scholarly journals Artistic features of the comedy “The Handsome Man” by Alexander Ostrovsky

2021 ◽  
Vol 27 (3) ◽  
pp. 107-111
Author(s):  
Natalya A. Medvedeva

The article analyses the plot and genre features of the comedy “The Handsome Man” by Alexander Ostrovsky. In particular, such features of comedy as a comic contradiction, a prosperous denouement, typification of heroes and such qualities of vaudeville as the rapid development of action, the motif of a joke, as well as of a deception, are highlighted. The special vaudeville character of the intrigue is emphasised, it is also occupied with dynamism – the heroes change masks, deceive, pretend. It is noted that the psychological complexity of the characters, the main conflict, characterised by depth and sharpness, bring the play closer to the genre of drama. The study uses materials from letters of drama, memories of it, as well as critical reviews of the play “The Handsome Man” – the presence of harsh, often contradictory assessments testifies to the topicality of the comedy. and values. Particular attention is paid to the image of the protagonist, Apollon Okoyomov, who belongs to the “handsome” type, certainly in many respects corresponding to the late-19th-century environment and era. It is concluded that in the play “The Handsome Man” by Alexander Ostrovsky organically combined comic and dramatic elements: this gives her brightness, dynamism, artistic persuasiveness.

2019 ◽  
pp. 256-281
Author(s):  
E.M. Kopot`

The article brings up an obscure episode in the rivalry of the Orthodox and Melkite communities in Syria in the late 19th century. In order to strengthen their superiority over the Orthodox, the Uniates attempted to seize the church of St. George in Izraa, one of the oldest Christian temples in the region. To the Orthodox community it presented a threat coming from a wealthier enemy backed up by the See of Rome and the French embassy. The only ally the Antioch Patriarchate could lean on for support in the fight for its identity was the Russian Empire, a traditional protector of the Orthodox Arabs in the Middle East. The documents from the Foreign Affairs Archive of the Russian Empire, introduced to the scientific usage for the first time, present a unique opportunity to delve into the history of this conflict involving the higher officials of the Ottoman Empire as well as the Russian embassy in ConstantinopleВ статье рассматривается малоизвестный эпизод соперничества православной и Мелкитской общин в Сирии в конце XIX века. Чтобы укрепить свое превосходство над православными, униаты предприняли попытку захватить церковь Святого Георгия в Израа, один из старейших христианских храмов в регионе. Для православной общины он представлял угрозу, исходящую от более богатого врага, поддерживаемого Римским престолом и французским посольством. Единственным союзником, на которого Антиохийский патриархат мог опереться в борьбе за свою идентичность, была Российская Империя, традиционный защитник православных арабов на Ближнем Востоке. Документы из архива иностранных дел Российской Империи, введены в научный оборот впервые, уникальная возможность углубиться в историю этого конфликта с участием высших должностных лиц в Османской империи, а также российского посольства в Константинополе.


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