Movement Analysis of Philippine Folk Dance Itik-itik

2019 ◽  
Vol 2 (1) ◽  
pp. 56-63
Author(s):  
Pangilinan Math C ◽  
Fontanilla Lyndo V ◽  
Pineda Israel C ◽  
Rocelle E Agtang ◽  
Soriano Ria M ◽  
...  

The purpose of the study was to describe and analyze the dance movements of the Philippine folk dance Itik-itik. The researchers adopted the movement analysis method similar to that of Mackenzie that involves the (1) description of the actual movements which occur at the joints involved; (2) the plane in which the movement occurs; and (3) the muscles producing the movement (agonist & antagonist). In addition, similar to the study of Martin and Miller, the researchers also had done a mechanical analysis on the lever type involved in the execution of the dance movement in terms of force, axis, and resistance. Results revealed that the prominent dance steps in the Philippine local dance Itik-itik are the (1) running, (2) cross step, slide close, slide close step, (3) heel, close-ball, close arm, (4) step, slide-close, slide, (5) arms extension/flexion, and (6) flapping of the arms. The joints involved are the shoulder and hip muscle which are ball and socket type of joints; and elbow, knee and ankle which are hinge joints. The major muscles involved in the dance for the lower body include the quadriceps, hamstring muscle group, adductor muscle group, calves and gluts. While for the upper body muscles involved are the pectoralis major, latissimus dorsi, deltoid, trapezius, biceps, and triceps muscles. The type of lever used in performing the dance comprise majority of 1st class and 3rd class levers. By knowing the muscles involved in the dance the dance teacher may be able to devise activities to gradually prepare the prime mover muscles before the actual execution for injury prevention. Thus, the movements in the dance may improve the health and skill related fitness of the performers.

2019 ◽  
Vol 2 (1) ◽  
pp. 30-34
Author(s):  
Sanchez Jorielle C ◽  
Manlutac Crisalyn T ◽  
Salas Joven V ◽  
Soriano Marilou R ◽  
Santos Michael E ◽  
...  

The purpose of the study was to describe the dance movements of the folk dance Tinikling which is the most popular traditional dance and former national dance of the Philippines.  The researchers adopted the movement analysis method similar to that of Mackenzie that involves the (1) description of the actual movements which occur at the joints involved; (2) the plane in which the movement occurs; and (3) the muscles producing the movement (agonist & antagonist). In addition, the researchers also had done a mechanical analysis on the lever type involved in the execution of the dance movement in terms of force, axis, and resistance. The prominent dance steps in the Philippine local dance Tinikling are the (1) running, (2) tinikling steps, (3) diagonal step, and (4) straddle jump with a turn step. The joints involved are: hip muscle which is ball and socket type of joint; and knee and ankle which are hinge joints. The major muscles involved in the dance include mostly the lower body muscle groups such as the quadriceps, hamstring, gluts, adductor muscle group, and calves. The type of lever used in performing the dance comprise majority of 1st, 2nd and 3rd class levers. Thus, the Tinikling is a viable dance which could improve the health related fitness of the performers in terms of muscular strength, muscular endurance, cardiovascular endurance and flexibility. Also, the dance could improve skill-related fitness such as power, agility, balance and coordination.


2020 ◽  
Vol 17 (2) ◽  
pp. 1503-1510
Author(s):  
Norsimaa Mustaffa ◽  
Muhammad Zaffwan Idris

Zapin Lenga is a Malaysian folk dance within Zapin Melayu and specifically known as Zapin Johor. Zapin Lenga was originated in Muar, one of the district in Johor state and the oldest Zapin Melayu repertoire that had been found in Johor. Zapin Lenga which usually performed for religious significance comprises of six-step patterns, known as ‘langkah’ that were performed only by the males during the olden days. In the meaning of preservation, we have used Motion Capture (MoCap) technology in recording and digitising human motions. In this paper, we present a primary work in preserving the dance movements of Zapin Lenga through Laban Movement Analysis (LMA) including Body, Effort, Shape and Space in order to identify qualities on dance movements. The dance movements were analysed by considering musical rhythm using segmentation method and the distances between markers were measured to define speed.


Pedagogika ◽  
2014 ◽  
Vol 114 (2) ◽  
pp. 191-199
Author(s):  
Laimutė Kisielienė

he article analyses the Lithuanian folk dance as a means of national identity fostering in Lithuanian diaspora in North America. National identity maintenance especially in emigration is topical problem which started with the first wave of emigrants into US after the First World War. The evolution of Lithuanian folk dance in North America can be divided into two parts.  The first period involves Lithuanian dance origins in North America, where in 1925 the first Lithuanian dances were captured in Lithuanian operas and choral performances. The first and second waves of emigrants didn't have chance to experience folk dance revival period in Lithuania, so they tried to dance dances which they knew from their parents and grandparents. Therefore dance repertoire was not abundant. During this period national dance activities were enlivened and enriched only by M. Baronaitės arrival from Lithuania seeking to maintain national identity and to expand dance repertoire.The second Lithuanian folk dance development period in North America covers the period from 1944, when the third wave of emigrants, who has experienced national revival in Lithuania,  joined  the  Saturday  schools  and  established  Lithuanian  dance  ensembles  which  expanded Lithuanian folk dance repertoire in North America. Most of the national dance up holders were teachers, who acquired dance knowledge in primary school physical education teacher courses or by teaching children dance at Lithuanian schools.Lithuanian  Folk  Dance  Institute  (LFDI)  is  an  important  cultural  institution,  which aims  to  explore  and  spread  Lithuanian  folk  dances,  to  promote  the  related  customs, games, folklore, folkmusic and costumes hereby encouraging Lithuanian national identity. The focus of LFDI is appointed to organization of folk dance festivals, selection of artistic director and program approval. One of the major challenges of LFDI is to hold annual dance teacher seminars, which seek to improve folk dance teachers’ competences.


2020 ◽  
Author(s):  
Suphannika Phutthachalee ◽  
Kathrin Mählmann ◽  
Suvaluk Seesupa ◽  
Christoph Lischer

1987 ◽  
Vol 65 (2) ◽  
pp. 603-612 ◽  
Author(s):  
Susan L. Puretz

Despite references in the psychomotor literature regarding the use of rehearsal strategies in recovering movements from longer term memory, no significant difference between physical (overt) and mental (covert) rehearsal strategies for retrieving a complex dance movement over 30 min., 2 days, and 1 wk. were observed for 72 college women in beginning dance classes. Further, no rehearsal was as effective as either physical or mental rehearsal for retrieving dance movements for up to 1 wk. after original learning by these inexperienced dancers. The findings raise the possibility that other forms of retrieval than those already proposed are used to recover complex dance movements from longer term memory.


2014 ◽  
Vol 29 (6) ◽  
pp. 445-449
Author(s):  
Manzoor Bhat ◽  
Bashir Laway ◽  
Muhammad Kuchay ◽  
Shahnaz Mir ◽  
Farhat Dar ◽  
...  

2005 ◽  
Vol 115 (2) ◽  
pp. 358-362 ◽  
Author(s):  
Eva Maranillo ◽  
Xavier Leon ◽  
Cesar Orus ◽  
Miquel Quer ◽  
Jose R. Sanudo

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