scholarly journals Inhibition of return: An information processing theory of its natures and significance

2020 ◽  
Author(s):  
Ralph S. Redden ◽  
Joseph MacInnes ◽  
Raymond M Klein
Keyword(s):  
Inhibition Of Return ◽  
Oculomotor System ◽  
Published Data ◽  
Data Set ◽  
Processing Theory ◽  
Diffusion Parameters ◽  
History Of ◽  
And Performance ◽  
Input Form ◽  
Speed Accuracy

Inhibition of return (IOR) is an inhibitory aftereffect of visuospatial orienting, typically resulting in slower responses to targets presented in an area that has been recently attended. Since its discovery, myriad research has sought to explain the causes and effects underlying this phenomenon. Here, we briefly summarize the history of the phenomenon, and describe the early work supporting the functional significance of IOR as a foraging facilitator. We then shine a light on the discordance in the literature with respect to mechanism—in particular the lack of theoretical constructs that can consistently explain innumerable dissociations. We then describe three diagnostics (central arrow targets, locus of slack logic and the Psychological Refractory Period, and performance in speed-accuracy space) used to support our theory that there are two forms of inhibition of return—the form which is manifest being contingent upon the activation state of the reflexive oculomotor system. The input form, which operates to decrease the salience of inputs, is generated when the reflexive oculomotor system is suppressed; the output form, which operates to bias responding, is generated when the reflexive oculomotor system is not suppressed, Then, we subjected a published data set, wherein inhibitory effects had been generated while the reflexive oculomotor system was either active or suppressed, to diffusion modelling. As we hypothesized, based on the aforementioned theory, the effects of the two forms of IOR were best accounted for by different drift diffusion parameters. The paper ends with a variety of suggestions for further research.

scholarly journals Two “Inhibitions of Return” Bias Orienting Differently

2019 ◽  
Author(s):  
Raymond M Klein ◽  
Ralph S. Redden
Keyword(s):  
Visual Processing ◽  
Inhibition Of Return ◽  
Oculomotor System ◽  
Peripheral Stimulus ◽  
Novelty Seeking ◽  
Visual Orienting ◽  
Input Form ◽  
Speed Accuracy ◽  
Accuracy Tradeoff ◽  
Central Arrow

Inhibition of return (IOR) is usually viewed as an inhibitory aftermath of visual orienting typically seen in the form of slower responses to targets presented in a previously attended location or object (Posner & Cohen, 1984; Posner et al., 1985). Using the diagnostic patterns obtained when peripheral onset or central arrow targets are used, we have seen that there are two forms of inhibitory aftereffect: one caused by a peripheral stimulus whereby the effect is to decrease the efficiency of subsequent visual processing in the proximity of this stimulus (input effect); the second caused by oculomotor activation whereby the effect is a motor bias (output effect). These are distinguished clearly by whether the effect can only be measured by peripheral targets (input form when the reflexive oculomotor system is suppressed) or by whether there are roughly equivalent delays in response whether the targets are central or peripheral (output form when the reflexive oculomotor system is not suppressed). When performance is represented in speed-accuracy space the input form is manifest as a shift from one speed-accuracy tradeoff function to a less efficient one representing degraded or delayed processing of cued targets while the output form entails no shift in the function, but instead a movement along it (a response bias). Both forms bias orienting and hence can perform the novelty seeking function attributed to the inhibitions in the seminal papers: the input form does so by biasing perception, whereas the output form does so by biasing action.

scholarly journals Using speed and accuracy and the Simon effect to explore the output form of inhibition of return

2021 ◽  
Author(s):  
Ralph S. Redden ◽  
Matthew Hilchey ◽  
Sinan Aslam ◽  
Jason Ivanoff ◽  
Raymond M Klein
Keyword(s):  
Simon Effect ◽  
Inhibition Of Return ◽  
Discrimination Performance ◽  
Oculomotor System ◽  
Drift Diffusion ◽  
Two Parameters ◽  
Processing Continuum ◽  
Speed Accuracy ◽  
Speed And Accuracy ◽  
Accuracy Tradeoff

Inhibition of return (IOR) refers to slower responses to targets presented at previously cued locations. Contrasting target discrimination performance over various eye movement conditions has shown the level of activation of the reflexive oculomotor system determines the nature of the effect. Notably, an effect nearer to the input end of the processing continuum is observed when the reflexive oculomotor system is actively suppressed, and an effect nearer the output end of the processing continuum is observed when the reflexive oculomotor system is actively engaged. Furthermore, these two forms of IOR interact differently with the Simon effect. Drift diffusion modelling has suggested that two parameters can theoretically account for the speed- accuracy tradeoff rendered by the output-based form of IOR: increased threshold and decreased trial noise. In Experiment 1, we demonstrate that the threshold parameter best accounts for the output-based form of IOR by measuring it with intermixed discrimination and localization targets. Experiment 2 employed the response-signal methodology and showed that the output- based form has no effect on the acquisition of information.

Sea Urchins and Circuses: The Modernist Natural Histories of Jean Painlevé and Alexander Calder

2018 ◽  
Vol 13 (2) ◽  
pp. 187-211
Author(s):  
Patricia E. Chu
Keyword(s):  
New Media ◽  
Sea Urchins ◽  
Life Sciences ◽  
Three Dimensional ◽  
Machine Age ◽  
Avant Garde ◽  
History Of ◽  
And Performance ◽  
The One ◽  
Natural Historian

The Paris avant-garde milieu from which both Cirque Calder/Calder's Circus and Painlevé’s early films emerged was a cultural intersection of art and the twentieth-century life sciences. In turning to the style of current scientific journals, the Paris surrealists can be understood as engaging the (life) sciences not simply as a provider of normative categories of materiality to be dismissed, but as a companion in apprehending the “reality” of a world beneath the surface just as real as the one visible to the naked eye. I will focus in this essay on two modernist practices in new media in the context of the history of the life sciences: Jean Painlevé’s (1902–1989) science films and Alexander Calder's (1898–1976) work in three-dimensional moving art and performance—the Circus. In analyzing Painlevé’s work, I discuss it as exemplary of a moment when life sciences and avant-garde technical methods and philosophies created each other rather than being classified as separate categories of epistemological work. In moving from Painlevé’s films to Alexander Calder's Circus, Painlevé’s cinematography remains at the forefront; I use his film of one of Calder's performances of the Circus, a collaboration the men had taken two decades to complete. Painlevé’s depiction allows us to see the elements of Calder's work that mark it as akin to Painlevé’s own interest in a modern experimental organicism as central to the so-called machine-age. Calder's work can be understood as similarly developing an avant-garde practice along the line between the bestiary of the natural historian and the bestiary of the modern life scientist.

Applying analytical procedures for performance audit of customs authorities

2020 ◽  
Vol 19 (6) ◽  
pp. 1035-1055 ◽  
Author(s):  
S.V. Pankova ◽  
V.V. Popov
Keyword(s):  
Distance Method ◽  
Scientific Methods ◽  
Scientific Hypothesis ◽  
Financial Audit ◽  
Promising Area ◽  
History Of ◽  
Performance Audit ◽  
Analytical Procedures ◽  
And Performance ◽  
Customs Administration

Subject. The article considers the development of a set of methods and indicators of economic analysis, which can be used for performance audit of customs authorities, using the Volga Customs Administration case. Objectives. The aim is to justify the use of analytical procedures to rank the effectiveness of customs payments for the purpose of performance audit of customs authorities. Methods. We employ general scientific methods of research, i.e. dialectical and monographic methods, logical analysis, comparison, as well as the Euclidean distance method. Results. We reviewed works by Russian and foreign scholars on the history of customs audit development and internal financial control of customs authorities, gave scientific credence to attributing the system of customs payment and performance to the indicators of economic activity of customs authorities. Due to the lack of methods for assessing the performance of customs authorities, the use of analytical procedures during the performance audit seems to be a promising area. Conclusions. When verifying the scientific hypothesis put forward in the study, we established that the introduction and development of the ranking system for the performance of customs authorities related to the collection of customs duties can contribute to effective financial audit of customs authorities in general.

From the history of manufacturing Romanian nai at the turn of 20–21 centuries

2018 ◽  
pp. 71-74
Author(s):  
A. Drutsé
Keyword(s):  
20Th Century ◽  
Fine Arts ◽  
Research Interest ◽  
Modern World ◽  
Music Theater ◽  
Technical Improvement ◽  
Performance Skills ◽  
Doctoral Candidate ◽  
History Of ◽  
And Performance

The modern world popularity of the nai — a traditional Romanian instrument — has identified interest in writing this article. This problematic constitutes the circle of our research interest as a doctoral candidate, but also as a concert performer, a graduate of the Academy of Music, Theater and Fine Arts. One of the most interesting aspects of the study of nai is its technical improvement since 60s of the 20th century, which led to the acquisition of a number of new, innovative skills and performance skills. In this article we have identified some pages of the modern history of the manufacture of this ancient instrument associated with these processes.

History of diatom studies in sphagnum bogs of Russia and some adjacent countries

2008 ◽  
Vol 42 ◽  
pp. 36-54
Author(s):  
M. S. Kulikovskiy
Keyword(s):  
Published Data ◽  
Sphagnum Bogs ◽  
History Of

Main trends of diatom studies in Sphagnum bogs of Russia and adjacent countries are shown. On the basis of published data, making use of modern taxonomical changes, the taxonomical list of diatoms from the considered Sphagnum bogs is presented.

ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING

2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  
Keyword(s):  
Performance Practice ◽  
Piano Music ◽  
Traumatic Experiences ◽  
Special Role ◽  
Native Culture ◽  
History Of ◽  
The Subject ◽  
And Performance ◽  
The Many ◽  
Special Meaning

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.

Update on the Boundaries of the Curly Birch Range

2020 ◽  
pp. 9-21
Author(s):  
L.V. Vetchinnikova ◽  
◽  
A.F. Titov ◽  
◽  
Keyword(s):  
Population Size ◽  
Natural Populations ◽  
Forest Tree ◽  
Published Data ◽  
Population Approach ◽  
Key Factors ◽  
History Of ◽  
Individual Trees ◽  
Karelian Birch

The article reports on the application of the best known principles for mapping natural populations of curly (Karelian) birch Betula pendula Roth var. carelica (Mercklin) Hämet-Ahti – one of the most appealing representatives of the forest tree flora. Relying on the synthesis and analysis of the published data amassed over nearly 100 years and the data from own full-scale studies done in the past few decades almost throughout the area where curly birch has grown naturally, it is concluded that its range outlined in the middle of the 20th century and since then hardly revised is outdated. The key factors and reasons necessitating its revision are specified. Herewith it is suggested that the range is delineated using the population approach, and the key element will be the critical population size below which the population is no longer viable in the long term. This approach implies that the boundaries of the taxon range depend on the boundaries of local populations (rather than the locations of individual trees or small clumps of trees), the size of which should not be lower than the critical value, which is supposed to be around 100–500 trees for curly birch. A schematic map of the curly birch range delineated using this approach is provided. We specially address the problem of determining the minimum population size to secure genetic diversity maintenance. The advantages of the population approach to delineating the distribution range of curly birch with regard to its biological features are highlighted. The authors argue that it enables a more accurate delineation of the range; shows the natural evolutionary history of the taxon (although it is not yet officially recognized as a species) and its range; can be relatively easily updated (e.g. depending on the scope of reintroduction); should be taken into account when working on the strategy of conservation and other actions designed to maintain and regenerate this unique representative of the forest tree flora.

Mind Cure

2019 ◽  
Author(s):  
Wakoh Shannon Hickey
Keyword(s):  
White Male ◽  
Late Nineteenth Century ◽  
Scientific Psychology ◽  
Race And Gender ◽  
History Of ◽  
And Performance ◽  
And Gender ◽  
First Americans ◽  
The Mind ◽  
Political Economic

Mindfulness is widely claimed to improve health and performance, and historians typically say that efforts to promote meditation and yoga therapeutically began in the 1970s. In fact, they began much earlier, and that early history offers important lessons for the present and future. This book traces the history of mind-body medicine from eighteenth-century Mesmerism to the current Mindfulness boom and reveals how religion, race, and gender have shaped events. Many of the first Americans to advocate meditation for healing were women leaders of the Mind Cure movement, which emerged in the late nineteenth century. They believed that by transforming their consciousness, they could also transform oppressive circumstances in which they lived, and some were activists for social reform. Trained by Buddhist and Hindu missionaries, these women promoted meditation through personal networks, religious communities, and publications. Some influenced important African American religious movements, as well. For women and black men, Mind Cure meant not just happiness but liberation in concrete political, economic, and legal terms. The Mind Cure movement exerted enormous pressure on mainstream American religion and medicine, and in response, white, male doctors and clergy with elite academic credentials appropriated some of its methods and channeled them into scientific psychology and medicine. As mental therapeutics became medicalized, individualized, and then commodified, the religious roots of meditation, like the social justice agendas of early Mind Curers, fell away. After tracing how we got from Mind Cure to Mindfulness, this book reveals what got lost in the process.

The Classical Tradition in University Theatre

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Art Education ◽  
Classical Tradition ◽  
Theory And Practice ◽  
Theatre Arts ◽  
Tel Aviv ◽  
Greek Drama ◽  
Mise En Scene ◽  
History Of ◽  
Stage Performance ◽  
And Performance

This chapter surveys the history of classical Greek drama productions at the Department of Theatre Arts of Tel Aviv University as the basis for an exploration of the issue of theatre and art education. By analysing the students’ approach to classical Greek drama, we can see how they deal with the interpretative reading, translation, and performance of such texts on stage. We also see how the ancient works invite the students to delve more deeply into their distinctive content and forms; to draw links between theory and practice, and between text and context; to gain a deeper understanding of the issues of style and styling; and to engage in a richer experimentation with various aspects of stage performance—such as pronunciation, diction, voice, movement, music, and mise-en-scène.

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