Everyone’s deep politics began to show. Bursting the acoustic space of Herbert M. McLuhan.

The Jakobsonian system of binary distinctive features is based on the premise that, as far as vowels are concerned, their articulation, and the resulting acoustic effects, are not distributed randomly over the available articulatory or acoustic space, but are organized into systems of binary contrasts, so that for example (in articulatory terms) a set of front vowels will be matched by a corresponding set of back vowels, a set of high vowels by a set of mid or low vowels, and so on. There will thus be a certain symmetry in the distribution of such vowels, either in their positions on a vowel quadrilateral, or in a similar schematic shape such as the five-vowel triangle.

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ARCHITECTURAL MODELLING OF “SOUND” PERGOLA

International Journal for Computational Civil and Structural Engineering ◽

10.22337/2587-9618-2018-14-3-68-82 ◽

2018 ◽

Vol 14 (3) ◽

pp. 68-82 ◽

Cited By ~ 2

Author(s):

Valery S. Lesovik ◽

Irina L. Pershina ◽

Dmitry Yu. Popov ◽

Andrey V. Shevchenko

Keyword(s):

Computer Modelling ◽

Project Design ◽

Architectural Models ◽

Acoustic Space

The article describes architectural solutions of pergolas adapted for the reproduction of synthesized acoustic space. The solution is represented by means of computer modelling and visualizes both processes and ob-jects on the example of construction and calculations. The project design of architectural models is an integral part in the practical reconstruction of the geospatial space studied by the architectural geography.

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Interaural Level Difference Discrimination Thresholds and Virtual Acoustic Space Minimum Audible Angles for Single Neurons in the Lateral Superior Olive

Hearing – From Sensory Processing to Perception ◽

10.1007/978-3-540-73009-5_46 ◽

2007 ◽

pp. 425-433 ◽

Cited By ~ 1

Author(s):

Daniel J. Tollin

Keyword(s):

Interaural Level Difference ◽

Single Neurons ◽

Lateral Superior Olive ◽

Superior Olive ◽

Level Difference ◽

Acoustic Space

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Design of ready-made acoustic model library by two-dimensional visualization of acoustic space

10.21437/interspeech.2004-27 ◽

2004 ◽

Author(s):

Goshu Nagino ◽

Makoto Shozakai

Keyword(s):

Acoustic Model ◽

Two Dimensional ◽

Model Library ◽

Acoustic Space

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Turning Up the Volume of Inner Speech

Modernist Soundscapes ◽

10.5744/florida/9780813056074.003.0005 ◽

2018 ◽

pp. 94-113

Author(s):

Angela Frattarola

Keyword(s):

Popular Culture ◽

James Joyce ◽

Turn Of The Century ◽

Inner Speech ◽

Historical Study ◽

Stream Of Consciousness ◽

Surrounding World ◽

The Common ◽

Acoustic Space

Chapter 4 questions how the common turn-of-the-century practice of listening to the telephone, phonograph, and radio through headphones may have aided modernists in turning up the volume and recording interior monologue—one’s “inner speech” that sounds out within the auditory imagination. Using Jonathan Sterne’s historical study of how headphones created a “private acoustic space,” this chapter postulates that listening to voices and music through headphones created a new sense of a personal and aesthetically objectified space within one’s head. Just as headphones brought unfamiliar sounds and voices into one’s private headspace, James Joyce represents the stream of consciousness as a collage of voices and sounds from literature, religion, popular culture, and the soundscape. In Ulysses (1922), Joyce creates an auditory cosmopolitanism, by allowing the languages and sounds of the surrounding world to penetrate and influence the interior monologues of his characters.

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