scholarly journals Antisocial Feminism? Shulamith Firestone, Monique Wittig and Proto-Queer Theory

Paragraph ◽  
2018 ◽  
Vol 41 (3) ◽  
pp. 364-379
Author(s):  
Lisa Downing

Recent iterations of feminist theory and activism, especially intersectional, ‘third-wave’ feminism, have cast much second-wave feminism as politically unacceptable in failing to centre the experiences of less privileged subjects than the often white, often middle-class names with which the second wave is usually associated. While bearing those critiques in mind, this article argues that some second-wave writers, exemplified by Shulamith Firestone and Monique Wittig, may still offer valuable feminist perspectives if viewed through the anti-normative lens of queer theory. Queer resists the reification of identity categories. It focuses on resistance to hegemonic norms, rather than on group identity. By viewing Wittig's and Firestone's critique of the institutions of the family, reproduction, maternity, and work as proto-queer — and specifically proto-antisocial queer — it argues for a feminism that refuses to shore up identity, that rejects groupthink, and that articulates meaningfully the crucial place of the individual in the collective project of feminism.

Author(s):  
Avril Horner ◽  
Sue Zlosnik

Since the early debates about ‘Female Gothic’ in the 1970s and 1980s, inspired by Second-Wave Feminism, the theorisation of gender has become increasingly sophisticated and has resulted in a long interrogation of the category ‘woman’. There was, however, a political price to pay for this, in so far as feminism gave way to the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors in this volume tackle such conundrums in lively chapters that explore Gothic works – from established classics to recent films and novels – from feminist and/or post-feminist perspectives. The result is a book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity....


Author(s):  
Dániel Z. Kádár

Politeness comprises linguistic and non-linguistic behavior through which people indicate that they take others’ feelings of how they should be treated into account. Politeness comes into operation through evaluative moments—the interactants’ (or other participants’) assessments of interactional behavior—and it is a key interpersonal interactional phenomenon, due to the fact that it helps people to build up and maintain interpersonal relationships. The operation of politeness involves valences: when people behave in what they perceive as polite in a given situation, they attempt to enactment shared values with others, hence triggering positive emotions. The interactants use valenced categories as a benchmark for their production and evaluation of language and behavior, and valence reflects the participants’ perceived moral order of an interactional context/event, that is, their perceptions of ‘how things should be’ in a given situation. Thus, the examination of politeness reveals information about the broader in-group, social, and cultural values that underlie the productive and evaluative interactional behavior of individuals. As politeness is a social action that consists of both linguistic and non-linguistic elements and that embodies a social practice, the research of politeness also provides insights into the social practices that surround individual language use. Pragmatics-based research on politeness started in the late 1970s and early 1980s, and has become one of the most popular areas in pragmatics. The field has undergone various methodological and theoretical changes. These include the “first wave” of politeness research, in the course of which researchers either attempted to model politeness across languages and cultures by using universal frameworks, or engaged in culture-specific criticism of such frameworks. In the “second wave” of politeness research, researchers attempted to approach politeness as an individualistic, and often idiosyncratic, interactionally co-constructed phenomenon. A key argument of the second wave is that politeness can only be studied at the micro-level of the individual, and so it may be overambitious to attempt to model this phenomenon across languages and cultures. In the “third wave” of politeness research, scholars attempt to model politeness across languages and cultures, without compromising the endeavour of examining politeness as an interactionally co-constructed phenomenon. Key phenomena studied in politeness research include, among others, impoliteness, intercultural interaction, cross-cultural similarities and differences of politeness, the gendered characteristics of politeness behavior, and convention and ritual. Politeness research is a multidisciplinary field that is engaged in the examination of a wide variety of data types.


Author(s):  
Lily Geismer

This chapter looks at the growth of suburban feminism as a means to consider the persistence of certain elements of suburban liberal activism and ideology in a changed political and economic climate. The increasing wedding of feminism with suburban politics had key trade-offs for the larger cause of women's equality. The sensibility and organizing strategies of suburban liberal politics were both crucial to the success of several campaigns, especially the passage of the Equal Rights Amendment (ERA). The pivot also helped the movement further earn the notice and attention of politicians eager to win suburban votes. Yet the relationship hardened the middle-class orientation of second-wave feminism and elevated class-blind and consumerist ideas of choice.


2005 ◽  
Vol 69 (1) ◽  
pp. 56-91 ◽  
Author(s):  
Susan Archer Mann ◽  
Douglas J. Huffman

2016 ◽  
Vol 2 (1) ◽  
Author(s):  
Francesca Ferrando

Abstract This article aims to reassemble a feminist genealogy of the posthuman in the arts, with a specific focus on the visual works conceived by female artists after the rise of what has been retrospectively defined as first-wave Feminism. Starting with the main avant-garde movements of the first half of the twentieth century—specifically, Futurism, Dadaism and Surrealism—this genealogy analyses the second-wave Feminism of the 1960s and 1970s, with its integral exploration of the body highlighted by performance art. Following this, it takes into account the third-wave Feminism of the 1990s and its radical re-elaboration of the self: from Cyberfeminism and its revisitation of technology, to the artistic insights offered, on the one side, by critical techno-orientalist readings of the futures, and on the other, by the political and social articulations of Afrofuturism and Chicanafuturism. Lastly, this genealogy accesses the ways contemporary female artists are dealing with gender, social media and the notion of embodiment, touching upon elements that will become of key importance in fourth-wave Feminism. This article is published as part of a collection dedicated to multi- and interdisciplinary perspectives on gender studies.


Sign in / Sign up

Export Citation Format

Share Document