Aubin’s The Noble Slaves, Montagu’s Spanish Lady, and English Feminist Writing about Sexual Slavery in the Ottoman World

2017 ◽  
Vol 29 (4) ◽  
pp. 583-606 ◽  
Author(s):  
Adam R. Beach
2014 ◽  
Vol 2 (1) ◽  
pp. 47-50
Author(s):  
Senka Ena Majetic

Abstract - It is widely accepted among feminists that feminism implies a distinctive approach to inquiry. And for some this is not just a matter of the grounds on which topics are selected for investigation, or even of the theoretical ideas that are treated as relevant. Rather, feminism is taken to carry distinctive methodological and epistemological implications (Hammersley, 1995: 45). In this paper I want to assess the arguments for a distinctively feminist methodology. My first task, though, is to provide some detail about what this is taken to entail. There are, of course, important differences among feminists who have written on this topic, and in the course of the discussion I will highlight some of these. I certainly do not want to suggest that what I am assessing is a single position, nor am I claiming to represent the basis on which most feminists actually do research. My main concern here is solely with feminist writing about methodology.


2002 ◽  
Vol 19 (4) ◽  
pp. 1-22 ◽  
Author(s):  
Jasmin Zine

This paper examines the politics of knowledge production as it relates to Muslim women in western literary traditions and con­temporary feminist writing, with a view to understanding the political, ideological, and economic mediations that have histor­ically framed these representations. The meta-narrative of the Muslim woman has shifted from the bold queens of medieval lit­erature to colonial images of the seraglio's veiled, secluded, and oppressed women. Contemporary feminist writing and popular culture have reproduced the colonial motifs of Muslim women, and these have regained currency in the aftermath of9/1 l. Drawing upon the work of Mohja Kahf, this paper begins by mapping the evolution of the Muslim woman archetype in western literary traditions. The paper then examines how some contemporary feminist literature has reproduced in new ways the discursive tropes that have had historical currency in Muslim women's textual representation. The analysis is atten­tive to the ways in which the cultural production of knowledge about Muslim women has been implicated historically by the relations of power between the Muslim world and the West ...


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