A Comparative Study of the Works of Vincent Van Gogh and Salvador Dali from an Object Relational Perspective

2021 ◽  
Vol 17 (2) ◽  
pp. 29-56
Author(s):  
Wan-Yong Park ◽  
Keyword(s):  
Comparative Study ◽  
Van Gogh ◽  
Vincent Van Gogh ◽  
Salvador Dali ◽  
Relational Perspective ◽  
Object Relational

scholarly journals The Van Gogh Enigma: Re-Mythifications of the Artist’s Genius in "Loving Vincent" and "At Eternity’s Gate"

2021 ◽  
Vol 9 (16) ◽  
pp. 93-110
Author(s):  
Paula Arantzazu Ruiz
Keyword(s):  
Comparative Study ◽  
Van Gogh ◽  
Creative Practice ◽  
Vincent Van Gogh ◽  
Feature Films ◽  
Animated Film ◽  
Dutch Painter

Few painters have had as many films made about their lives as Vincent van Gogh. The interest in his story is due in part to the mystery surrounding his last days, in Arles, France. It is thus no coincidence that all the biopics about the Dutch painter focus on this stage of his life, including the recent works Loving Vincent (2017), an animated film by Dorota Kobiela and Hugh Welchman, and Julian Schnabel’s At Eternity’s Gate (2018). A comparative study of these two feature films, representing two different aesthetic and dramatic approaches, is conducted in pursuit of the two objectives of this paper: to identify the conventions of the subgenre of the artist biopic; and consequently, to analyze how both films reflect on the artist’s creative practice in order to determine whether the film camera is in fact capable of capturing the brushstroke and the mystique of the genius.

Vincent Van Gogh and the elusive diagnosis of vestibular migraine

2021 ◽  
pp. 110747
Author(s):  
Soumit Dasgupta ◽  
Robby Vanspauwen ◽  
Enis Alpin Guneri ◽  
Marco Mandala
Keyword(s):  
Vestibular Migraine ◽  
Van Gogh ◽  
Vincent Van Gogh

scholarly journals Nelson Romero Guzmán: Por la ruta del río y la poesía

2021 ◽  
pp. 73-110
Author(s):  
Libardo Vargas Celemín
Keyword(s):  
Van Gogh ◽  
Vincent Van Gogh ◽  
Del Rio ◽  
La Luna

Crónica periodística de Nelson Romero Guzmán, publicada en el volumen VII de Tolimenses que dejan huella. Poeta y ensayista, Romero es licenciado en Filosofía y Letras de la Universidad Santo Tomás y magíster en Literatura de la Universidad Tecnológica de Pereira en convenio con la Universidad del Tolima. Con la obtención del XIV Premio Nacional de Poesía Universidad de Antioquia 1999, Nelson Romero inicia un ambicioso proyecto poético que corresponde a una trilogía, en la que sus protagonistas son los pintores Vincent van Gogh, Francisco de Goya y Edward Munch (Surgidos de la luz, La quinta del sordo y Bajo el brillo de la luna). Con este libro, el tercero de la trilogía, obtiene en Cuba el Premio Casa de las Américas 2015, reconocimiento que le abre innumerables puertas al poeta.

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