History of Contemporary Indian English Poetry: An Appraisal

POETCRIT ◽  
2020 ◽  
Vol 33 (1) ◽  
pp. 76-82
Author(s):  
Pravat Kumar Padhy ◽  
POETCRIT ◽  
2021 ◽  
Vol 34 (1) ◽  
pp. 115-125
Author(s):  
Suresh Chandra Pande ◽  
◽  

Author(s):  
Daniel Sawyer

This volume offers the first book-length history of reading for Middle English poetry. Drawing on evidence from more than 450 manuscripts, it examines readers’ choices of material, their movements into and through books, their physical handling of poetry, and their attitudes to rhyme. It provides new knowledge about the poems of known writers such as Geoffrey Chaucer, John Lydgate, and Thomas Hoccleve by examining their transmission and reception together with a much larger mass of anonymous English poetry, including the most successful English poem before print, The Prick of Conscience. The evidence considered ranges from the weights and shapes of manuscripts to the intricate details of different stanza forms, and the chapters develop new methods which bring such seemingly disparate bodies of evidence into productive conversation with each other. Ultimately, this book shows how the reading of English verse in this period was bound up with a set of habitual but pervasive formalist concerns, which were negotiated through the layered agencies of poets, book producers, and other readers.


Author(s):  
Meredith Martin

This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories that he and Gerard Manley Hopkins discussed together. It shows how Bridges and his influential competitor, George Saintsbury, were jostling for position during the height of the prosody wars between 1900 and 1910, and how their successes and failures characterize much of our contemporary thinking about early twentieth-century prosody. Author of the three-volume History of English Prosody (1906–10), Saintsbury was a prime mover in both the foundation of English literary study and the institutionalization of the “foot” as the primary measure of English poetry. Infused with Edwardian-era military rhetoric, Sainstbury's foot marched to a particularly English rhythm, which he traced through the ages with wit and martial vigor.


PMLA ◽  
1908 ◽  
Vol 23 (3) ◽  
pp. 421-470
Author(s):  
William Edward Mead
Keyword(s):  
The Past ◽  

In ways innumerable in the course of the past four or five centuries Italy has influenced the thoughts and feelings of Englishmen. The full history of this influence is yet to be written. And naturally enough, for Italy appeals variously to the student of archæology, to the historian, to the artist, to the poet, and to the mere tourist in search of amusement. No landscapes more exquisite can be found in the world than some portions of Italy; no city can fill the peculiar place of Rome or Florence or Venice; and nothing can surpass the subtle witchery of Capri and Sicily and some of the half-forgotten hill towns ruined ages ago.


Worldview ◽  
1970 ◽  
Vol 13 (5) ◽  
pp. 12-16
Author(s):  
Paul W. Blackstock

Writing in 1765 in the full swing ot the Enlightenment, an Oxford Don and Bachelor of Divinity Thomas Warton, began the Preface to his famous History of English Poetry (from the eleventh to the eighteenth centuries) with the following lines:In an age advanced to the highest degree of refinement that spceies of curiosity commences, which is busied in contemplating the progress of social life, in displaying the gradations of science, and in tracing the trinsitions from barbarism to civilityThat these speculations should become the favourite pursuits and the fashonable topic of suth a period is extremly natural. We look back on the savage condition of our ancestors with the triumph of superiority.


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