The musical star

2021 ◽  
pp. 109-126
Author(s):  
Gillian Kelly

This chapter looks at Power’s work within the genre of musicals. Despite his lack of singing and dancing ability, he was cast as the lead in five musicals between 1937 and 1939, although he made no more films in this genre after the decade ended. To compensate for his lack of musical talent, Power was cast opposite female stars who were skilled musical performers, being paired with ice-skating champion Sonja Henie twice and singer-actress Alice Faye three times. This move by Twentieth Century-Fox demonstrates the actor’s appeal to contemporary audiences at a time when musicals were extremely popular and its plans for his maximum exposure. Power’s characterisations in all five musicals are slightly different, some building on his already established screen image and others advancing it either slightly or significantly. Indeed, while his films with Henie have many similarities to his comedic pairings with Young, Faye provides his most sensual screen pairing to date, suggesting a new sexual maturity to his image at the end of the 1930s.

2001 ◽  
Vol 16 (1) ◽  
pp. 71-93
Author(s):  
JESÚS J. SÁNCHEZ BARRICARTE

This article examines developments in marriage patterns in the Spanish province of Navarre over the last 300 years. The data from Navarrese villages show that the age of both men and women on their first marriage was well past the onset of sexual maturity. However, major differences were noted between the marriage patterns in the different villages. It was also noteworthy that the increasing intensity in marriage patterns observed in other European countries from the late nineteenth century onwards is not reflected in the case of Spain. Spain, and particularly rural Navarre, saw an uninterrupted decline in I′m values from the late-eighteenth to the mid-twentieth century. The possible influence of migratory movements on the I′m values in rural Navarre is analysed. Findings are also reported concerning the age difference between partners offer the last three centuries.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  

Author(s):  
Denis Choimet ◽  
Hervé Queffelec
Keyword(s):  

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