scholarly journals Acoustic Individual Identification in Birds Based on the Band-Limited Phase-Only Correlation Function

2020 ◽  
Vol 10 (7) ◽  
pp. 2382
Author(s):  
Angel David Pedroza ◽  
José I. De la Rosa ◽  
Rogelio Rosas ◽  
Aldonso Becerra ◽  
Jesús Villa ◽  
...  
Keyword(s):  
Large Scale ◽  
Bird Species ◽  
Individual Identification ◽  
New Technique ◽  
Limited Data ◽  
Verification Algorithm ◽  
Individual Bird ◽  
Two Samples ◽  
Band Limited ◽  
A New Technique

A new technique based on the Band-Limited Phase-Only Correlation (BLPOC) function to deal with acoustic individual identification is proposed in this paper. This is a biometric technique suitable for limited data individual bird identification. The main advantage of this new technique, in contrast to traditional algorithms where the use of large-scale datasets is assumed, is its ability to identify individuals by the use of only two samples from the bird species. The proposed technique has two variants (depending on the method used to analyze and extract the bird vocalization from records): automatic individual verification algorithm and semi-automatic individual verification algorithm. The evaluation of the automatic algorithm shows an average precision that is over 80% for the identification comparatives. It is shown that the efficiencies of the algorithms depend on the complexity of the vocalizations.

The Finale of Mahler's Fifth Symphony: Long-Range Musical Thought

1987 ◽  
Vol 112 (2) ◽  
pp. 257-279
Author(s):  
Carolyn Baxendale
Keyword(s):  
Long Range ◽  
Large Scale ◽  
New Technique ◽  
Musical Thought ◽  
Musical Concepts ◽  
A New Technique

It is clear that all the experience I had gained in writing the first four symphonies completely let me down in this one- for a completely new style demanded a new technique.Twenty-Five years ago a prominent Mahler enthusiast could describe the finale of Mahler's Fifth Symphony as ‘a windy, uninspired stretch of note-spinning, literally scraping the barrel in search of music’. Few people nowadays would subscribe to this view: indeed the upsurge of interest in the work of other ‘late Romantic’ composers has perhaps served to sharpen our admiration for Mahler's exceptional powers of invention and his no less extraordinary mastery of large-scale form. Yet we are not really any closer to explaining just how such extended works are held together and given shape, particularly in the absence of specific extra-musical concepts such as those of the ‘Wunderhorn’ symphonies.

On large-scale dynamics and community structure in forest birds: lessons from some eucalypt forests of southeastern Australia

1995 ◽  
Vol 350 (1334) ◽  
pp. 369-379 ◽  
Keyword(s):  
Large Scale ◽  
Necessary Conditions ◽  
Spatial Scales ◽  
Bird Species ◽  
Sympatric Species ◽  
Bird Communities ◽  
Individual Species ◽  
Ecological Communities ◽  
Individual Bird ◽  
Southeastern Australia

Models of ecological communities, including coevolved patterns of resource use among sympatric species (for example, ‘resource partitioning’), are poor or inadequate representations of natural systems despite intense theoretical effort for many years. Some of these difficulties are due to a failure to recognize the necessary conditions for community patterns to develop, which are largely controlled by the dynamic characteristics of individual species. In continental bird communities — examples of which are considered here - these necessary conditions often will not be met owing to the mobility of most species. Here I document the degrees to which the large-scale dynamics (over hundreds of km) of individual bird species are expressed in community terms in five forest-habitat types throughout the year. These data demonstrate that continental bird communities are so dynamic that the conditions for the development of definite structure are unlikely to be met in either proximate or evolutionary time. The failure of community theories to account for and predict structure probably reflects too much concentration on mechanisms at inappropriate spatial scales.

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