Pedagogical love in changeable social and cultural contexts

This article describes the circumstances in which a German crew shot a film in the Warsaw Ghetto in May and June 1942. The author employs visual materials and eyewitness' accounts of Warsaw Ghetto Jews. They are an important counterpoint, revealing the background and the persuasive dimension of the Nazi message. The text is aimed at an understanding of the propagandistic intention, rooted in the specifically Nazi techniques of persuasion. To do this, the author refers to the sources of anti-Semitic imaginarium and the modes of depiction of the Jew as an enemy figure. The reconstruction of the image of the Jewish community in this film is reinforced by references to broader ideological and socio-cultural contexts.

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Editorial: Transnational Marketing

TRANSNATIONAL MARKETING JOURNAL ◽

10.33182/tmj.v1i1.417 ◽

2013 ◽

Vol 1 (1) ◽

pp. 1-4

Author(s):

Ibrahim Sirkeci

Keyword(s):

Theory And Practice ◽

New Venture ◽

Marketing Theory ◽

High Quality ◽

Cultural Contexts ◽

Organization Structures ◽

Innovative Thinking ◽

Critical Approaches ◽

National Boundaries ◽

Resource Environment

Transnational Marketing Journal is a new scholarly, peer-reviewed journal is dedicated to disseminating high quality contemporary research into transnational marketing practices and scholarship while encouraging critical approaches in the development of marketing theory and practice. It is an exciting new venture for us and we would like to invite innovative thinking, scholarship, and current research into marketing practices and challenges crossing national borders.In Transnational Marketing and Transnational Consumers, Transnational Marketing is defined “as understanding and addressing customer needs, wants and desires in their own country of residence and beyond and in borderless cultural contexts with the help of synergies emerging across national boundaries and transfer of expertise and advantages between markets where the organization operates transnationally with a transnational mentality supported by transnational organization structures and without compromising the sustainability of any target markets and resource environment offering satisfactory exchanges between the parties involved” (Sirkeci, 2013: vii).

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Mind Bending, Mental Seduction and Menticide: Brainwashing in British Spy Dramas of the 1960s

Journal of British Cinema and Television ◽

10.3366/jbctv.2013.0120 ◽

2013 ◽

Vol 10 (1) ◽

pp. 27-48 ◽

Cited By ~ 2

Author(s):

Alan Burton

Keyword(s):

Cold War ◽

Thought Control ◽

Cultural Contexts ◽

Scientific Background ◽

Mind Control ◽

1960S And 1970S ◽

The 1960S ◽

The Cold War ◽

The Mind ◽

Cultural Fantasy

Brainwashing assumed the proportions of a cultural fantasy during the Cold War period. The article examines the various political, scientific and cultural contexts of brainwashing, and proceeds to a consideration of the place of mind control in British spy dramas made for cinema and television in the 1960s and 1970s. Particular attention is given to the films The Mind Benders (1963) and The Ipcress File (1965), and to the television dramas Man in a Suitcase (1967–8), The Prisoner (1967–8) and Callan (1967–81), which gave expression to the anxieties surrounding thought-control. Attention is given to the scientific background to the representations of brainwashing, and the significance of spy scandals, treasons and treacheries as a distinct context to the appearance of brainwashing on British screens.

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