L'Inconscient politique. A propos de Frederic Jameson : The Political Unconscious. Narrative as a Socially Symbolic Act

Littérature ◽  
1982 ◽  
Vol 47 (3) ◽  
pp. 113-119 ◽  
Author(s):  
Marc Angenot
2018 ◽  
Author(s):  
josé m. garcía gómez del valle

PDF: http://constelaciones-rtc.net/article/view/1328/pdfdialnet: https://goo.gl/EvfUErjosé m. garcía gómez del valle: "jameson, f., raymond chandler. the detections of totality"en: constelaciones: revista de teoría crítica, issn-e 2172-9506, vol. 8-9, 2017 (ejemplar dedicado a: marx, la teoria crítica y el presente: legados, actualizaciones, reapropiaciones), págs. 508-516.reseña de: frederic jameson: the detections of totality, london/new york : verso, 2016.***bibliografía: * BRUCCOLI, mathew j.: «raymond chandler y hollywood», epílogo a: raymond chandler, la dalia azul, trad. h. alcina y h. vázquez, barcelona: bruguera, 1986.* CHANDLER, raymond: farewell, my lovely, new york: vintage books, 1976.* CHANDLER, raymond: «introduction», en: idem, pearls are a nuisance, middlesex: penguin in association with hamish hamilton, 1979.* CHANDLER, raymond: raymond chandler speaking, ed. d. gardiner y k. s. walker, london: hamish hamilton, 1962.* CHANDLER, raymond: the big sleep, london: penguin books, 2005.* DURHAM, philip: «introducción», en: raymond chandler: asesino en la lluvia, trad. d. prika, barcelona: bruguera, 1978.* JAMESON, fredric: la cárcel del lenguaje. perspectiva crítica del estructuralismo y del formalismo ruso, trad. c. manzano, barcelona: ariel, 1979.* JAMESON, fredric: marxism and form. twentieh-century dialectical theories of literature, princeton: princeton university press, 1974.* JAMESON, fredric: the political unconscious. narrative as a socially symbolic act, london/new york: routledge, 2002.* KNIGHT, stephen: form and ideology in crime fiction, london/ basingstoke: the macmillan press, 1980.* KRACAUER, siegfried: der detektiv-roman. ein philosophischer traktat, frankfurt/m.: suhrkamp, 1979.* LEYTE, arturo: post scriptum a ‹el origen de la obra de arte› de martin heidegger, madrid: la oficina de arte y ediciones, 2016.* MACSHANE, frank: la vida de raymond chandler, trad. p. giralt, barcelona: bruguera, 1977.* MANDEL, ernest, ein schöner mord. sozialgeschichte des kriminalromans, trad. n. th. lindquist, frankfurt/m.: athenäum, 1987.Journal Name: 'constelaciones: revista de teoría críticaVolume: 8-9Publication Date: 2017Publication Name: PDF: goo.gl/o77WZh Constelaciones: Revista de Teoría Crítica (ISSN-e 2172-9506), Vol. 8-9, 2017: "Marx, la Teoria Crítica y el presente: Legados, actualizaciones, reapropiaciones"


Acta Poética ◽  
2005 ◽  
Vol 4 (1-2) ◽  
Author(s):  
Sara Sefchovich

The political unconscious: Narrative as socially symbolic act Frederic Jameson


2020 ◽  
Vol 97 (8) ◽  
pp. 807-821
Author(s):  
MELISSA FIGUEROA

This article examines the subversion of the hagiographic genre in a biographical play from the seventeenth century about the Prophet of Islam, Muhammad, written in Spain. In this essay I argue that the contradiction of using a theatrical genre intended to emphasize the holiness of Christian characters in a play about Muhammad unveils the historical tensions and anxieties of Spain’s Muslim past. The disparity between form and content reveals the unconscious political aspect of the play and illustrates why it can be read from two opposite perspectives regarding the Islamic leader. Departing from Caroline Levine’s use of the term ‘affordance’, and drawing on Fredric Jameson’s concept of the political unconscious, I posit that Vida y muerte del falso Profeta Mahoma (1642) is more a reflection on Spain’s hybrid and ambivalent religious culture than a dramatization of Muhammad’s life.


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