends to analyse the connection between women’s fashion and female power using the posters of the films of the epochs, evaluating the feminine presence and the force that transmits. This research aims to praise and uphold the preponderance of fashion and clothing in this era (70’s e 80’s) of Female Empowerment.

ПРОЕКТНО-ОБРАЗНІ ХАРАКТЕРИСТИКИ КОСТЮМА ЕПОХИ «ДИКОГО ЗАХОДУ» ТА ЙОГО ВПЛИВ НА СУЧАСНІ МОДНІ ТЕНДЕНЦІЇ

Purpose. Identification patterns of evolution of the design image of the cowboy in the crisis of masculinity in popular culture during the twentieth century and its impact on modern fashion trends. Methodology. Literary-analytical and comparative methods of research of the original source are used to determine the aesthetic, design and artistic characteristics of the image; stylistic and compositional analysis of modern fashion trends based on the adaptation of the design characteristics of the image of a cowboy in the design of the suit is committed. Results.It is established that the image and symbol of the cowboy in world culture has a significant impact on the trends of men's and women's fashion both during the twentieth century and today. This influence is due to a number of social, economic and environmental factors, the coherence of which creates an aesthetic and figurative need to return the image of the cowboy as a role model in society and as a symbol in culture, art and design. The principles of introduction of artistic and compositional components of the image of a cowboy in modern collections of a suit in a segment of mass fashion are characterized. The means of spreading the idea of smart consumerism and renovation of textiles in the design of fashionable clothes are determined. Based on the pre-project analysis, the figurative and artistic interest in the adaptation of the properties of clothing in the style of "western" to the formation of the individual wardrobe of the consumer is determined. The design concept is formed and the structure of the corresponding collection for wide layers of consumers of clothes as a product of fashion is developed. The scientific novelty. Identification of the main design and artistic characteristics of the historical costume of the Wild West and their transformation in the development of image-compositional structure of the costume in modern fashion. The elements of sign-information stylistics of this project image are revealed and their influence on modern fashion tendencies in both men's and women's fashion is determined. Approaches to the design and artistic modeling of women's clothing as a fashion product based on the renovation of textile products are identified. The practical value. The significance is due to the possibility of using the results of research in the design of clothing for men and women in retro and eco-style "western", taking into account current fashion trends, as well as the ability to predict the further development of the cowboy image in mass culture and its influence on fashion trends